black magician old school funk r&m mixtape

Loose Ends - Nights of Pleasure (Dak N' Cheese Re-Edit)

This track has since been pdated. Listen to it and over 2700 other works of mine here:
https://www.house-mixes.com/profile/Digital-Visions-ReEdits/play/shalamar---over-and-over-digital-visions-2021

Check out my Livestreams Monday, Wednesday & Thursdays @ 8pm ET on Twitch: Twitch.tv/DJFreddyG

Shalamar - Over And Over (Digital Visions 2013 Re-Edit)

Rufus & Chaka Khan,   Do You Love What You Feel  -  With a Twist  -  nebottoben

sos band the finest mixed  with saturday love cherelle

The Finest Saturday sos band cherelle mashup

It Seems To Hang On_ Ashford and Simpson _Stranger Danger_Free download

SAFE4WORK or NOTSAFE4WORK? You decide 🫵 🫦

safe4work

Jealousy (12) - CLUB NOUVEAU ( DJ OUIPET ) 1986

For more SanFranDisko remixes / edits and free downloads please follow me here https://hearthis.at/vgncc7yp/

Free Download

Bounce, Rock, Skate,Roll- Vaughan Mason and Crew #FreeDownload

Morphmix (Burley) Mary Jane Girls-Planet Rock

Old Skool Funk Remix (Lakeside, Roger, Slave, Cameo Funkadelic - 10.26 - good)

Atlantic Starr - When Love Calls (PH ReEdit)

Phyllis Hyman-U Know How To Luv Me(SteEdgeFiddle)

Maze Feat. Frankie Beverly | Joy And Pain (Change Request ReVision)

For this ReVision, I chose an iconic song that has had a great influence on me and my artwork throughout my lifetime. Featuring a west coast-style songwriting balladry, their sound was something I immediately connected with from the very first time I heard “Joy And Pain” on the radio as a child.

Often referred to as the “Black Grateful Dead” for their loyal cross-generational fanbase, Maze was formed in San Francisco, California in the late 70s, fronted by the Philly-raised songwriter and former gospel singer, Frankie Beverly.

Originally called Raw Soul, the group changed their name to Maze upon the recommendation of Beverly’s mentor—as well as a major catalyst for their meteoric ascension in popularity—Marvin Gaye.

Featuring conventional instrumentation of this era for an R&B ensemble—Electric Bass, Guitar, and Fender Rhodes, Oberheim OB-X brass—including innovative use of the—then-new—Roland CR-78 CompuRhythm Drum Machine.

For as much as they have written and recorded timeless songs and records, you really have not fully experienced their spiritual mastery until you've seen Maze Feat. Frankie Beverly live in concert.

Buy ReVision

Maze Feat. Frankie Beverly | Joy And Pain (Change Request ReVision)

The SOS Band | No One's Gonna Love You (Change Request Extended Fantasy)

Having written for The SOS Band before and freshly coming off being fired from The Time—by The Purple One himself, Mister Jamie Starr—Jimmy Jam & Terry Lewis officially started their full-time music production careers with this song and this album at Master Sound Studio for Tabu Records in Atlanta.

A favorite single off The SOS Band’s fifth studio album—1984s Just The Way You Like It—“No One's Gonna Love You”, much like this entire record, was written and produced by the Dynamic Duo from Minneapolis. 

Peaking at just #6 on the Billboard R&B Albums charts, this song would continue to see Jam & Lewis developing their early takes of drum machines in popular R&B, this time featuring the brand new Roland TR-808. 

Students of Prince, but graduates of The Minneapolis Sound, this would be one of the first productions of theirs that would go on to heavily influence groups like Loose Ends and 52nd Street as well as being sampled 49 times by artists such as Tupac, New Edition, Snoop Dogg, Foxy Brown, Maxwell, and A$AP Rocky among many others. 

I have always loved this song and like most of their productions from this era, their arrangements and formatting were hyper-focused on developing their quick succession of sections that could all be hooks, a benchmark of the Jam & Lewis songwriting aesthetic. 

Forging a new rhythm section here composed in the zeitgeist, I added all the Minneapolis Sound drum favorites for the era in the mix—from The Oberheim DMX/DX and LinnDrumm LM-1/LM-2 to the standard Roland TR-808 percussion ensemble as well as The Sequential Circuits Drumtraks (which wasn’t used on this album as it was released in the same year of it)—to put some “Get Right” on this 25-year old recording. 

Extending the instrumental sections and symmetrically repeating the hook, I made the longest version of this there is, clocking in at just over 10mins. Saturating the polyrhythmic additional programming, this modern version is now armed for Dance Floor Destruction or Dinner & A Movie Devastation.

A Special Shoutout To A Special Someone:
Whereas The Surreality Of The Reality Is What Really Feels Like A Fantasy

Enjoy!

@AndrewEmil 
@ChangeRequest 
Website: bit.ly/2Vc9qOv  
Facebook: bit.ly/2vvHZQb  
Soundcloud: bit.ly/2vDI30h   
Instagram: bit.ly/2J87UFH

The SOS Band | No One's Gonna Love You (Change Request Extended Fantasy)

FREE DOWNLOAD

Slave - Just A Touch Of Love (Breixo Edit)  Free Download

Players - Fire (bobby spice mix)

Andrew Emil // Change Request 

A preeminent artist of Chicago's 3rd wave, Andrew Emil is one of house music’s most staunch stalwarts. A concert-trained percussionist since age 11, he earned a chair in his native Kansas City Symphony before eventually moving to Chicago. 

As a traditional musician, Andrew Emil has worked as a keyboardist, arranger, and an orchestrator on recording sessions and productions, cutting his teeth at the former Chicago Trax Recording Studios. 

Credited on over 200+ recordings, his composition and studio productions have ranged from concert works and sound design to film scoring stages and hundreds of releases of electronic music productions. 

After a life in live music performance, from orchestra percussion sections to punk rock ensembles, he crafted a reputation for House Music productions in Chicago under his own name, as well as Broadway & Wilson, and Uptown Tones. 

One of the earlier innovators of the “Jackin House” genre under the Broadway & Wilson moniker with Jeff Bloom, Andrew is never content to stay in one place or style of musical thought for very long. 

He is the only recording artist to do production work simultaneously for Derrick Carter’s Classic Music Company, Mark Farina’s Great Lakes Audio, Gene Farris’ Farris Wheel Recordings, and four-time GRAMMY nominee Steve “Silk” Hurley’s S&S Records.

A string of double-digit singles for prominent labels, including remixes for artists such as Common, Kanye West, Little Louie Vega, Jamie Principle, Steve "Silk" Hurley, Iz & Diz, Fast Eddie, Shalamar, Roland Clark, David Morales, Colette, Amp Fiddler, JT Donaldson, and Gene Farris, to name a few. 

2012 saw the emergence of his epithet, Change Request, with the Change Theory EP on four play music. This new persona allowed the freedom to explore hybrids of mid-tempo live instrument focused jazz-dance-fusion. 

Following this release was “After All” on Seasons Recordings, with another single thereafter featuring house music icon, Chez Damier, “I Wanna Go Back”, including a remarkable rework from Glenn Underground, on Glenview Records. 

The ever-growing collection of songs and musical dialogue eventually led to the conceptual album series from Change Request. Each full-length effort containing a completely separate story and scored via its own unique incidental subtext. 

Emil created AstraVox Music with the award-winning Los Angeles-based composer, Mr. Nathaniel, as a home for his increasing catalog of incidental dramatic musical compositions. 

www.andrewemil.com

The SOS Band | No One's Gonna Love You (Change Request Extended Fantasy)

Andrew Emil

Recent comments

DJLemart

the todders

Ninja Kat

DJ DS (France)

Related tracks