Beth Hart: Savior with a razor You still got me

one take freestyle

One Take Freestyle

Director: KC Locke
Exec Producer: Jenny O’Sullivan, Marisa Garner, KC Locke
Directors Rep: Marisa Garner
Production Company: Swords & Eagles
Producer: Gráinne Dwyer, Emily Power
DOP: Joe Douglas  
Production Designer: Jenny O'Sullivan
Editor: Jamil Shaukat  

Head of Video & Creative Commissioner: Kim Jarrett

********************************************** 
Prod coordinator: Zoë Brennan Whitmore
PA: Onai Tafuma, Laura Weiymi, Khaya Tafuma
Casting: Fiona Dwyer
Talent PA: Laura Whelan
Prod Accounts: Roisin Dwye, Catherine Brown

1st AD: Wes O’ Duinn
2nd AD: Nicola Long
1st AC:  Charlie Fleetwood
2nd AC: Patrick Moran
Camera Trainee: Jack Long
DIT: Jamil Shaukat
Grip: John Connon
Grip Assistant: Christopher Connon
Rigging: David Lawless ℅ Spectrum Productions

Gaffer: Andrej Pacher
Spark: Sean Smith
Best Boy: John Allan
Best Boy: James Farrell
Lighting Trainee: David Cleary
Buyer: Sean O’Mahony
Art Assistant: Edward Cunningham 
Art Assistant: Dave Dillon Keating
Set Dresser: Giovanna Chiarella
Props: Props 360
Props:AMPM

SFX: FX Ireland ℅ Brendan Byrne 
SFX Technician: Philippe Zone
Action Car: DNA Action Vehicles

KSI MUA: Shamara Roper
KSI Stylist:  Vivian Nwonka
MUA: Aitana Silvana
MUA: Cliona Campbell
Stylist: Eoin Gavin
Hair Stylist for talent: Gift Ndukwu

Talent: 
Ice Girl: Oyin Adeyemi
Stockbroker: John Manning 
Office Extra: Sasha Boyle
Office Extra: Lucy Loughran
Office Extra: Chris Wong
Office Extra: Jamie C
Office Extra: Diana Y

BTS: Firmative Media, Paddy McKeown, Conor Eiffe

**********************************************
Camera Rentals: Widescreen Hire
Lighting Rentals: Teach Solais & Production Services Ireland
Location utilities: Irish Film Location Facilities
Medic: Blue Screen Medics
Security: Pulse Security
Catering: The Divine Foodie

Special thanks to: Complex Studios, Dublin City Council, Fresh Point, Oxmantown, Boars Head & Bow Street. 

**********************************************

Post Producer: KC Locke
Post Supervisor: Jamil Shaukat
Editing House: Picture Lock

VFX Studio: Null Studios
VFX Producer: Jacob van Pelt, Justin Hwang

3D Artists:
Tehage Horgosigergely
Zoltán Szatmári
Samet Berk
Mustanu Eugeniu
Baurzhan Sabyrzhanov
Andrés Prieto

3D Simulation Artist:
LKSvisuals

VFX Compositing Artists: 
Anurag Raj
Jacob van Pelt
Valts Bergmanis
Tehage Horgosigergely

Keying/Cleanup Artists:
Andrés Prieto 
Rinalds Stilins 
Lleyton Watts

Colour House: Harbor Picture Co
Colour Producer: Charlie Moris 
Colourist: Alex Gregory 
Colour assist: Sarah Banks

Titles: Bimmy

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Spooky, Scary Skeletons (Undead Tombstone Remix Extended)

Spooky, Scary Skeletons (Undead Tombstone Remix)

A multi-instrumentalist, producer, songwriter, arranger, and solo artist, Andrew Gold played a pivotal role in the Southern California musical scene that spawned such Elektra/Asylum superstars as Linda Ronstadt, Jackson Browne, and the Eagles.

The scion of a Hollywood musical family – his father was Academy Award-winning film composer Ernest Gold, his mother famed playback singer Marni Nixon – Gold was a member of the influential L.A.-based folk-rock band, Bryndle, alongside Karla Bonoff, Wendy Waldman, and former Stone Poneys guitarist Kenny Edwards. In 1974, he began collaborating with another erstwhile member of the Stone Poneys in Ronstadt, for whom he would serve as de-facto musical director on three consecutive Billboard 200 #1 albums.

Asylum released Gold’s self-titled solo debut in 1975 to widespread critical acclaim. He scored his first top 10 hit the next year with “Lonely Boy,” featuring Ronstadt on backing vocals. In 1978, Gold returned to the pop charts with “Thank You For Being A Friend,” later to become famous as the theme song to NBC’s beloved sitcom, The Golden Girls.

In addition to his multi-platinum work with Ronstadt, Gold has played with, written songs for, or produced a veritable who’s who of pop, including Art Garfunkel, Paul McCartney, Ringo Starr, James Taylor, Stephen Bishop, 10cc, Cher, and Carly Simon. What’s more, in 1996 his became the first human voice to be broadcast on Mars when his rendition of “The Final Frontier” – aka the theme song to the Paul Reiser/Helen Hunt sitcom, Mad About You – was used to wake up the Mars Pathfinder space probe.

Spooky, Scary Skeletons (Undead Tombstone Remix)

Andrew Gold

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