Cheers on this mix.  Excellent programming and mixing.

#Dubtechno #Deep

by popular request....

01 -- marko fürstenberg -- 2006 (a.r.t.less)
02 -- marko fürstenberg -- falling leaves (a.r.t.less)
03 -- marko fürstenberg -- i209 (thinner)
04 -- marko fürstenberg -- 070120 (a.r.t.less)
05 -- marko fürstenberg -- option23 (thinner)
06 -- marko fürstenberg -- while repeat (instabil)
07 -- marko fürstenberg -- bbt (edit) (a.r.t.less)
08 -- marko fürstenberg -- eastdub (realaudio)
09 -- marko fürstenberg -- rennes le chateaux (instabil)
10 -- marko fürstenberg -- option21 (thinner)
11 -- marko fürstenberg -- option22 (thinner)
12 -- marko fürstenberg -- site312 (echocord colour)
13 -- marko fürstenberg -- inaxa (realaudio)
14 -- marko fürstenberg -- espenhain (baum)

Darkaudio Podcast 071 Marko Fürstenberg

Izhevski Cotton Studio: Maize / August 28, 2008

Extra-sultry all-vinyl deep house set performed at a certain legendary house party in southeast Portland, right around midnight...

DJ SPRINKLES
HORROR INC
SCHUBAQ & VERVEINE
STL
MARI KVEIN BRUNVOLL
MELCHOIR PRODUCTIONS
ADULTNAPPER
XDB
MOVE D
FRANCIS HARRIS
GENIUS OF TIME
GIORGIO LUCERI
VAKULA
VEDOMIR
DJ SPRINKLES

Downloads are enabled, if you enjoyed the mix please leave comments!

https://soundcloud.com/andrewboie/
https://www.facebook.com/andrew.boie.music
http://kansascitytechno.com


Callipygous Mix II

Shanti Moscow Radio:
www.shantiradio.com
https://www.facebook.com/shantiradio

Gorje Hewek & Izhevski:
https://www.facebook.com/gorjehewekmusic
https://www.facebook.com/IzhevskiOfficial


GHIZ - Shanti Radio: Par L'esperance

We’re proud to welcome @daisyrecordsmelbourne into our WHiTMIX series — a mix that moves with the pulse of so-called Australia and the deep threads of community that continue to shape us across distance and time.

Crafted by the Berlin/Naarm-based collective, this mix holds space for the voices and rhythms that formed their roots and ours — a sonic reflection of connection, memory, and place.

From Daisy Records:
“We’re a Berlin/Naarm-based label, online store, DJ duo and event series. This mix is a personal one, made entirely of artists from so-called Australia — a place that shaped our ears, friendships and dancefloors, and continues to ground our project even as we live oceans away.

Through our first three annual compilations and beyond, we’ve always aimed to highlight emerging talent from back home. This mix is no different — it’s filled with rhythm, memory, and love for the community that raised us.”

Grateful to share this frequency with you.

WHiTMIX | #22 Daisy Records

Another lovely Schemer debut by aak DJ. Her hypnotizing soundscapes and quirky rhythms proved the perfect early afternoon soundtrack for our third edition. We're happy to feature her first ever online recording.

aak DJ @ Schemer (13.04.2025)

A sticky-dripping sonic web of sound - NYC's hottest soiree by Amelia Holt.

https://www.instagram.com/ameliaholt

Honey Trap with Amelia Holt @ The Lot Radio 07-10-2025

Introspective mind realignment from the deepest depths, Mike Buhl engages the senses with poise and purpose, lifting the spirit while carefully dialling up the pressure over two-plus hours of tension filled hypnotic techno and soaring interplanetary rhythms. 

@mike-buhl

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. My inspiration was driven by the urge to showcase lots of artists who have been on heavy rotation over the years. Somewhat cliche, but it was really important to blend genres and energies that represented every aspect of what I listen to, am inspired by alongside how and when they were experienced. Tracks I’ve loved listening to on my own, while entertaining friends, during lock in record nights and those tracks designed to be shared in public spaces and events. 
 
Finding a cohesive path through those different styles, genres and energies was the adventure in this mix. Distilling a sonic mountain of records into something that flowed seamlessly and translated well when listening back in all of those moments felt most authentic. A mix best consumed while moving, sharpening that assignment, at the tail end of a dinner party as the vibe shifts to next gear or while embracing the magic of a lock in with the crew. 

This has translated into snapshots, across a timeline stitched together from records new and old, capturing a weekend drive, early floors through to closed doors, spilling onto the street, the afterhours and beyond. Almost two and a half hours of ambient ear candy, arm chair burners, peak melters and thought provokers that attempt to relive moments and feelings from our past years listening, curating and creating electronic music.

Q. I know you’ve developed a close kinship with some modern pillars of the dub techno scene, mastering and editing .VRIL’s 2025 Edit of his classic tune ‘UV’ and being tasked with closing out his recent Melbourne show. Tell us how that connection came about, and what other studio projects have you got bubbling away that you’re excited to share?

A. I first reached out to .Vril ahead of a past tour to Australia. His music resonated with me so much that I wanted to meet him for a coffee. Since then, we’ve hung out a few times, shared music, and bounced some tracks off each other. It was an absolute highlight, when he asked to be a part of reshaping ‘UV’ and he's kindly returned serve with a remix for my follow up EP, 'Modern Explorer II' on local imprint Denude. We’ve had some very early conversations around a collaboration next time he’s out here and I would really like to continue pushing creativity here.

In the background, I've been spending a good amount of time in my studio. Focusing on creating for myself and helping others. Improving my abilities as a mix engineer has been a big focus and I’ve been fortunate enough to work on a number projects with artists locally and abroad. Whether that be mixing, providing creative direction, arrangement work or mastering. I really love working with others and often find it more enjoyable than working alone. In saying that, I’m building a volume of new music that needs an outlet and will focus on that over the next few months.

MDC.313 Mike Buhl

Shawn plays disco for Abby, special nod to Celso Valli. 

https://www.instagram.com/shawn_osullivan_
https://soundcloud.com/shawnosullivan



Tonal Fiction with Shawn O'Sullivan @ The Lot Radio 08-14-2025

This week's mix is by @bian_ca, a DJ based in Rio De Janeiro, a dedicated vinyl collector and resident at Nervosa, one of Rio’s key underground parties! His sets weave the sweat spot between techno and house, and he keeps it timeless and unexpected. 

The 100-minute mix is a journey where the tension stays exactly where it's supposed to be, shifting in genres and moods, and guides you to a grand finale, leaving you mesmerized. 

Track highlight:
‘’This selection is very special to me, as many of these tracks have been with me for a long time. It includes music from close friends I greatly admire, like Muta’s Poem by Capetini and Black Jesus by Vaskular (feat. Valesuchi). However, the track I’d like to highlight is In Sara, Mencken, Christ and Beethoven There Were Men and Women by Robert Ashley. I still remember hearing it for the first time, and it’s hard to believe it was produced in the ’70s. This was the first time I’ve had the chance to play it in a set, and I fall in love with it all over again every time.’’

Thanks Caio<3

bian.ca...IsBurning #174

The Level Party welcomes phenom producer/DJ Connor Wrong to the Lot ahead of their Good Room debut Sept 6. 

https://www.instagram.com/connorwr0ng 
https://www.instagram.com/thelevelparty

https://soundcloud.com/connorwrong



The Level Party with Connor Wrong @ The Lot Radio 08-28-2025

The German minimal DJ returns to the spotlight with two hours of artfully subtle house and techno.

There's an old German proverb that goes "Der stete Tropfen höhlt den Stein." Literally, it means a constant dripping wears away the stone, but the point isn't about force but patience: slow, steady repetition can leave the deepest mark. It's an apt metaphor for the career of Kosta Athanassiadis, better known as XDB.

Active since the early '90s, first as a DJ and then producer by the decade's end, Athanassiadis has built a career less on hype than persistence. His catalogue spans labels like Dial, Metrolux and Echocord, alongside a steady trickle of EPs and remixes that have quietly cemented his reputation as one of minimal house and techno's undersung heroes.

That patience carries into his sound and production ethos. Where many of his peers embraced software upgrades and new workflows, Athanassiadis has long stuck to Cubase, a handful of trusty instruments and 30-year-old speakers he claims to have run "hundreds of thousands of tunes" through. He also still prefers to use inexpensive, straightforward gear—what matters, he insists, is not the tools but the feel. The result is a sound that’s stripped back, direct and enduring.

Lately, Athanassiadis has found himself back in focus. With minimal enjoying fresh attention, his calendar has filled, and with it a run of back-to-back sets—most often alongside PLO Man, a regular sparring partner this year. True to form, though, you won't find that his style has changed much. Over 30 years after his first gig, you can rest assured you'll still find him playing with patience, carving out long arcs rather than sharp peaks.

His RA Mix captures him in a reflective mood. Running just over two hours, RA.1003 is a hushed yet absorbing affair, moving seamlessly from the delicate atmospherics of Valentino Mora and Caldera to the machine funk of Robert Hood, Solid Gold Playaz and Marcellus Pittman. There are left turns folded into XDB's patient narrative arc, too: John Carpenter's brooding scores here, DJ Sprinkles' melancholic work with Will Long on "Acid Trax N (Acid Dog)" there.

It's the sound of a DJ who has been quietly chiseling away for three decades, and who understands the value of persistence as much as restraint.

@xdb

Find the tracklist and interview at ra.co/podcast/1021

RA.1003 XDB

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

Late Night Drive - Dennis - 06 Sep 2025

Manfredas, a DJ/producer based in Vilnius, Lithuania, is also known as one half of Dresden party with Ivan Smagge. His kaleidoscopic play, shaped by the genre-spanning musical knowledge cultivated as a radio DJ, radiates an eclectic and irresistible attraction while evoking influences from electro, disco, post-punk, and beyond. This two-hour set, live-recorded at BAR Inc Osaka in July 2025, is no exception to his spellbinding style.

@manfredas

DREAMING 049 :  MANFREDAS @BAR INC JULY 2025

I am seriously in love with music. I can get down to anything...as long as it's good. Every genre of music has something of QUALITY to offer, so I try to listen to everything with an open mind. I love electronic music because of its versatility of textures, scope of sound, feelings, and vibes. Given my mood I could be listening to house, breaks,  garage, future beats, techno, acid, progressive, drum n bass, dubstep, psychedelic trance, psybient, ambient, IDM, downtempo, etc.  I also listen to a lot of conscious hip hop, jazz, soul, reggae, world music, indie rock, post rock, classic rock, folk, and some nostalgic 90's and 80's alternative/pop.  I'm on soundcloud to mainly find mixes to groove to.  Lately, I've been into the soulful and uplifting sounds of liquid drum n bass, loud ass techhouse, and chill deep bass music/ deep house.

Andrew Paris has over twenty five years experience DJing and is based in Portland, where he avidly collects records and promotes events with Thread the Needle and Faceless PDX.

Callipygous Mix II

Andrew Paris

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