A group of us got together to do a project. After dicking around for an hour, we (the rhyhm section) recorded this rough mix in just a few takes. Brass overdubbed later, idk. It's not perfect, but neither are people.

[Bass] Death of a Bachelor (ft. Alexis on trump)

The main theme from the Wii U game 'Super Smash Bros. Wii U'
Arranged by Andrew Reid

[Bass] [Arrangement] Sm4sh Bros

"Cut Chemist Suite" by Ozomatli
Arranged by Kenny Ross

[Bass] Cut Chemist Suite

"Conscious Club" from Vulfpeck's album 'The Beautiful Game'
Arranged by Andrew Reid

Feat.
Derek Bueffel - Congas
Alan Wood - Trombone solo

[Bass] [Arrangement] Conscious Club

"Copchase" from Jason Mraz's album 'Live on Earth'
Arranged by Kenny Ross, edited by Andrew Reid
The official Garter Band anthem of 2016-2017.

Feat.
Kenny Ross - Tombone solo
Brian Ruby - Trumpet solo

[Bass] Copchase

"Contact" from Logic's album 'The Incredible True story'
Arranged by Kenny Ross
Performed for the Oregon Football Team on every gameday.

[Sousaphone/Bass] Contact

Performers:
Estelí Gomez, soprano
Carly Walker, mezzo-soprano
Paul Rudoi, tenor

Recorded in Beall Hall (University of Oregon)

Dominus Weya is a vocal trio that focuses on the timbres of the voice. The only real text present in the work is the word “Dominus,” with the rest of the piece using a technique called vocalise – the implementation of wordless vocal sounds that affect the shape of the voice, but hold no rhetorical meaning. The piece itself is inspired by the concept of introspection from within one’s own comfort zone; searching for new ideas or meaning without venturing into the unknown.

Esteli Gomez Residency 2018

Dominus Weya

Whether realized or not, an artist’s product typically reflects in some way the forces that they have already been exposed to. Most people call these forces ‘influences’, whether musical or through other forms of art. As a student who spends nearly all of my waking hours in the MarAbel B. Frohnmayer Building, I cannot help but attribute at least a portion of my musical language to the sounds heard in the hallways of the School of Music. My piece “Frohnmayer Building” follows the path taken by a student as they enter the north side of the building and travel through the hallways to the computer lab on the south wing. On the way across the building, one will often hear the sounds of student conversing and practicing their instruments. In this case, recorded sounds are spatialized and filtered to sound as if they are behind a door or around the corner. Those familiar with the building will surely be able to imagine the path in their head while listening to the piece. At the end of the jaunt across the building, the piece concludes with a short musical episode built from samples of the instruments heard in the halls of the school. The more ‘musical’ second half is more of a meditation on the sounds we heard walking through the building and came as a result of trying to mix and match the samples that were available.

Frohnmayer Building [Binaural Composition]

As a commission from Eli Simantel, I wrote an arrangement of Amazing Grace for four trumpets!

Recorded in the University of Oregon's Tykeson Hall.
Performed by Scott Avzaradel, Luke Harju, Jessica Farmer, and Eli Simantel.

Amazing Grace [Trumpet Quartet]

Composition major and bass player at the University of Oregon.
This serves as a sort of portfolio for recordings I'm a part of, either as a composer, arranger, bass player, or sousaphone player.

Andrew Reid

Popular tracks