Available at NoteNova.com

3φ madrigal (for cello + live electronics)

A recording of members of the Hartt Chamber Choir singing my work "Hand in hand", conducted by Edward Bolkovac from May 2nd, 2014.

Hand in hand

Short three-part motet - lyrics from "Carmina Gadelica", translated from the Gaelic by Alexander Carmichael (1832-1912). Available for ATB or SABar - suitable for small choirs or a trio of mixed voices. 
Sheet music at www.hutchingsmusic.co.uk/scores/scores-for-sale/ 
Recorded by Matthew Curtis of choraltracks.com - thanks!

God to Enfold Me

Winner of the 2014 ACDA-PA Choral Composition Contest

Get the sheet music: www.caseyrule.com/music/works/draw-on-sweet-night/

performed by the Penn State Glee Club
Dr. Christopher Kiver, director
Saturday, November 8th, 2014
Eisenhower Auditorium, Penn State Center for the Performing 

Text:

Draw on, Sweet Night, friend unto those cares
That do arise from painful melancholy.
My life so ill through want of comfort fares,
that unto thee I consecrate it wholly.
Sweet Night, draw on
My griefs when they be told to shades
and darkness find some ease from paining,
And while thou all in silence dost enfold,
I then shall have best time for my complaining.

Get the sheet music

"Draw On, Sweet Night" - performed by the Penn State Glee Club

"Everywhere"
Music from Lehigh University Choir Tours
Steven Sametz, Director

Including music from:
Tour of Germany and the Czech Republic, 2005
Lincoln Center, 2006
Tour of Austria and Hungary, 2003
Tour of China, 2007

La Villanella

То Не Ветер Ветку Клонит (That's Not the Wind that Bends the Branch)

This is a solo violin track as a secondary movement to the string quartet Somewhere Unexpected.

Shelter In A Dream For Solo Violin

Performed by Sharon Harms and Steve Beck.

Because I Could Not Stop For Death

Contemporary classical piece for piano and electric guitar. Performed live on November 27, 2018. Composed 2015, revised 2018. 

Piano: Elijah Ong
Electric Guitar: Uriah Rinzel

Program notes: "Angst" explores the concept of emotional turmoil or "angst" through the use of tritones, dissonance and distortion effects on the electric guitar. The piece begins with the statement of a tone row, or a series of four notes that recur throughout the piece. As the piece progresses, both piano and electric guitar build in dissonance and tension, supporting and playing off of each other before launching into an '80s-influenced groove built on the tone row that represents the release of angst.

Angst (Live)

Written by Chancelor Bennett, Peder Losnegård, Nate Fox, Peter Cottontale, Nico Segal
Opb. Chance the Rapper
	
Arranged by Nat Jenkins
Soloist - Constantine Loucopoulos

Produced by Nat Jenkins & Jack Wheatley
Executive Produced by Bea Prats, Lexi Zargar & Isaiah Morales

Mixed and Mastered by Nat Jenkins

Engineered by Nat Jenkins, Jack Wheatley, Bill Holmes, and Isaiah Morales

Recorded in bedrooms, Zoellner Arts Center Recording Studio (courtesy of the Lehigh University Music Department, and PLUSHnyc)

Nat Jenkins appears courtesy of Satsuma Collective, LLC

Reincarnation

Same Drugs

4 Instances of Eliot: IV. Mr. Apollinax - Soprano, Flute, Clarinet, Violin, Cello

4 Instances of Eliot: III. Cousin Nancy - Soprano, Flute, Clarinet, Violin, Cello

Set against the backdrop of a frosty piano texture, “February” follows a woman who journeys from wondering but troubled uncertainty to peaceful trust in the changing scenes of February.

“February” is a song I wrote in February 2018 as I was looking forward to an unknown future and dealing with the feelings and uncertainty that come with that. The song focuses on nature and the beauty that the singer sees in a changing landscape. Yet the beauty does not help the singer cope with what’s going on internally. Later on in the song, a dialogue takes place between the singer and God (with words taken from the Bible), who reassures the singer and invites them to cast their cares on Him. In response, the singer says, “With open hands and trusting heart / Submitting to your purifying art / At last at peace and warm in your sanctuary / I wait through the lengthy days of February.” For anyone facing uncertainty, the big “what’s next” or grappling with anxiety, I dedicate this song to you. I hope it’s a blessing and an encouragement.

February

First track off the album "Improvisations I" which features looping and live processing of the double bass. All tracks performed and recorded by the composer in Max/MSP.

Celestial Passings - Double Bass, Live Electronics

I decided to reimagine one of the pieces that I had composed during Scoretober as a piece of video game music as the theme for a town by the sea.

Check out the original version here: https://www.youtube.com/watch?v=N0wZmvmiy8M

Salt Of The Sea | VGM Version

Your source for instant, affordable choral music!

Andrey Stolyarov is a Russian-born American composer, conductor, singer, and educator. His compositions have been performed nationally and internationally, with recent commissions by CONCORA, the Young New Yorker's Chorus, the Bassless Trio, and the Alturas Duo. He has studied with a variety of renowned composers, including Steven Sametz, Paul Salerni, Gilda Lyons, Robert Carl, David Macbride, Ken Steen, Larry Alan Smith, Ofer Ben-Amots, Jan Jirasek, Steven Stucky, Tania León, and Aaron Kernis. Andrey is Director of Music at West Avon Congregational Church in Avon, CT and Co-director of The Hartford New Music Festival. He is an adjunct music theory professor at The Hartt School, and is a private vocal instructor. He is an active professional singer currently performing with Voce, CONCORA, and the Composers' Choir. Andrey received his D.M.A. and M.M. degrees in music composition from The Hartt School, and his B.A. in music from Lehigh University.  For more information, look for Andrey on Youtube, Soundcloud, or visit www.andreystolyarov.com.

То Не Ветер Ветку Клонит (That's Not the Wind that Bends the Branch)

Andrey Stolyarov

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