for amplified piccolo and windup toys

Video here:
https://www.youtube.com/watch?v=kQYDQoFZAGU&feature=emb_logo

Notes: 
I've had these windup toys for years. Purchased them, initially, for their bright colors and size to run tests on a program I'd built for a completely unrelated project. Though immediately their potential began whispering. 
The related soundscape between these toys and the piccolo is obviously a central idea to this piece, the clicking and the pitched noise, but there is also something very tangible about the relationship of the winding down/winding up function in the toys to that of breathing/the lungs of a flutist that became the underpinnings of this piece.

Et Error No.2 (2021)for amplified piccolo and windup toys

performed and recorded by L'Instant Donné

musica spolia (quartet version)

Live set / algorithmic start/end infinite / data
04102014


ALGORITHM754

performance: Natalia Sikorska, harpsichord,
recording: Studio of Electroacoustic Music Association of Ukraine
sound engineer: Volodymyr Mynduk
Kyiv, 1.07.2023

Sonnet for harpsichord solo (2020)

for alto saxophone, bass clarinet & piano (2023)

Lucy Havelock - Saxophone
Hannah Shilvock - Bass Clarinet
Ben Nobuto - Piano

JOY REPLICA

(demo) Raves for orchestra and viola (2024)

Tolleranzia (Deutsche Oper Tischlerei) – Fragment

A new recording from Miasma of the Real performed by bsw at the Concert Hall 09.02.2025.

bsw is a sound producer and member of the pep gaffe collective, exploring rhythm through mutated found sounds, weaving together broken beats and rich textures. This live set is composed of various past works and unreleased material recorded over the winter.
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Новий запис із Miasma of the Real, зіграний bsw у Concert Hall 09.02.2025.

bsw — саунд-продюсер та учасник формації «pep gaffe», який досліджує ритм через мутації знайдених звуків, переплітаючи ламані біти та насичені текстури. Цей live-виступ артиста був зібраний із різних доробків та іншого невиданого матеріалу, записаного впродовж зими.

Artist's SoundCloud @bb948

MIASMA06_BSW

Electroacoustic music is one of the youngest phenomena in contemporary music culture. For this reason, the study of its history and aesthetic principles; research of instruments and tools; analysis of the electroacoustic composers’ works in Ukraine and over the world just begins. In 1997 with the support of International Renaissance Foundationat the Tchaikovsky National Music Academy was created first Electroacoustic music studio in Ukraine and the Music Technologies Department. The first professors of The Department were Igor Piaskovski, Igor Stetsyuk, Alla Zagaykevych, Sviatoslav Luniov, who created their own courses: "Computer analysis of music texts", "Electronic sound synthesis", "Composition, synthesis and audio processing with a computer ","History of electroacoustic music", "Music technologies".
In the circle of contemporary composers initiated regular international projects with concerts and workshops "Electroacoustics" (since 2003) and "EM - VISIA (since 2005) (director Alla Zagaykevych), where the music composed by students and graduates of Academy is regularly performed.
Electronic music studio collaborates with ethnomusicologists and provides mutual researches using acoustic research methods. In 2011 professors and composers of the Department created Ukrainian Association of Electroacoustic Music (Chairman – Alla Zagaykevych), which became a member of the International Confederation of Electroacoustic Music CIME / ICEM.

the International Electroacoustic Workshops (Kyiv, 2017), dedicated to the 20th anniversary of the Music Technologies Department and Electroacoustic Studio at the Tchaikovsky National Music Academy – first attempt at a thorough study of Ukrainian electroacoustic music. The CDs contains the works of Ukrainian composers from 1964 until 2017.

Ujif_Notfound (*1982): the part of that god is not  part of you (2017)

http://tlwcbd.tumblr.com/post/40197514878/tlwcbd003-edward-sol-reputed-being-haunted-cs40

Edward Sol - Reputed In Being Haunted Side B

Support the artist:
https://un2114.bandcamp.com/album/neumatonic

Live set during covid19 pandemic
Recorded in UN.TECH studio between march-april 2020
cut >>
7 tracks
+ bonus
+ pictures
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<<I still can't stop creating algorithms for generating rhythmic and tonal events, although I have already introduced cyclicity and elements of live instrument playing, but still this is the same maxmsp patch game. >>

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Equipment list:

NORD Drum2
KORG ms20 mini
KORG volca FM
KORG volca Keys
Doepfer Dark Energy 2
MakeNoise 0-coast
Strymon TimeLine
Strymon BigSky
Roland DEP-5
Soundcraft m8 mixer
Motu MIDI splitter
Motu UltraLite mk2
Ableton Live
Max/msp/jitter
***
Shakuhachi

(demo) Raves for orchestra and viola (2024)

Andrii Barsov

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