I heard this on 91.1 and remember thinking "this is the most 2000s thing I have ever heard"... but its extremely endearing, cheers from a fellow Atlantan!

hope the previous comment didnt come off wrong, I really like this!

what I meant to say was ... this song captures the paranoia right after 9/11 extremely well.

Citizens

Quer tradução? Sorteie um senador e peça para ele traduzir
SABATINA EM LATIM PARA A INDICAÇÃO DE UM JUIZ DO SUPREMO (Tom Zé e Paulo Lepetit)

Temer, temer, o que é um juiz, temer?
Temer, temer, vosmicê é quem diz, temer.
Quosque tandem Catilina 
Catilina abutere 
Patientia nostra
Qui tollis peccata mundi
Panem et circenses 
Quod abundat nocet 
A fortiori Pater dimitte illis
Rábula  rabulae rábula

SABATINA EM LATIM PARA A INDICAÇÃO DE UM JUIZ DO SUPREMO

valesvalesvales.com

Asa Horvitz – vocals, words & music 
Ben Seretan – guitars, electronics
JJ Beck – keyboard

This is an unreleased song from the original VALES sessions. It was released in January 2018 to remember both Dominic and my father, who passed away 5 years and 3 days apart – Asa

Iowa

a song by nicola spolidoro, recorded live at estúdio transcendental by leo bratch. nicola spolidoro-guitar; rafael marques-drums; carlos delia-bass; matheus kleber- keyboard; 

Roda Gigante

a song by nicola spolidoro, recorded live at estúdio transcendental by leo bratch. nicola spolidoro-guitar; rafael marques-drums; carlos d'elia-bass; matheus kleber-keyboard.

Bons Encontros

"hip, intelligent, sometimes provocative, and often simply beautiful songwriting" – the All Music Guide on Andy Ditzler

https://andyditzler.bandcamp.com/follow_me

Andy Ditzler is a songwriter, performer, and curator. He is the founder and artistic director of Frequent Small Meals, a record label and production company, and a founding member of John Q, at Atlanta art collective whose work encompasses performance, public space, archives, and memory. 

Ditzler was trained as a percussionist at the Indiana University School of Music, but a traditional symphonic music career was not the idea. “I got interested in the avant-garde – John Cage especially,” he says. “Cage’s philosophy that any sound can be considered music really affected me. Ideas about what constituted a musical instrument, or music, or artistic activity kept expanding.” 

Ditzler’s projects have taken him into video, audio phonography, multimedia forms, theater, performance art, and public art, but he consistently returns to songwriting. “I never cease to be fascinated by all the lyrical and musical possibilities of what you can do in the space of a pop song and the way the form can stretch to incorporate so many kinds of influences. I love it.” 

In 2006 Ditzler released his first music CD, Songs From Yes and No, which he produced, arranged, and recorded over two years. The “Pagan Christmas” holiday single Solstice followed in 2008, with a music video directed by underground film legend George Kuchar. 

In 2003, Ditzler’s career took another turn, when he began curating film programs in Atlanta. His series, which he named Film Love, now encompasses over one hundred events in an ongoing exploration of the history of avant-garde and experimental film. Film Love events have been reviewed in Pitchfork, Art Papers, and numerous other publications, as well as winning multiple “Best of Atlanta” awards. Ditzler’s numerous writings on film may be found in the Film Love online archive at www.filmlove.org.

Citizens

Andy Ditzler

Recent comments

breathes heavily

BastionOfTheRine

nelward

nelward

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