SLINK and Daytimers are pleased to present "Phiriya” by Enayet, their first collaborative release.

Originally commissioned by the Samdani Art Foundation for artist Shezad Dawood’s “Concert from Bangladesh” film, “Phiriya” was composed and produced in collaboration with Daytimers’ Provhat, Dhaka-based composer/sitarist Nishit Dey, and a full ensemble of Bangladeshi vocalists and musicians.

The title track is a continuation of the modern club electronics and traditional Bangladeshi instrumentation explored in Enayet’s previous releases.

Recorded remotely across continents via late-night Zoom sessions, the piece draws equal inspiration from classical Indian raga, Nazrul Sangeet (a 20th Century Bangladeshi canon of revolutionary songs), and the diasporic blends of the 1990s/2000s Asian Underground movement. Translated loosely as “Turning” or “Returning”, this work is Enayet’s words, a reflection of a “shared and evolving cultural identity, in a young nation, in a region where national borders have been repeatedly shifted and redrawn over the course of the last century or so”.

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Produced and arranged by Enayet and Provhat Rahman
Composed by Enayet and Nishit Dey
Electronics performed by Enayet and Provhat Rahman
Vocals performed by Meera Mehzabin and Moumita Haque
Sitar and Tabla performed by Nishit Dey
Dhol performed by Nazrul Islam
Bansuri performed by Jawaad Mustakim Al Muballig
Additional Electronics by Siaminium
Recording Engineering by Siaminium

Mastered by Rupert Clervaux
Design by Somnath Bhatt

Phiriya (ft. Provhat, Nishit Dey, Meera Mehzabin, Moumita Haque, Siaminium)

SLINK and Daytimers are pleased to present "Phiriya” by Enayet, their first collaborative release. Full release w/ remixes will be out March 10th on Vinyl + Digi.

Originally commissioned by the Samdani Art Foundation for artist Shezad Dawood’s “Concert from Bangladesh” film, “Phiriya” was composed and produced in collaboration with Daytimers’ Provhat, Dhaka-based composer/sitarist Nishit Dey, and a full ensemble of Bangladeshi vocalists and musicians.

The title track is a continuation of the modern club electronics and traditional Bangladeshi instrumentation explored in Enayet’s previous releases.

Recorded remotely across continents via late-night Zoom sessions, the piece draws equal inspiration from classical Indian raga, Nazrul Sangeet (a 20th Century Bangladeshi canon of revolutionary songs), and the diasporic blends of the 1990s/2000s Asian Underground movement. Translated loosely as “Turning” or “Returning”, this work is Enayet’s words, a reflection of a “shared and evolving cultural identity, in a young nation, in a region where national borders have been repeatedly shifted and redrawn over the course of the last century or so”.

---

Produced and arranged by Enayet and Provhat Rahman
Composed by Enayet and Nishit Dey
Electronics performed by Enayet and Provhat Rahman
Vocals performed by Meera Mehzabin and Moumita Haque
Sitar and Tabla performed by Nishit Dey
Dhol performed by Nazrul Islam
Bansuri performed by Jawaad Mustakim Al Muballig
Additional Electronics by Siaminium
Recording Engineering by Siaminium

Mastered by Rupert Clervaux
Design by Somnath Bhatt

Phiriya

Phiriya (Siaminium Remix)

The Color Violet (Cyberpsychosis Edit)

Dedicado ao Medo (Prod. by Anekdote)

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Hannan - Awaaz Utha (DA Edit)

Bit Prelude no. 3

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Dedicado ao Medo (Prod. by Anekdote)

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