Red Waves (:existence CD 2001)

:existence (:existence CD 2001)

Track from "Forget heaven" C-50 Cassette, Demo II 1997

Ti Fang - Desertification (Forget heaven, C-50 Cassette 1997)

Demoniac reign (Dream Landscape CD 2010)

Transference (Collaboration w/ Christian Renou CD 2003)

Related to Nietzsche`s notion of the Wagnerian music drama as a revelation of the abysmal truth about man, “In the Vortex of Dionysian Reality” allures us into the Dionysian dreamland, where tragedy reigns, in pursuit of the ultimate oneness. With its washes of noise and layers of piercing feedback on a subbase of wavering synths, it is a maelstrom of sound generating a hallucinatory reality. The atmosphere oscillates between destructiveness and aggravating frenzy, between the archaic and the sacral, between frenzied passion and abyssal melancholy, serving the mythical experience of music in a world where language has failed as a method of communication and music figures as the primordial form of expression.

As he considers humanities to have reached their limit, young Nietzsche hopes to find ultimate spiritualization and idealization in the reborn myth. Music alone (“our German masters”), as the primeval form of poetry and revelation of true Dionysian wisdom, may achieve triumph over the Apollonian shallow world of apparition.

With his timely musical rendition of mythical experience as “In the Vortex of Dionysian Reality”, Anemone Tube conveys an emotionally and mentally charged album which reveals his soft spot for progressive post rock metal acts like O.L.D. /JAMES PLOTKIN, AMUSEMENT PARKS ON FIRE or BLUT AUS NORD. Their special approach of dreamy melodies vs. atonal, discordant sounds is skillfully recreated through polyphonic synths lines, which are then modulated into feedback and added for good measure.

Carrying the same title as the 2015 cassette EP release on The Epicurean, this CD with its 40+ minutes total length and five all new, yet unreleased tracks is less a mere re-release, but rather a full stand-alone album, featuring Ukrainian dark ambient artist MONOCUBE on one track, as well as including sounds by Russian avantgardists POST SCRIPTVM and sound processing by French sound artist PACIFIC 231.

Suicidal Fantasy (Negation Of Myth II)

Perpetual Dawn

Perfect Dream

Turm Des Boesen (Die Letzte Weisheit)

Inspired by the Pieter Bruegel’s seasons paintings, the three industrial music projects Anemone Tube, Jarl and Monocube developed a cosmos of sound over the course of more than five years. The result “The Hunters in the Snow – A Contemplation on Pieter Bruegel’s Series of the Seasons” is an all-encompassing work of art from every perspective – exploring the seasons paintings through poetry, literature and sound. Originating from a visual piece of art, the musical interpretations meet every aspect of the sceneries, merging their unique approaches and individual styles into one vivid, ever-changing sonic landscape of the recurring cycle of decay and renewal. Sharply mastered by James Plotkin for eternity.

Jarl & Anemone Tube - The Hay Harvest

Anemone Tube & Jarl - The Gloomy Day

Golden Temple

L'homme et les sirènes

Tower of Evil (The Ultimate Truth)

Anthropocene - The Dark Abyss of Time

Tojinbo - Tranquil Sea of Equanimity (feat. Dave Phillips)

dark industrial/noise with a strong psychogenic impact
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