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Potential DifferenSe - Oxyg

Satomimagae - Dango (Colloid Version)
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Lyrics

うなばらまであと少し 
うなばらまであと少しだけ　
行こう (着こう)
落ちて (うなばらまで)
転がり落ちて (弾むステップ)
落ちていくステップ (弾むステップ)
いびつなステップで (落ちていくステップ)
行こう

転がり落ちて
いびつなステップで
転がり落ちて
いびつなステップで
うなばらまであと少しだけ (行こう)


Almost there to the ocean
Almost there to the ocean
Let’s go (Let's be there)

Falling (Toward the ocean)
Rolling down (Bouncy steps)
Steps of falling (Bouncy steps)
With the awkward steps (Steps of falling)
Let’s go

Rolling down
With the awkward steps
Rolling down
With the awkward steps
Almost there to the ocean (Let’s go)

Colloid

Dango (Colloid Version)

Satomimagae - Dango (Colloid Version)

(all music by grischa lichtenberger, except all vocals by artists as stated below, machine-isolated)

00:00 0120_19_kt ns [vs.] john j. niles - brother's revenge
03:05 0420_10 lisafem porn glt [vs.] perfume genius - moonbend
05:11 0919_03_ gran dr loop [vs.] perfume genius - moonbend
08:47 0621_04_re 0820_18_re 0717_26 [vs.] jeff buckley - mojo pin
11:20 1008_18_lv 2 ss1 [vs.] cat power - crossbone style
14:44 0122_16 git re 1015_25 [vs.] elliot smith - twilight
17:54 0820_19_re 0916_23_re 0916_02 lv1b [vs.] the van pelt - you are
22:02 0921_05_feedback 2_0921_13 [vs.] fiona apple at lago
26:13 0220_16_spnt 1d ostranenie parasite [vs.] 0222_windows screenreader
30:03 0621_17_vcv recsd dub 2 [vs.] bob marley - war
35:14 0921_13 lv 1 0220_28 ostr [vs.] aldous harding - horizon

"The Disaster is the time when one can no longer - by desire, ruse or violence - risk the life which one seeks, through this risk, to prolong. It is the time when the negative falls silent and when in place of men comes the infinite calm which does not embody itself or make itself intelligible." M. Blanchot, The Writing of Disaster

https://youtu.be/SL4ydI_zU2E

0322_hauntological mixtape (zeitenwende/turning of times vs. the time is out of joint)

Spotify: https://open.spotify.com/artist/6pPUZ52P1gD88pY6f29Ewl?si=DyUjS6dNQnuio4RMobuVeQ

Apple Music: https://music.apple.com/us/artist/robert-nord/1474446193

YouTube: youtube.com/@rynomusic?si=iXltZkFDznuK78A3

Instagram: https://www.instagram.com/ryno.rn/

Bandcamp: https://rynomusic.bandcamp.com/

Bandcamp

fade - slowed

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

Season's Change

LA / DF, 2016

W/ GENDEL + MOHR

http://www.thewire.co.uk/audio/btr/below-the-radar-23

Tonala

Sam Gendel / Brian Allen Simon - 01

Nadia Struiwigh is an electronic music DJ & producer from Rotterdam, Netherlands.

Sitting somewhere between Biosphere and Boards of Canada, Struiwigh's refined downtempo electronica takes you on a journey full of synthesized soundscapes that flirt with ambient techno.

Awash with melody and warm electronics, Lenticular is an expertly crafted piece from an artist who has found her sound and is now effortlessly outputting inspiring compositions.

Reminiscent of Warp's Artificial Intelligence series, this is electronic listening music for quiet nights and club drowsy dawns.

Lenticular

Extraterrestrial

Mary Anne Hobbs asked me to create a mix for her program on BBC6 while she was sitting in for Gilles Peterson.
I'm so grateful to her for supporting my music so far with enthusiasm and generosity, giving the fact she's an amazing DJ, music fan and attentive listener.

The track list includes tracks from my last solo album 'ORE'
1- Tribute to Raymond Scott
2- Vano
3- Hi-Jacked Drone (by Machinefabriek and Soccercommittee - Andrea Belfi's remix)
4- Ton (from my last solo record 'ORE')
5- 'East Timor' by Robert Wyatt, played by Hobocombo
6- Nautikon

Mix for Mary Anne Hobbs

"Red Velvet Or Nothing" by Belong from the definitive "October Language" LP reissue due out Spring 2018.

"Red Velvet Or Nothing" by Belong

'Expectorant Ballad' is the first single lifted from "Transhumante [Extended]" by Spanish electronica producer Crisopa. The album will see release on the 1st of May. More on Crisopa here - https://www.hiddenshoal.com/project/crisopa

Crisopa’s original 2017 release of Transhumante (via the Sound in Silence label) presented an immersive suite of deeply evocative and melodic ambient electronica. The new extended version of the album includes six beautiful new additions, bathing the listener in waves of ecstatic synth swells, textural loops and insistent rhythms. These surging, emotive tracks simultaneously summon forth aching nostalgia and a blissful state of hopefulness. Anyone who enjoys deep, vivid electronica in the vein of Boards of Canada, Manual and Hammock will find themselves right at home in Crisopa’s beatific compositions.

This music is available for licensing via Hidden Shoal -https://www.hiddenshoal.com/licensing/

Transhumante [Extended]

Download

Crisopa - Expectorant Ballad

Quote "Shedding Layers by Rob Clouth is easily my favourite piece of electronic music that I have heard so far in 2018" (Andy Fosberry).......so how am I supposed to remix that!?....it was a difficult track to approach.

I decided I had to stay true to the original core of the track, the main melodic elements, which I just complemented with some new prophet chords. Then for the rest of the remix it was more of a matter of augmenting than a typical remix. I spent a loooong time working on detailing for this, I wanted to try and bring some industrial sounds in to push further the intensity that Rob had created, and push the sound design complexity as far as I felt I could get away with in the context of what is basically a techno track for clubs.

It's definitely one of the most intense remixes I've worked on for some time, and I've been playing it out a lot recently with good effect. But I hope it can also work as an interesting home listening track. As usual I put a lot of effort into the binaural and general stereo design, so if you listen with headphones you should hear sounds pop out at you, fly behind your head, that sort of thing. I wanted to turn all those clicks and strange noises into an immersive cloud dancing around your head.

The remix package has amazing work by Ben Lukas Boysen, Brecon and Chihei Hatakeyama on there, some beautiful ambient and peaceful moments as well as this monstrosity, I'm certain can you find something in there which will make your day better!

Buy/Stream/Full EP

Rob Clouth - Shedding Layers - Max Cooper Remix [Mesh006]

Elsta lag í heimi (Oldest Song in the Universe) by dj. flugvél og geimskip/ Airplane & Spaceship
Mixed by Finnur Hákonarson and dj. flugvél og geimskip. Mastered in Amsterdam Mastering by Darius Van Helfteren. 
Enjoy!
here is video:
https://www.youtube.com/watch?v=1XJSGieESNM&lc=z22di5oglna1fhcry04t1aokgjl1a5bx5clgojccacbwrk0h00410

This song is about when you wander home from a party late at night and see an open door, smoke and light coming out from behind the door - you go in: And there is a band playing, that has been playing from the beginning of time - if there was a beginning. The band is playing the song that is our universe!

Elsta lag í heimi (Oldest Song in the Universe)

Taken from the album 'Feeling The Spirit' released as LP, CD and Digital

Sam Gendel / Brian Allen Simon - 01

Anenon

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dialectical integrities

dialectical integrities

dialectical integrities

dialectical integrities

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