Bravo! Excellent work - beautiful music; a real journey.

The Cloudy Slide to the Cotton Temple

IMYRMIND - Golden Alpinas

Remix of "Childhood's End" by Majical Cloudz featuring a fresh vocal take by Devon Welsh.


Majical Cloudz - Childhood's End (CFCF Re-version)

Fire of Love

Acid Lake

Stream 'Just a little (closer to me) now: https://listen.niceguysrecords.com/just-a-little

Discover 'Just a Little (Close to Me),' the new single from Dan Elliott, the upcoming London-based singer. With his poetic tone alongside his gentle indie pop melody, Dan Elliott delivers a sensitive track, showcasing his vulnerability and emotions as he talks to his loved one. The English singer reveals a song that echoes the British pop of Two Door Cinema Club and the soothing tone of some tracks by The Kooks. 'Just a Little (Close to Me)' will undoubtedly seduce all indie British pop lovers.

Dan Elliott - Just a little (Closer to me)

"This record is an imaginary nighttime safari to discover uncontaminated landscapes, strange creatures, wild animals, and mysterious lights."

Read more on THUMP: http://thump.vice.com/words/populous-night-safari-is-an-earthly-sonic-joyride

Populous ft. Clap! Clap! - Vu

taken from the Madhira Ep by Trashlagoon
check out the full Ep here  https://soundcloud.com/traum-schallplatten/sets/trashlagoon-madhira-traum-v186

Marouki Knows (Parra for Cuva remix) - Trashlagoon

AMBIENT NEW AGE ELECTRONIC SOUNDSCAPE FOR YOUR PLEASURE, INSPIRED BY BLADE RUNNER, I ROBOT AND ALL THE OTHER WONDERFUL SCI-FI ADVENTURES.

NEXUS 25 THE ELECTRIC SHEEP

Camembert EP (@FoFMusic)
http://anenon.bandcamp.com

Self-Titled
http://self-titledmag.com/2015/10/29/stream-anenons-camembert-ep-and-read-the-stories-behind-its-ambient-jazz-songs/

Camembert

Appeared as a Japanese-only b-side to my album "Yume". 

Yume: http://store.unseen-music.com/album/yume

Artwork: Tilman http://geometrydaily.tumblr.com/

Yume (b sides)

Helios - You The Rose

B.Visible returns to heal the child within with „Second Hand“ fabling four short compelling narratives as so many different perspectives on the same marvellous phantasmagoria.

This new opus is another change within continuity in B.Visible’s expanded universe. The tracks sheds a mineral light on the maturity the Viennese producer has gained, allowing him to offer a work of substance that has definitely reached new heights. Engineered clarity and ingenuous theatrical movements savantly interwoven form this refined yet hypnotic piece of music composed by B.Visible.

Second Hand’s visual identity is once again shaped by the talented Daniel Triendl. His brilliant artworks offer plastic yet elegant interpretations of B.Visible soundscapes with a keen sense of movement and effectiveness - Still or animated, that is. The 2015 awarded „Okulus Drift“ typography Daniel designed returns for a second round anchoring the art direction & their collaboration.

Produced & mixed by B.Visible 
Mastered by Nikodem Milewski (MbNM) 
Artwork by Daniel Triendl

Second Hand

Survival

RS1105 - Lions on the Beach / Bastion

vinyl : http://randsrecords.greedbag.com/buy/lions-on-the-beach/
digital : http://bleep.com/index.php?page=release_details&releaseid=31334

Lions on the Beach

Goldmund - Circle To Star

May 28 will see prolific Japanese vibraphonist, multi-percussionist and composer Masayoshi Fujita mark a new sonic direction with his forthcoming album Bird Ambience on Erased Tapes.

The lead single ‘Thunder', which blends mildly abrasive effects on the marimba with a warm feeling of benevolence, was inspired by the poem You Will Hear Thunder by Anna Akhmatova. It comes with an equally breathtaking video directed and shot by Ryo Noda in the mountainscapes that surround Fujita's new life in Hyogo, rural Japan.

Watch: https://youtu.be/IvqjqrDRALs

Bird Ambience brings several fresh changes for the artist. Until now, Fujita would separate his acoustic solo recordings, the electronic dub made under his El Fog alias, and his experimental improvisations with contemporaries such as Jan Jelinek. The new album sees him unite all these different facets for the first time into one singular vision. He also makes a lateral leap from his signature instrument the vibraphone – on which he created his acclaimed triptych Stories (2012), Apologues (2015) and Book of Life (2018) – to the marimba, which takes centre stage on his new album alongside drums, percussion, synths, effects and tape recorder.
 
“The way of playing the marimba is similar to the vibraphone, so it was kind of a natural development for me and easier to start with, yet it sounds very different”, explains Masayoshi. “The marimba bars are made with wood and it has a wider range than the vibraphone, which gives me a bigger sound palette with more possibilities. I play the instrument with bows and mallets, and sometimes manipulate it with effects.”
 
The record also marks his liberation from fastidious preparation for past solo releases to new endeavours in improvisation. “I prioritised trying to capture the wonder which happens during those occasional magic improv moments. Sometimes the mic-ing and placement of instruments was pretty rough; things weren’t perfect and everything was done quickly, but it turned out as the final recording. Overall when I couldn’t decide between two takes, I told myself to go with the first”, Masayoshi recalls. 

Arranged with a perfect Kanso-like balance, the unhurried pace of Bird Ambience allows each sound and phrase enough time to be mindfully absorbed and savoured. This subtle but affective work carries ethereal remnants of Midori Takada’s minimalism, the static atmospheres of Mika Vainio, To Rococo Rot’s organics and the bucolic electronics of Minotaur Shock. Fujita vaporises contemporary and classical, ambient and dismantled dub, controlled noise and fragments of jazz into an atmospheric, static mist, which he skilfully coerces into new forms.
   
Bird Ambience will be released on Erased Tapes in 2LP, CD and digital formats on May 28.

Bird Ambience

Thunder

Stream & pre-order

Masayoshi Fujita - Thunder

Originally from the "Warmth (For Jii)" compilation, which is no longer online.  It now appears on an e.p. entitled 'Collected', which is a small collection of music that had first appeared on comps that are sold out, or no longer available.

http://darrenharper.bandcamp.com/album/collected

Mastered by Tokee: doperec.com/tokee 
Artwork by Peter Nejedly: www.flickr.com/photos/peternejedly/


purchase

Memory Loop

Ion Driver 'Home From'

The violin creates an atmosphere of anxiety, agitation and emptiness of the composition. But at the same time, we can clearly observe depth, independence and freedom in it. The sounding periodically becomes a technogenic mass, sometimes it contains motifs of ancient Persia. 
According to the artist, he was inspired by sense of loneliness, hopelessness and splashes of freedom.

The whole team of musicians, actors and artists was working with this album. JohnLaMonica has added his rich voice in the album. Philip Saulin from "Synergy Orchestra" gave us full color and atmosphere with the help of the violin and strings. He also provides a visual picture of what is happening around us. The author of the song Jesu Song is Sergei Verhovski. 
Graciela Maria and Robot Koch were also working with compositions. 
Bedouin is a person who leads a nomadic way of life regardless of his nationality and religion. The freedom and independence. That is the philosophy the author wanted to show.

Artwork by Mary Stenko & Pavel Dovgal

Camembert

Anenon

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