super gut, ewig nicht mehr gehört... 10 Jahre? Danke :)

unglaublich echt... permanente grinsebacke :D

die frisur von dem rapper  gar nicht so gut

Lose the map.

The borders that crop up when people take genres seriously have never been all that useful.  With electronic music it has been especiallyfruitless to try and map the shifting sands; where does nu-proto-tech-gaze end and afro-schaffel-disco-wave begin?

The idea of taking an aimless road trip through music brings a little romance back to into the picture. We can leave hash tags, recommendation algorithms and linkbait articles like "The Top Ten Trip-Hop Songs About Lists" behind in some grey concrete terminal city industrial park. Get the car out onto the road and go where things take you. Pull your eyes up from the screen in your hand and lose the sterile GPS voice hectoring you about missed turns.  If you need to pass the slower cars by driving on the dirt median with your headlights off in the dead of night, so be it. It's OK to lose the map, you'll still get to where you need to be.


---------------------------------------------------------------------------


FALLING track list

-

"I got plenty of time" - W.W.

-

Smashing Pumpkins - Eye
Rimar - Don't Say ft. Joseph Andrew Cross
Guillaume & The Coutu Dumonts - Last Call (When Space is the Bass)
Sailor and I - Tough Love (Aril Brikha Remix)
Homework - Whipped Cream (Darabi Remix)
Jarvis Cocker - Discosong (Pilooski mix)
Pional - Just Passing Through
Joakim - Labyrinth (Junior Boys Remix)
Ryo Murakami - Late Fall
Hector - Follow the Leader
Saint Petersburg Disco Spin Club & Lipelis - I Need It (Leaves Remix)
Cocolores - Shox
Cameo Culture - Parts of You and I
Octet / Dirty Edits - Euro vs Dollar (Pilooski edit)
Caribou - Leave House (MCDE Remix)
Trickski - Past Sense
Martin Dawson & Jay Shepheard - Obey Your Aul
Aloe Blacc - Loving You is Killing Me (Mano le Tough remix)
Magic Mountain High - Untitled 02
DMX Crew - I Won't Forget
Innerspace Halflife - Phazzled
Oxtongue - Delight Fur - Knots
Sei A - Flicker (Party Baron Remix)
Phil Kieran - Love Wish
Trentemoeller - Even Though You're With Another Girl (Kollektiv
Turmstrasse Remix)
Primal Scream - Autobahn 66
Reptile Youth - Black Swan Born White (Mark E Remix)
Divine Fits - Flaggin' a Ride
Tchaikovsky - None But The Lonely Heart (perf. by Ian and Jennifer Partridge)

-

Artwork: The Ninth Wave (c. 1850) by Ivan Aivazovsky

-

Will Calcutt is a photographer, filmmaker, art director and technologist living in New York City.

willcalcutt.com
ghostly.com/visual/will-calcutt

GhostlyCast #49: Will Calcutt - Falling

DJ Koze aka Adolf Noise - Deine Reime Sind Schweine (Regelrechte Schweine)

See the video and download the track under http://www.kraftfuttermischwerk.de/blogg/?p=13718.

Marko Fürstenberg - Porn Infection (Das Kraftfuttermischwerk Softporn Edit)

SOULWAX: TRANSIENT PROGRAM FOR DRUMS AND MACHINERY

2017 TOUR
----
MARCH
Wed 29 - Magazzini Generali - Milan, Italy 
Thu 30 - Halle 622 - Zurich, Switzerland
Fri 31 - Live Music Hall - Cologne, Germany

APRIL
Sat 1 - Huxleys - Berlin, Germany 
Mon 3 - Elysee Montmartre - Paris, France
Tue 4 - Paradiso - Amsterdam, Holland
Wed 5 - Rockhal - Luxembourg
Fri 7 - L’Aeronef - Lille, France 
Sat 8 - Electric Brixton - London, UK
Sun 9 - Ritz - Manchester, UK
Tue 11 - Ancienne Belgique - Brussels, Belgium
----

SOULWAX: TRANSIENT PROGRAM FOR DRUMS AND MACHINERY

Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

02 - Xman - Red Axes / C.A.R.

Brines is one the best techno songs I've ever made. The whole thing was done live, on my modular equipment and captures a raucous session in it's purest form. In a perfect world, this one would be remembered as my 'Spastik' or 'Windowlicker'.

Brines (DJ Kicks Exclusive)

PRE-ORDER: https://safe-trip.org/products/dazion-dragon-wave-vx-ltd-single

URGENT: IT HAS COME TO OUR ATTENTION THAT THE SAFE TRIP ORGANISATION HAS TAKEN TO THE WATER IN A BID TO SPREAD THEIR CODED MUSICAL MESSAGES FAR AND WIDE. WE UNDERSTAND THAT THEY HAVE RECRUITED YOUNG OPERATIVE KNOWN AS DAZION, A KEEN WINDSURFER, TO DEVELOP A METHOD OF BROADCASTING THEIR ADDICTIVE AND MIND-ALTERING MUSICAL MISSIVES WHEREVER THERE IS A SUITABLE BODY OF WATER.

OUR OPERATIVES TRACKED DAZION TO A REMOTE SPOT ON THE DUTCH COAST, WHERE HE WAS SPOTTED TRIALLING THIS NEW TECHNOLOGY WITH HIS FAVOURED F2 DRAGON BOARD. AS HE RODE THE CHOPPY WAVES, WE WERE ABLE TO DETECT AND RECORD RHYTHMICAL ELECTRONIC MUSIC EMINATING FROM THE BOARD ITSELF. WE ENCLOSE THIS RECORDING, WHICH FEATURES THE KIND OF TRIBALISTIC, DELAY-LADEN DRUMS, SWELLING ELECTRONICS AND EXOTIC MELODIC REFRAINS THAT ARE KNOWN TO INSPIRE FRENZIED DANCING IN MEMBERS OF THE PUBLIC. WE HAVE CHRISTENED THIS RECORDING “DRAGON WAVE”.

AFTER EXITING THE WATER, DAZION PACKED UP HIS TOP-SECRET WINDSURFING TECHNOLOGY AND DROVE TO A BACKSTREET ADDRESS IN A QUIET AREA OF AMSTERDAM. THERE, IN A LIGHT INDUSTRIAL UNIT, HE CONTINUED TO TINKER WITH THE TECHNOLOGY, TESTING IT OUT BY BROADCASTING ANOTHER MUSICAL COMPOSITION. THIS WAS MORE POIGNANT AND MELANCHOLIC IN TONE, UTILISING SPAACEY ELECTRONIC MELODIES, GENTLY BOBBING CHORDS, HEART-ACHING GUITAR FLOURISHES AND A TOUGH BUT BROKEN RHYTHM TRACK. THE RECORDING – CODE NAME “VX LTD” – HAD A HUGE IMPACT ON US EMOTIONALLY AND EVEN REDUCED ONE OPERATIVE TO TEARS.

IT IS OUR BELIEF THAT THE SAFE TRIP ORGANISATION WILL ONLY INCREASE IN STRENGTH WITH DAZION’S INVOLVEMENT. WE RECOMMEND WATCHING THE WAVES AND WINDS INTENTLY FOR FURTHER DEVELOPMENTS.

Dragon Wave/VX LTD

Dragon Wave

The winner of Champion Sound Beat Battle 2018 and after being nominated for Best Breakthrough Artist on Red Bull Elektropedia’s Awards 2018, Suso Pérez presents us a work focused on the ethnic and world sounds, mixing is masterful percussion with electronic beats to create a unique and distinctive sound. 

During the 7 tracks, Bart “Suso” Pérez explores the individual journey and search for answers of five beings. 

All tracks were written, played and produced by Susobrino.
Available on all platforms: https://fanlink.to/SUSO
Available for vinyl pre-order soon.

Susobrino:
https://soundcloud.com/susobrino
https://www.instagram.com/susobrino/

Artwork by PABLOTL
https://www.pablotl.com/

LA HOJA DE EUCALIPTO

[XXIII001] SUSOBRINO - LA HOJA DE EUCALIPTO (Full album track)

Carsten "Mampf" Meyer (a.k.a. Erobique) + Viktor "Fettuccini" Marek - Labello

Between March - April 2020, during the first lockout in Spain and confined at home, I started a series of songs called "Music For Pandemic States" with a limited setup of gear. During that month I uploaded three episodes to Bandcamp to document and soundtrack that uncertain times.

Months later, I decided to press a limited edition of 50 cd copies of those three tracks, plus two new unreleased, only available on the physical version.

An Ep of 5 mysterious and personal songs, that flowed in an unusually natural way, floating between downtempo and IDM.

BUY CD

Sau Poler - Music For Pandemic States V

                                                               Autonomous Africa Volume 2

                                                              ---------------------------


This is the second Autonomous Africa EP, the idea being that one EP is released each year and all proceeds are donated to a charity in Africa. Last year's first volume raised funds for Médecins Sans Frontières operations in Africa. This release will raise funds for the Mtandika Mission in Tanzania (more info on that below). Through speaking with Midland, i found out that he grew up in Tanzania and that his parents ran the aforementioned charity so I suggested that this release aimed to contribute to that. Midland and Auntie Flo (who also contributed to the first edition of this project) both kindly donated exclusive tracks.

The tracks are 

A1) Midland - Checkbob
A2) JD Twitch - Olaiya

B1) Auntie Flo - Water of Life
B2 JD Twitch - JuJu

                                                                         --------


Why Autonomous Africa?

----------------------


Many of the problems Africa faces are a result of outside interference by other countries, and as the 21st century progresses we will see the continued pillage of African resources to feed the global capitalist machine on an unprecedented scale. Corrupt and greedy regimes gladly sell their land and mineral wealth to finance their own extravagant lifestyles while the vast majority of ordinary people see little or no improvement in their own lives. An autonomous Africa run by the people for the people, where African land is predominantly used to feed African people and Africa's vast wealth of resources is used to benefit the people of Africa seems the only logical way forward. Autonomous Africa's goal is to highlight this message and here presents to you 4 tracks of African inspired grooves.


We fully realise a small run, independently released 12" is going to make very little difference to the world, but doing something has to be better than doing nothing. The idea of an autonomous Africa may be naive and unrealistic, but at some point the world we live in will have to change or future generations are going to be left with very little as we consume way more than our fair share. We have collectively buried our heads in the sand thinking we are powerless to engender change. Individually we have little power but collectively, the power is ours.

JD Twitch, June 2013.

                                                                       --------




About The Mtandika Mission
--------------------------

Mtandika is a large village in the dry Ruaha river valley, 400km west of Dar es Salaam. It is a very poor village.

One of the prime movers in the village is Sister Barberina Mhagala. Since she retired from being Headmistress of the Primary School in 2005, Sister Barberina has been developing a Trade School at Mtandika to provide skills training for girls who are either orphans or have no fees for secondary education. She started by building a classroom and dormitory for the Trade School girls who were given sewing lessons and learning to make garments to sell.

Because many of the children do not have homes locally, accommodation is critical. So Sister then built extra accommodation blocks, not only for some of the girls attending the Trade School but also for some 80 girls attending the local Lukosi Secondary School where there was no accommodation.

The girls are taught to be as self sufficient as possible and as well and grow their own food and rear animals in the school grounds.

Water supply is critical, as water is not only required for every day purposes at the school but for irrigating the shambas [allotments]. Water is currently pumped from the nearby perennial Lukosi river some 500 metres away using a petrol pump. Investigations into a cheaper alternative are being investigated.

Education is essential if Tanzania is to fully develop its full potential and anything is possible given the opportunity. As well as supporting Sister Barberina in her capital expenditure, some 10 of the children at the Trade School and 30 at local Secondary Schools who cannot afford the fees are sponsored by funds raised by the charity.


More information - http://www.actioninafrica.org/about-mtandika.php

                                                                    -------------------
 


DJ Koze aka Adolf Noise - Deine Reime Sind Schweine (Regelrechte Schweine)

AngelaMerkel

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