depresskimos

Cosmic Love Affair

Murder By Death - Im Afraid Of Who's Afraid of Virginia Woolf

NEW POST PUNK SONG FROM N8NOFACE ! WATCH VIDEO HERE !!! 
https://www.youtube.com/watch?v=5DODHrakliI

RETURN THE FIRE

ALONE

In Bocca Al Lupo

Brother

Good Morning, Magpie

Kentucky Bourbon

The Doomsday EP

Slow Doomsday

SVVRXZ x OBSXRD x SLIME - HELL HOUNDS (PROD BY. PILGRIM)

Retrouvez chaque mois sur Radio Campus le magazine W.A.R.P, avec TSUGI, le magazine défricheur de musiques

Le cartable est chargé pour ce numéro de rentrée, avec notre zoom du mois sur le maxi de Squarepusher sorti chez Ed Banger, une réunion inédite pour ces deux écoles dont Pedro Winter nous détaille la genèse en interview. Mais aussi la signature chezWARP de l’un des pères producteurs du son anglais, Brian Eno, avec un premier extrait de son album à paraître en novembre Small Craft On A Milk Sea.

Découvrez également les nouveautés de la rentrée avec PVT (interview) , Rustie, Autechre, Flying Lotus, !!! et le live de The Hundred In The Hands à La Route du Rock (Saint Malo) enregistré par RC Djon en août dernier.

http://www.radiocampus.fr | http://www.tsugi.fr | http://www.warp.net


W.A.R.P. #7 | Squarepusher, Autechre, THIT, Brian Eno

Forgotten Dreams 3: Moodswings

Hot Pink out now! smarturl.it/xHotPink

Follow Doja Cat:
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#HotPink #DojaCat #SCFirst

Hot Pink

Better Than Me

Stream + Download

Top Earner

Mayhem

Frédéric D. Oberland and Irena Z. Tomažin - ARBA, DÂK ARBA - LP

Release date - June 5th 2020
Catalogue nr. - HG2005
Format - Ltd. Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
1. Grotta (14:29)
2. Amena (06:43)
3. Fumes (08:29)
4. Hieromancy (09:07)
5. Hereafter (04:54)

Credits:
Irena Z. Tomažin: voice
Frédéric D. Oberland: electric hurdy-gurdy (boîte à bourdons V) and processing
Recorded and mixed by Romain Poirier at Le Fresnoy, National Studio of Contemporary Arts, in Tourcoing. Edited by Fanny Béguély, Frédéric D. Oberland & Romain Poirier at Mer Noir, in Paris. 
Mastered by Lawrence English.

///
Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« was conceived as the soundtrack for the eponymous installation piece by the French artist Fanny Béguély. First presented as part of the group exhibition »Panorama 21 - ›Les Revenants‹« at Tourcoing’s Le Fresnoy Studio National des Arts Contemporains in December 2019, Béguély’s chemically painted photographs focused on humankind’s propensity for self-examination and its attempts to probe the mysteries of the past, present and future. Oberland’s heavily processed electric hurdy-gurdy, the »boîte à bourdons,« provides the foundation upon which the Borghesia member Tomažin unfolds her gripping vocal magic(k). Their dense mesh of soundscapes and singing mediate between the mystic and the modern, the natural and the all-too-unreal to further examine our persistent desire to decipher the signs we find in nature. As the first collaboration between these prolific experimental artists, »ARBA, DÂK ARBA« is as evocative and thought-provoking as the art that has inspired it.

It’s easy to see why a curious instrument like Oberland’s electric hurdy-gurdy would be well suited for the duo’s ends, and within its first few minutes the opening track »Grotta« makes it clear that the Oiseaux-Tempête co-founder is more than capable of weaving dark psychedelic sound tapestries with only limited means. The ritualistic energy that Béguély’s »ARBA, DÂK ARBA« draws on is channeled through abstract drones that mirror the aesthetics of the eight suspended paper rolls the artist’s audience were faced with. When the music becomes denser and Tomažin finally enters the picture with her signature glossolalic vocal performance, it seems as if the drones emanating from her musical partner’s curious instrument bleed right into her voice. Even as the sound of the boîte à bourdons becomes more visceral and Tomažin’s voice more discernible, »Grotta« remains as intangible as the mythological oracles that had informed the work of Béguély. Shorter pieces like »Amena« or the closing track »Hereafter,« though condensed, offer just as much to decipher - a whole musical world to get lost in, full of riddles and uncertainties.

»Fumes« and »Hieromancy« in the second half of the LP are the best examples of how much creative friction lies at the heart of the French experimentalist and the Slovenian singer’s collaboration. While in the former song, Tomažin first takes the lead singing uncanny, circular motives before stepping aside so Oberland can let the processed sounds of his hurdy-gurdy evolve into chilling crescendi, the latter sees both of them take turns in channeling the pervasive mysticism around them. Blurring the lines between the physical and psychic as well as the real and the hallucionary with their music, Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« is one of the most radical albums in recent years. An unsettling dialogue between two kindred, yet freely wandering spirits.

Frédéric D. Oberland and Irena Z. Tomažin - edits(HG2005)

[Feb 6 @ Family Books Inc LA]
[Feb 13 @ Hi Fidelity Rcds LA]
[Feb 21 @ The Hideout SD]
[Mar 11 @ SDAI SD] 
[may 19 in brussels BG with Tenshun and Walter Gross]

Slow Tapes 10' EP out now
psychopop from skrapez producing killer beats with flavia on vox. for booking: see website link below

"Bewitching, in a Mazzy Star, Hope Sandoval, 'So That Tonight I Might See" kind of way. Haunting. With the same heaviness and somber darkness Portishead's Beth Gibbons is able to emote -- think 'Wandering Star' or 'Glory Box.'"


Source: http://www.nbcsandiego.com/blogs/sounddiego/Tripping-on-Angels-Dust-257699561.html#ixzz30fwgYUgI 


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