69whateverber

angoisse 36

Ultrafog / m do - split cs/dl

out soon

Ultrafog - rahikainen (from split with m do)

GMA13 - Nico Niquo
http://greymatterarchives.club/niconiquo.html
1. Tetsu Inoue - Mood Swing
2. Tetsu Inoue & Carl Stone - %.disk
3. Tetsu Inoue - Zen
4. Tetsu Inoue - O shape
5. Tetsu Inoue - Health Loop
6. Tetsu Inoue & Carl Stone - !.tuning
7. Tetsu Inoue - Wabi
8. Tetsu Inoue - Magnetic Field

GMA13 - Nico Niquo

From
Boli Group "N.P.D.S." LP/DD
Posh Isolation 208
Out May 4th, 2018

Boli Group - Tension In Three Stages (Country)

Panel with Lisa Blanning, Matt Colquhoun, Steven Warwick; moderated by Terence Sharpe

Thursday 30 January 2020
 CTM 2020 – Liminal 
Kunstquartier Bethanien, Berlin

The late Mark Fisher’s work, like all philosopher’s work, oscillated through different stages throughout his life. Starting in cultural-studies, to philosophy under the CCRU, to cold rationalism to anti-capitalist critique, Fisher's work was a project of constantly trying to come to terms with a world that begged belief, as is the case with the evolution of any intellectual worth their salt. There was throughout all of this a constant undercurrent indebted to psychoanalysis.

For Fisher the idea of world-building came with responsibility, something his work takes into great consideration with very sincere care. As he described in his later writings, the socio-political disease of our time is that of pervasive stasis in a rapidly accelerated culture. If we take the liminal as that which can occupy either side of a boundary, that which acknowledges complexity, then we see an opportunity perhaps to the deadlock of binaries presented by the worst trapping of the contemporary right and left.

This panel takes as its kernel the concept of Egress, a word used by Fisher to describe the exiting of the current cultural malaise through analysing the politics of teleology and collectivism. Liminality itself must be critiqued with the urgent need for determinacy in mind. Perhaps a solution to the pitfalls of liminality is that of determinacy, that cultural production must operate within a strong pedagogical model if it is to make its way out of its liminality. Fisher postulated that what was required for real transgression was a reprisal of the spirit of a world that could be free, to go beyond the beyond the pleasure principle.

Presented with transmediale.

CTM 2020: On k-punk—Egress and the Fisher Function

Greg Fox - From The Cessation Of What

From Contact.
Learn more here: https://smarturl.it/rvngnl59

https://www.igetrvng.com

Contact

From the Cessation of What

Greg Fox - From The Cessation Of What

chushi — sloath (2020)

"today we present a release by our long time collaborator chushi, whose obscure live sets were contributed during our events at the infamous NII venue 2015-2019. Seven cuts of warped sounds and spoken word textures depict quite interesting mood changes and descend from a warm ambience to some darker spaces."

support here:
https://johnskingdom.bandcamp.com/album/sloath

Seans

Taken from Hypnagogic Surge (GEN043). 
Out now on tape & digital at Genot Centre.

Produced by @amselysen.
Mastered by @wimdehaen.
Album cover by eurasiandesert.
Limited edition of 55 C29 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

HYPNAGOGIC SURGE (GEN043) by AMSELYSEN is a dense setup of signal interferences, of jacked up, spliced, reconstructed digital snippets, of outbursts whose amplitude overcooks the microphone's defenseless circuitry. Anxious with unreleased energy build-ups, the music is always pregnant with a double quality, something like a dagger made from ice, the possibility to shatter or crumble into a thousand shards combined with the looming threat of clean rupture posed by the blade's edge. Digital distortion is used here to unmask materials, to frontally attack them and expose their shimmering metallic face; pitch-time processing dilemmas get dodged by exploding into the high frequency gleam embedded but hidden in their algorithms. Completely removed from the "Lo-Fi" paradigm seeking warmth or nostalgia, the present degradation-reconstructions result in newly audible chirp figures, the sparkle of aliasing and the descent into the grainy territory of microscopic sound events. From a more panoramic perspective, these tracks are continually transforming contraptions, with looping frames accelerating, doubling, halting or stuttering, overloading, seemingly struggling to buffer, sometimes mixing with immiscible materials to form a glistening suspension of new sound material.

// Hakeem Lapointe (Amselysen) about the album
"Stemming from confusion, indignation, and feeling disoriented, Hypnagogic Surge appeals to dream-like lenses that reinterpret the everyday world; words lose clarity and are reduced to phonemes and their perceived energy, well-known advert jingles and hit songs are obfuscated and develop into undecipherable melodies, feelings ranging from relief to aggression flash quickly into succession without rhyme or reason. In the awareness gaps of the dream state, information is made up and averaged into confusing erroneous approximations — here translated in the poised presence of aural artifacts such as bad mp3 bit rate shimmer, 1/8in inlet pops, bad aliasing and interpolation, unshielded cable radio interference, fake stereo, inverted polarizing, etc
Amselysen’s nightmarish interpretation of the hypnagogic state is heavily informed by tropes surrounding hardcore music, only this time the tropes are removed from their context and reimagined before reappearing into the album, thus resulting in a hyperreality; a simulacra of hardcore, intensity and dynamism. Remediating genres like punk, techno, metal, rap and noise through distant mimicry and radical sampling, Hypnagogic Surge approaches liminal reverie with a garish maximalist attitude."

// Amselysen artist bio
Amselysen is Montreal-based intermedia artist Hakeem Lapointe’s latest musical project. It focuses on approaching experimental electronics with a critical lens, bridging the gap between conceptual spaces typically reserved to institutional practices and accessible aural aesthetics. Usually described as an outsider artist, never privy to the music academia and alien to most of the underground scene, Lapointe sheds all concerns for musical conventions and pursues their own sonic obsessions, which commonly sit in the leftfield genre. Their current work process ponders on indeterminacy, plunderphonics, hyperrealities, cultural foraging, and hypnagogia.
Works, outside of their own visual practice, include scores and sound design for short films, performances and installations in various exhibitions, including the After Hours at the McCord presented under Kent Monkman - Shame and Prejudice: A Story of Resilience.

Hypnagogic Surge - Garden Of Failure [Genot Centre]

FRKTL - 03/12/2020

subscribe to spools to here the whole FILAMENTING ep  ><< https://ifizu.bandcamp.com/spools

sinew ii

??? ℭ???ℑ?ℑ???
contact/booking: angoisse@protonmail.com

23/11/2019 angoisse presenta Catrialis release party en Umbral (Valencia) w/ Loyalty XIX, Otro, Louis Me & angoisse DJs
12/10/2019
angoisse presenta wa?ste (Genome 6.66mbp), Xyn Cabal (The Death of Rave), http.dbr + angoisse DJs
25/05/2019 
angoisse presenta Lucaufer + angoisse DJs, MBODJ & Julietta Ferrari @ Abaixadors10 (Barcelona) from 07 - 10 PM

angoisse: LAUT Takeover @ LAUT (Barcelona) w/ Loyalty XIX, Mace., Mbodj & angoisse DJs + special guest Ikram Bouloum from 00 - 05 AM

23/6/2018 David M. Romero (angoisse) DJ Set for Saturnalia 2018 @ Macao (Milan)

2017
16/12 angoisse showcase @ Marukonostalgie (Osaka)
15/12 angoisse showcase @ Hikarinolounge (Zakioka)
12/12 Broken Call Pop-Up @ Domicile Tokyo w/ Gaul Plus/Broken Call (Tokyo)
10/12 angoisse showcase @ Bonobo (Tokyo)
09/12 angoisse showcase @ WWWβ (Tokyo)

2016
angoisse VA Release w/ Beta Librae, Isabella, Enrique, Parts 1 and 2 + Sweat Equity & angoisse DJs @ Sunnyvale (NYC)

Ultrafog - rahikainen (from split with m do)

angoisse

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