These pad swells pull my breath up and down and all around. I agree... lovely

Sound design, field recording, vocals, synths, acoustic guitar, bass by
P è n i n ș o l a r
Visual edited by 
P è n i n ș o l a r
Footage fr various news sources/Oracle/vintage & unexplained phenomena etc.
https://www.instagram.com/p/CW60Eo3g8lo/
https://igloomag.com/reviews/peninsolar-singles-2021

Purchase on Bandcamp

Enki, Anu, & The Hopi

Out of the Box August 2022
This version of Danger Zone unadorned by voices

Unspoken Danger

Method: A Vintage Lemon Drop guitar and voice through roland vt4, catalinbread many worlds and catalinbread cloak into zoom r20. 
Narration: People get older, the ones I care for not excluded.
Artwork by myself, as usual.

Lyrics / copyright jo richter:

frail, so frail
light hits like hail
wading through water
made of air

pain, all in pain
TV says you're sane
mute actors share
a voice with your mother

lost, all lost
covered by frost
each single day
like the other

frail

JAMUARY Submission
brianfunk.com
Submission #1

Jan 1 - Hymn In Her

Quiet Crash (Day 2)

The first part of my song a day challenge in January.

Jamuary 1st 2023 Smile

Witnessing the fascinating conjunction of Venus and Jupiter from my hostel window prompted me to revisit one of my early attempts at writing music for solo MIDI electronics. 

"Celestial Dance", composed in May 2019, is in three parts, each following the other attacca, without pause. The harmonic structure of the work is derived from the clash (conjunction!) of two diminished seventh chords, with their root notes a semitone apart. Pierre Boulez had used such a chord in Sur Incises (and Incises)  which piqued my interest in its sonority. The instrumentation albeit MIDI oriented (which allowed me to push the instrumental performance to superhuman virtuosity) is made up of the instruments Boulez used in Sur Incises - with the addition of an electronic piano and solo strings. 

Celestial Dance, for electronics (2019)

This Love Can Never Die - Beck & Fini

I decided to try something a little ravey today. I bounced a chord to audio so I could pitch it up and down in the way folk did 'back in the day' and fiddled around with some sub bass and time-stretched vocal samples. I then chopped up a little amen break which, surprisingly I don't think I'd done before. I even chucked in a little attempt at creating a spinback by adding a delay to the beat and then rapidly changing the delay time.

Jamuary 2024

Dream Chaser (Jamuary Day 22)

Balancing hope and sadness, this track considers the journey towards a digital future, prompting us to reflect on the tangible nature of touch.

I concentrated on the subtle sounds of instruments like the piano, strings, and acoustic guitar, gradually merging them with the electronic tones of the DX7.

It’s a sentimental track that sets the mood for peaceful walks in nature or winding down before you sleep.

I really hope you enjoy!

Quiet Crash (Day 2)

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