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Frankie Cosmos - "Krill Cover" 8.18.13

Pre-order LP/CD: http://www.slumberlandrecords.com/catalog/show/270
Pre-order from iTunes: http://smarturl.it/dalliance-itunes

Gold-Bears' second full-length, "Dalliance," is a record about regret. It reminds you of that time you lied to your friend when you said you were too busy to hang out, but instead went to the bar alone. Or when you sent that really shitty email to your brother about something that really has no bearing anymore, because you were too caught up in the moment to think clearly. It also reminds you of the time you got divorced... from whatever or whomever.

In the past two years since Gold-Bears released their debut album "Are You Falling in Love?," main Bear Jeremy Underwood gathered a new crop of friends to carry out his fuzz-filled visions. "Dalliance" is more focused and abrasive than that 2011 debut, combining their noise-pop influences from forebears like Boyracer and The Wedding Present with shades of the post-hardcore, emo and post-punk on which the band all cut their musical teeth. This is not to say that Gold-Bears gave up impossibly catchy song-writing, just that their signature indie punk anthems are now even sharper, the guitars even more slashing, and the songs even more harrowing and heartfelt than ever.

"Dalliance" opens with the anthemic "Yeah, Tonight," a proper pop song featuring a duet between Underwood and Emma Kupa (of the defunct London indiepop band Standard Fare) that sets the agenda right away — sharp melodies and even sharper guitars, all whizzing by in less than three minutes. “Chest” rushes in almost immediately after, barely two and a half minutes of punk energy and fizzing feedback.

The stomping "From Gainesville to Tallahassee" features a gnarly feedback guitar solo and backing vocals from Black Tambourine's Pam Berry. “Punk Song No. 15” is as described, a blazing flash that condenses the history of UK noisy pop into just over one minute. “I Hope They’re Right” and the lovely, jangling “Hey, Sophie” show how much the band have expand their range, slowing the pace, turning up the jangle and taking on the big subjects.

Gold-Bears cover a lot of territory, musical and lyrical, in "Dalliance"’s 32 minutes and by the time that we reach the miniature epic of closer “Fathers And Daughters” we realize that we’re watching a band and a song-writer hit their stride, turning in an album that’s exciting, thoughtful and infectious.


Gold-Bears - For You

NOVEMBER 2014
-
Lyrics :

Si je t’annonce que je pars c’est pour mieux te rejoindre,
Feindre une absence de ma part, il est encore temps,
Mon existence muette voltige autour de mon être,
Tu es le sublime et l’émoi, fais-moi disparaître,


Quand je t’ai rejoint nous n’étions rien, mais j’ai touché la délivrance.

Ab imo pectore

This Is The End

Cover song by Night Nail. Music by Siouxsie and the Banshees.

Night Shift (cover)

From the Crystalline Stricture album, 'Syndrome'.

Vocals by Me and a Box & M. McIntyre.

Out now on TONN Recordings, available from TONN Bandcamp.

Syndrome

Gender

Gender - Crystalline Stricture (from the album 'Syndrome')

Oskkar

http://www.crackintheroad.com/?p=16048
http://whateverdad.bandcamp.com/

WHATEVER, DAD - ✩☀♡ séquence de rêve ♡☀✩

Title track from the forthcoming L'Avenir album "New Horizon". 

Equipment:
Oberheim DMX, Emu EMAX, Moog Minitaur, Roland SH-101, Waldorf Blofeld, Steinberger GL-2T, Lexicon ALEX, Roland DEP-5, Lexicon MPX-1.

- - - - - - - - - - -

New Horizon

I’m on the outside looking in
I didn’t lose but i didn’t win
Chaos brings you comfort
And that’s how you thrive
You threw it away but I survived

The sordid truth has not be told
It’s in a place dead and cold
Choices have been made
But soon you’ll dig a grave
For the newest casualty.

Now on the inside looking out
I see your sickness that abounds
Look past the shadows
Look past the death
Float to the surface 
Take a breath
On a new horizon
On a new horizon
You can’t touch me now

New horizon
New horizon
New horizon
You can’t touch me now.

L'Avenir - New Horizon

This Many Boyfriends

Tina Weymouth

This Many Boyfriends - Tina Weymouth

So Long..
Two mutants
Synthetic society
October 
2018




Screaming electric the atmosphere using.
At random glancing each asw I notice absorbing.

Swiftly on but a little while Alighting.
Curious envelop’d messages delivering.
So I pass a little time vocal, 
visible, contrary.
The best of me then when no longer visible, for toward that I have been incessantly, preparing.


Enough O deed impromptu and secret
Enough O gliding present
Enough O summd up past 

Enough O deed impromptu and secret
Enough O gliding present
Enough O summd up past 
Enough…

I recive now again of my many translations from my avatars ascending while others doubtless.


An unkown sphere more real that I
dream’d more direct darts awakening
rays about me.

So long!

Remember my words, I may again return,
 I depart from materials.

Enough O deed impromptu and secret
Enough O gliding present
Enough O summed up past

The best of me then when no longer visible, for toward that I have been incessantly, preparing.

Enough O deed impromptu and secret
Enough O gliding present
Enough O summed up past. X2

I recive now again of my many translations from my avatars ascending while others doubtless.

An unkown sphere more real that I
dream’d more direct darts awakening
rays about me.
So long!

Enough O deed impromptu and secret
Enough O gliding present
Enough O summed up past X2
Enough…

We are as one disembodied triumphant.

Synthetic society

So Long

From 'Intersection II', an album of special artist collaborative remixes on TONN Recordings.

Available on TONN Bandcamp.

Mastered by Thanos Mylonas.

Image © Christopher Martin.

Intersection II

The City Under This City Iv/An Remix for FOKKER

The City Under This City - Iv/An Remix for Fokker (from Intersection II)

Recorded live on July 7, 2012 for Part Time Punks http://parttimepunks.com

Studio version to be released on the forthcoming Deathday EP in 2018.

This Many Boyfriends - Tina Weymouth

Angular Recording Co

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