Manddy Wyckens is a director and designer at Studio AKA. In episode 57, we talk with her about giving direction, doing things she loves and finding a voice. &nbsp; Links: Website: https://www.manddywyckens.com/ Twitter: https://twitter.com/wyckns Tumblr: http://manddywyckens.tumblr.com/ Studio AKA: https://www.studioaka.co.uk/ 99 Percent Lifestyle Interview https://bit.ly/2zsRRiC Gobelins School: https://www.gobelins-school.com/ CalArts: https://calarts.edu/ Cory Loftis: https://twitter.com/coryloftis?lang=en Revolting Rhymes: https://www.netflix.com/title/80234290 &nbsp; Notes: -Studio AKA -AKA’s pitch process -Giving direction -Finding her craft and voice -Digital classes and animation vlogs -Gobelins School -Sociological differences in schooling -Interning at Disney -Mentor: Cory Loftis -American feedback -Having a voice in client work -CalArts -Focus and spontaneous drawing -Commercial work -Freelance -Compositing -Character design -Freelance life vs. full-time staff work -Short films -Writing a children’s book -Liking to do a lot of different things -Storyboarding -Exploring professional illustration -Dream client/project: Google Spotlight Stories -Favorite animated film: Revolting Rhymes -What do the people you love think you do at work all day?: Whatever animated film we see. They think I’m always abroad and that I do cartoons. -Animalator: To Be Determined

Episode 57: Manddy Wyckens

Wesley Louis is a Director at The Line Animation out of London, UK. In this episode, we talked about The Line’s team structure, hiring freelancers and Super Turbo Atomic Ninja Rabbit. &nbsp; Links: The Line: www.thelineanimation.com/ Instagram: https://www.instagram.com/librabear/?hl=en Tumblr: https://librabear.tumblr.com/ Blogspot: https://librabear.blogspot.com/ Gorillaz - Humility: www.thelineanimation.com/work/gorillaz Jamie Hewlett: http://jamiehewlett.com/ Aya Suzuki: http://ayasuzuki.blogspot.com/ Super Turbo Atomic Ninja Rabbit: https://bit.ly/2NHxro8 Electric Theatre Collective: http://electrictheatre.tv/ Partizan: https://www.partizan.com/ &nbsp; Notes: -The Line -The Line's team structure -Founder meetings &amp; complimentary strengths -Hiring freelancers -Gorillaz -Jamie Hewlett -Aya Suzuki -Enforcing cinematic animation perspective -The Line funding their personal projects -Super Turbo Atomic Ninja Rabbit -Celebrating personal projects in a big way -Setting deadlines for personal projects -The post-mortem process for commercial work -Electric Theatre Collective -The Line’s business structure -Looking forward -The Illusionist -Partizan -Wesley’s story of process and growth -Becoming a director -Dream Client: Nike or Capcom -Favorite animated film: Kiki's Delivery Service and Akira -What do the people you love think you do for a living: Draw and make things move. -Animalator: Rabbit, because of Super Turbo Atomic Ninja Rabbit

Episode 58: Wesley Louis

Lisha Tan is a Creative Director at The Mill in Los Angeles, CA. In the episode, we chatted about The Story of O.J., reading YouTube comments and managing creative limitations as a director. &nbsp; Links: Portfolio: http://www.themill.com/portfolio/filter/collection/103/lisha-tan The Mill: http://www.themill.com/ Lilchotchke: https://www.etsy.com/shop/lilchotchke Resolution Design: http://www.resolutiondesign.com.au/ The Pirates of Somalia: https://imdb.to/2M955Gd &nbsp; Notes: -The Mill LA -Mill+ -Project processes -The Story of O.J. -Jay Z -Reading YouTube comments when a job goes out -Giving and receiving notes as creative director -Communicating vision on a project -Transition to creative direction -Coaching character animators -Personal pitching process -The Mill’s internal resources -Pitching vs. pre-production -Lisha’s process of ideation -Managing creative limitations as a director -Lilchotchke Ceramics -Lisha’s mentors -Resolution Design -The Pirates of Somalia -Developing personal style -Favorite animated film: Spirited Away -What do the people you love think you do at work all day?: I don’t they know--messing around with cartoons. -Animalator: A little hybrid cat-thing because people tell me sometimes I’m like a cat. &nbsp; &nbsp; **Note: The Mill worked with JAY-Z, Roc Nation and Director Mark Romanek via Anonymous Content to create the animated music video for ‘The Story of O.J.’ &nbsp; Lisha and The Mill artists realized JAY-Z’s vision using a combination of hand-drawn cel animation, computer graphics, and painted backgrounds, collaborating with Titmouse to animate the original characters.

Episode 59: Lisha Tan

Sarah Blank is a freelance animator, compositor, designer and sometimes-writer/director. In the episode, we chatted with her about CG and live action compositing, Travel Oregon and user interfaces in VR. &nbsp; Links: Website: www.thesarahblank.com LinkedIn: www.linkedin.com/in/sarah-blank-96062b11/ Travel Oregon: https://bit.ly/2N7dnfb NYU Tisch: http://tisch.nyu.edu/ Nomad Editing: http://nomadedit.com/ &nbsp; Notes: -Apple screen graphics -Game of Thrones Season 1 -Compositing (CG and live action) -Travel Oregon -The forest for the trees approach -NYU Tisch -Nomad Editing -Editing vs. Compositing -Editing on Game of Thrones -Seasons of freelancing -Husband, Dave Blank -Coordinating freelance schedules and taking time off -California Bloodbath -Giving yourself deadlines on personal projects -User interfaces in VR -Commonalities in top-level work across studios -Pigeon-holing artists -Improving as a director -Dream client: Michel Gondry -Favorite animated film: Who Framed Roger Rabbit -What do the people you love think you do at work all day?: CG modeling and animating -Animalator: The Ouroboros

Episode 60: Sarah Blank

From IV comes Animalators: curious conversations from the world of animation. On each episode, animator Zac Dixon sits down with members of the animation community to discuss life, art, business and the creative process.

Animalators

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