great to hear the accordion. nice feel to this.

the accordion is so perfect with the dark electronics… mesmerizing

superb, very tragic and melancolic, and first class sounds ! :)

Ich mag den verwunschenen Klang des Akkordeons! Wunderbar mysteriös!

Ive listen to this song for years every time i rediscover the Tennyson Poem. Its been with my my entire childhood so i wanted to thank you. I hope you never take it down. Es ist wunderschoen

ulrich langenbach/michael göring „now again 135“

work of monday

Soundtrack for the imaginary journey of the lady of Shalott / Donna Di Scalotta.

All sounds are accordion with electronic. 

This track was created specifically for the Extrospection Group - January 2014.
More on "EXTROSPECTION" group at:
soundcloud.com/groups/extrospection


Donna Di Scalotta [Extrospection January 2014]

nessuno crede a ciò che non è mai successo - kunstraum niederösterreich

Der Titel "I forgot to mention the moon" stammt aus dem Gedicht "The Moon" von David C. Berman (aus dem Band "Actual Air").

ulrich langenbach/michael goering - I forgot to mention the moon

from KR113: David Wallraf - The Commune Of Nightmares
lim.ed. tape / download out on january 26th 2024

The Commune Of Nightmares

DAVID WALLRAF - He Bit His Tongue In His Sleep

ROTTEN SUN [Mia Zabelka and Lee Adams] Live @ IKLECTIK London as part of the KLANGZEIT Festival 2023 on November 18.

Recorded and mixed by Isa Barzizza

Rotten Sun explore their alchemical fascination with base matter, light and reflection through image and psychoacoustics – A gleaming razors edge, reflecting back the blank stare of the void.

Visuals: Kevin Craig
Photography: Matt Favero at liminalwarp.com
For bookings and enquiries please contact @antonia@altaragency.com

Rotten Sun Live @ IKLECTIK London 2023

A bonus track for the "Zombi Traditions" album, available on Bandcamp. Recorded August, 2015.

The Shopping Mall Has Long Since Flooded

ulrich langenbach/michael göring - "someone else's biography"

121 02012021a

Stollwerk Changes

Anja Kreysing, accordionist and sound artist, certified Deep listening practitioner after Pauline Oliveros, master of fine arts, sound- and media arts / experimental film,  studied with German fluxus experimental filmer Lutz Mommartz, additional studies with Nan Hoover, Christina Kubisch. Accordionist, improviser (workshops with Malcolm Goldstein et al, certified Deep listening practitioner after Pauline Oliveros). Primarely work with Live Soundtracks for (silent-)film, video, performance, theater…) and for her own videoart / experimental films with accordion / electronics. Curator of „schwarz-weiss ist die bessere farbe“, label for (silent-)film concerts and a/v performances with Helmut Buntjer.

Akkordeonistin und Klangkünstlerin. 
Certified Deep Listening® practitioner nach Pauline Oliveros. 
Live-soundtracks für Film und Performance, elektroakustische environments, improvisierte Musik mit Akkordeon und Elektronik. Musette, Balkan-Gypsie, experimental / noise und (dark)Ambient sind ihre Wurzeln -  eine mélange aus folklore imaginaire im Sinne Béla Bartóks und zeitgenössischer (elektronischer) Musik. 
Neben vielfältigen Kollaborationen im Bereich Musikperformance und improvisierter Musik gehören u.a. das kwr5-Kollektiv, die Zusammenarbeit mit der Querflötistin Ulrike Lentz und „this honourable fish" zu ihren Projekten. Gemeinsam mit dem Posaunisten Helmut Buntjer kuratiert sie die Filmkonzertreihe für historische Filmkunst, Videokunst und zeitgenössische Musik „Schwarz-weiss ist die bessere Farbe“. 

Artiste du son et accordioniste.
Musique de cinéma et improvisation, accordeon et électroniques.
Musette, Balkan-Gypsie, experimental / noise et (dark)Ambient sont ses racines.
Part de "this honourable fish" / ensemble Abrash

Donna Di Scalotta [Extrospection January 2014]

Anja Kreysing

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