Name: ORTrmx3 lowercase edit tribute to Steve Roden by Anja Kreysing
Duration: 7 min 14 s
Description: field recordings out of the unsettling rooms of the former Oxford barracks / Flakkserne in Münster / Germany, manipulated and remixed with recordings from other places. Developed out of the psychogeographic field exploration / audiovisual installation „Ort ohne Heimweh“, an artistic collaboration with Thomas Gerhards and Werner Rückemann, August/September 2023.

I can't breathe but don't need a space travel (A74)

The wonderful and very talented Observatory and I welcome you to our first collaboration...  We had a lot of fun with this and are very proud of the results.  We hope you enjoy the journey!   :)

MemoryMoon

Mycorrhizal Networks

Hardware synths, Analog and digital.
I considered to add guitar as well...but left it like this for now.

Feel free to take it further!

I Look Ahead But I Only Feel My Past

La caduta nel tempo

Techno Playlist
https://youtu.be/9BqgKX4tMW8

White Pattern

Naviarhaiku 497

I cancelli e le porte sono aperte o sempre chiuse?
Se il portone si chiude sei dentro o sei fuori?
E sei sicuro che, se il tempio dorme, tutto sia perfettamente immobile, fermo e in silenzio?
Non ti senti in trappola, dove il sonno diventa incubo?
Lo vedi adesso il nemico?

"Ed un giorno mi disse
Entra ti aspetterò
Ma il nemico da sempre si cattura così
Apri bene la porta
Fallo entrare da te
Lei l'ha fatto settembre
Lei l'ha fatto con me"

Alberto Fortis  Settembre   1981



Are the gates and doors open or always closed?
If the gate closes are you in or are you out?
And are you sure that, if the temple sleeps, everything is perfectly still, static and silent?
Don't you feel trapped, where sleep becomes nightmare?
Do you see the enemy now?

"And one day she told me
Come in, I'll wait for you
But the enemy has always been caught like this
Open the door well
Let him in for you
She did it September
She did it with me"

Alberto Fortis "September" 1981

Settembre - The Gate Shuts (naviarhaiku497)

field recordings out of the unsettling rooms of the former Oxford barracks / Flakkserne in Münster / Germany, manipulated and remixed with recordings from other places. Developed out of the psychogeographic field exploration / audiovisual installation „Ort ohne Heimweh“, an artistic collaboration with Thomas Gerhards and Werner Rückemann, August/September 2023.

ORTrmx3 lowercase edit tribute to Steve Roden

Reversi

hehehahahaherhehee

[Noise, Eileen Olson]
[Artwork, Leonora Carrington]

Renaissance

From Proof of Utah's 1990 album Free and Female (2020 remaster)
Entire album can be found here: https://www.youtube.com/watch?v=xAjLCl_RUiA

Free & Female

Noah's Aardvark

Proof of Utah - Noah's Aardvark

Anja Kreysing, accordionist and sound artist, certified Deep listening practitioner after Pauline Oliveros, master of fine arts, sound- and media arts / experimental film,  studied with German fluxus experimental filmer Lutz Mommartz, additional studies with Nan Hoover, Christina Kubisch. Accordionist, improviser (workshops with Malcolm Goldstein et al, certified Deep listening practitioner after Pauline Oliveros). Primarely work with Live Soundtracks for (silent-)film, video, performance, theater…) and for her own videoart / experimental films with accordion / electronics. Curator of „schwarz-weiss ist die bessere farbe“, label for (silent-)film concerts and a/v performances with Helmut Buntjer.

Akkordeonistin und Klangkünstlerin. 
Certified Deep Listening® practitioner nach Pauline Oliveros. 
Live-soundtracks für Film und Performance, elektroakustische environments, improvisierte Musik mit Akkordeon und Elektronik. Musette, Balkan-Gypsie, experimental / noise und (dark)Ambient sind ihre Wurzeln -  eine mélange aus folklore imaginaire im Sinne Béla Bartóks und zeitgenössischer (elektronischer) Musik. 
Neben vielfältigen Kollaborationen im Bereich Musikperformance und improvisierter Musik gehören u.a. das kwr5-Kollektiv, die Zusammenarbeit mit der Querflötistin Ulrike Lentz und „this honourable fish" zu ihren Projekten. Gemeinsam mit dem Posaunisten Helmut Buntjer kuratiert sie die Filmkonzertreihe für historische Filmkunst, Videokunst und zeitgenössische Musik „Schwarz-weiss ist die bessere Farbe“. 

Artiste du son et accordioniste.
Musique de cinéma et improvisation, accordeon et électroniques.
Musette, Balkan-Gypsie, experimental / noise et (dark)Ambient sont ses racines.
Part de "this honourable fish" / ensemble Abrash

ORTrmx3 lowercase edit tribute to Steve Roden

Anja Kreysing

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