A spiffy rendition of Vedic Hare Krsna chant, accompanied with Srila Prabhupada's masterly commentary on the meaning, purpose, effect & goal of this chanting. I bet you, you'll play it in loops!
[Download Enabled]

Awesome Chanting With Description : HH Maha-Vishnu Swami (@CONGO)

Bada Hari Das _ Radhe Shyam Meditation

Aindra

Śrīla Viśvanātha Cakravartī, a great spiritual master who appeared in the mid-17th century, says, "One who recites this beautiful prayer to the spiritual master during the brāhma-muhūrta portion of the day obtains direct service to Kṛṣṇa, the Lord of Vṛndāvana, at the time of his death."

Nirañjana Swami leading chanting of Śrī Gurvastakam

Aindra Prabhu Sweet Mellow

5 Sri Guru Vandana ~ Svarupa Damodara Das

KI 24—29 Coming Closer

KI 24—30 Kalyan Ho!

Gracefully Sung by HG Rangaraja Prabhu and Family. Credits also go to HG Shabda Hari Prabhu for making this recording. This recording was made during the early days of ISKCON Jagannath Mandir, Bengaluru. Other tracks that I have are available on my profile, Yhs

For The Wellbeing of His Holiness Jayapataka Swami.

narasimha-kavacham vakshye
prahladenoditam pura
sarva-raksha-karam punyam
sarvopadrava-nashanam

sarva-sampat-karam chaiva
svarga-moksha-pradayakam
dhyatva narasimham devesham
hema-simhasana-sthitam

vivrtasyam tri-nayanam
sharad-indu-sama-prabham
lakshmyalingita-vamangam
vibhutibhir upashritam

catur-bhujam komalangam
svarna-kundala-shobhitam
saroja-shobitoraskam
ratna-keyura-mudritam

tapta-kancana-sankasham
pita-nirmala-vasasam
indradi-sura-maulishthah
sphuran manikya-diptibhih

virajita-pada-dvandvam
shankha-chakradi-hetibhih
garutmata cha vinayat
stuyamanam mudanvitam

sva-hrt-kamala-samvasam
krtva tu kavacham pathet
nrsimho me shirah patu
loka-rakshartha-sambhavah

sarvago ’pi stambha-vasah
phalam me rakshatu dhvanim
nrsimho me drshau patu
soma-suryagni-lochanah

smrtam me patu naraharih
muni-varya-stuti-priyah
nasam me simha-nashas tu
mukham lakshmi-mukha-priyah

sarva-vidyadhipah patu
nrsimho rasanam mama
vaktram patv indu-vadanam
sada prahlada-vanditah

narasimhah patu me kantham
skandhau bhu-bhrd ananta-krt
divyastra-shobhita-bhujah
narasimhah patu me bhujau

karau me deva-varado
narasimhah patu sarvatah
hrdayam yogi-sadhyash cha
nivasam patu me harih

madhyam patu hiranyaksha-
vakshah-kukshi-vidaranah
nabhim me patu naraharih
sva-nabhi-brahma-samstutah

brahmanda-kotayah katyam
yasyasau patu me katim
guhyam me patu guhyanam
mantranam guhya-rupa-drk

uru manobhavah patu
januni nara-rupa-drk
janghe patu dhara-bhara-
harta yo ’sau nr-keshari

sura-rajya-pradah patu
padau me nrharishvarah
sahasra-shirsha-purushah
patu me sarvashas tanum

manograh purvatah patu
maha-viragrajo ’gnitah
maha-vishnur dakshine tu
maha-jvalas tu nairrtah

pashchime patu sarvesho
dishi me sarvatomukhah
narasimhah patu vayavyam
saumyam bhushana-vigrahah

ishanyam patu bhadro me
sarva-mangala-dayakah
samsara-bhayatah patu
mrtyor mrtyur nr-keshari

idam narasimha-kavacham
prahlada-mukha-manditam
bhaktiman yah pathenaityam
sarva-papaih pramucyate

putravan dhanavan loke
dirghayur upajayate
yam yam kamayate kamam
tam tam prapnoty asamshayam

sarvatra jayam apnoti
sarvatra vijayi bhavet
bhumy antariksha-divyanam
grahanam vinivaranam

vrshchikoraga-sambhuta-
vishapaharanam param
brahma-rakshasa-yakshanam
durotsarana-karanam

bhuje va tala-patre va
kavacam likhitam shubham
kara-mule dhrtam yena
sidhyeyuh karma-siddhayah

devasura-manushyeshu
svam svam eva jayam labhet
eka-sandhyam tri-sandhyam va
yah pathen niyato narah

sarva-mangala-mangalyam
bhuktim muktim cha vindati
dva-trimshati-sahasrani
pathet shuddhatmanam nrnam

kavachasyasya mantrasya
mantra-siddhih prajayate
anena mantra-rajena
krtva bhasmabhir mantranam

tilakam bibhriyad yas tu
tasya graha-bhayam haret
tri-varam japamanas tu
dattam varyabhimantrya ca

prasayed yo naro mantram
narasimha-dhyanam acharet
tasya rogah pranashyanti
ye cha syuh kukshi-sambhavah

kimatra bahunoktena
narasimha sadrsho bhavet
manasa chintitam yattu 
sa tacchapnotya samshayam

garjantam garjayantam nija-bhuja-patalam sphotayantam hatantam
dipyantam tapayantam divi bhuvi ditijam kshepayantam kshipantam
krandantam roshayantam dishi dishi satatam samharantam bharantam
vikshantam purnayantam kara-nikara-shatair divya-simham namami

iti shri-brahmanda-purane prahladoktam shri-narasimha-kavacam sampurnam

Sri Narasimha Kavacha Stotra

Hare Krishna Kirtan 09 - by Srila Prabhupada

Vibhavari Sesa

Par Karenge

(traditional song)

 

par karenge naiya re, bhaja krishna kanhaiya,

krishna kanhaiya dauji ke bhaiya

krishna kanhaiya vamshi bajaiya,

makhana curaiya re, bhaja krishna kanhaiya (1)

 

Worship Kanhaiya*, the brother of Balarama. Kanhaiya’s lotus feet are the boat to

take us across the ocean of material life. Worship Kanhaiya, that Krishna who stays in

Vraja, playing the flute and from every gopi’s house steals butter (that is, the soft and

pure white hearts that are like butter).

[*Kanhaiya - Yashoda-maiya’s pet name for her darling son. This name is brimming over with sweetness and affection.]

 

krishna kanhaiya girivara uthaiya,

krishna kanhaiya rasa racaiya

para karenge naiya re, bhaja krishna kanhaiya (2)

 

Worship Kanhaiya, that Krishna who lifted Govardhana Hill and performed the Rasali

la. His lotus feet are the boat to take us across the ocean of material life.

 

mitra sudama tandula lae,

gale laga prabhu bhoga lagaye

kaha kaha kaha bhaiya re, bhaja krishna kanhaiya (3)

 

When His friend Sudama brought Him some low-grade rice, He accepted it, embraced

him and cried, “O My brother, you haven’t come for such a long time! Where have

you been? Did you forget Me?” Worship that Krishna!

 

arjuna ka ratha rana me haka,

shyamaliya giridhari baka

kali-naga nathaiya re, bhaja krishna kanhaiya (4)

 

In the Mahabharata war Shyamaliya became Arjuna’s

chariot driver, directing the horses on the battlefield. He lifted Govardhana Hill at

such a tender age and He subdued Kaliya-naga by putting a rope through his nose,

dragging him out of the Yamuna. Worship that Krishna!

 

drupata-suta jaba dushtana gheri,

rakhi laja na kini deri

agaye cira badhaiya re, bhaja krishna kanhaiya (5)

 

Worship that Kanhaiya who immediately came to protect Draupadi by increasing

her cloth unlimitedly when she was surrounded by so many wicked men.

______

Sweet Kirtan reservoir:
http://musicofyoga.com/music/ 

Kishori Mohan Das & Sudevi Dasi- Par Karenge

These Japa affirmations encapsulate the essence of my japa retreat in the form of affirmations. Many devotees have found these affirmations greatly helpful in going more deeply into their japa.

Japa Affirmations

HG Aindra Prabhu / Damodarastakam

Jahnavi Harrison

Living Name

R10 Alone with Radha and Krsna

Japa Inspirations

JI 1 - In Divine Company

"Oh mind, just worship the lotus-like feet of the darling Son of Nanda, which make one fearless."

Mayuri's rendition of "Bhajahu Re Mana," a prayer in Bengali by Govinda daas, offered to H.D.G. Abhay Charanaravinda Bhaktivedanta Swami Prabhupada on the 124th anniversary of his appearance.

Bhajahu Re Mana

Bhajahu Re Mana | Mayuri

Amazing kirtan by Acyuta Gopi dd during Mumbai Kirtan Festival on 16th of February of 2013.

Acyuta Gopi dd. Mumbai Kirtan Festival 2013

ABOUT THE ALBUM

This album was manifested by the mercy and inspiration of Guru and Vaishnavas, under the guidance of Srila Gurudeva Bhaktivedanta Vana Goswami Maharaj who also gave it's name, Bhajan Lahari - Waves of Spirituality. The album has 9 Tracks and each song is like an wave of spirituality. As an offering unto the Lotus feet of Srila Gurudeva Bhaktivedanta Narayana Goswami Maharaja the album will be realeased on the day we celebrate his centennial anniversary - 11/02/2021. The purpose of this album is that it may serve as a source of remembrance, inspiration and nourishment to the heart of all the devotees.

MUSICIANS

Krsna Krpa dasa: Vocals, Harmonium, Mrdanga, Kartals and Whampers
Vrndavana Chandra dasa: Harmonium, Guitar, Percussion and MIDI Instruments
Rajat Prasanna: Bass Flute and Small Flute
Sankirtana Dharma: Sitar
Kula Shekara: Violin
Balarama Tirtha (Bali): Esaraja

Backup Vocals: Amala Harinama dasa, Kishori Mohan dasa, Sudevi Devi dasi, Taruni Gopi dasi, Thakura dasa and Vrndavana Chandra dasa

SPECIAL THANKS

I would like to thank everyone who helped, participated and contributed in each and every way. First of all, both of my Srila Gurudevas, Bhaktivedanta Vana Goswami Maharaja and Srila Bhaktivedanta Narayana Goswami Maharaja, who are the source of my inspiration and to whom I dedicate this album.

Now I will just name a few devotees who have helped in different ways: Vrindavana Chandra for producing this album and giving me all support needed (also a place to stay and prasada). Taruni Gopi Dasi (Rio de Janeiro) who gave so much inspiration, encouragement and facilitated so that other devotees could help us. Radha Dasi, Madhavananda Prabhu, Vrindavana Palika Didi and Thakura Dasa who donated to the project, Radha Govinda Dasa who made the art for the album cover, Taruni Gopi Dasi (Sto Antonio do Pinhal), who cooked everyday while we recorded, and also, all of my friends, family and all the devotees.

(Please forgive me and dont be upset if I forgot to mention you, I am thankful to everyone)   

Nitai Gaura Premanande Hari Haribol!

BCS

Anjali Hasijabh