Name: Decan Of Clear Light by Anji Cheung in ambient + experimental // playlist
Duration: 10 min 26 s
Description: https://anjicheung.bandcamp.com/album/terma

"In one dream I flew into outer space and right up to the moon. The planets were big balls the sizes of skyscrapers and I heard the music of the spheres, understanding that this was music made by the movement of the planets themselves, and that this was the music of existence in motion. The dream ended with me sitting upon the Milky Way like it was just a puddle of glittering and swirling stars. I touched the water and it was electric upon my fingertips."
— Cosmic Bruja, Leza Cantoral

ambient + experimental // playlist

A new collection of work titled 'Sodium Light' from myself has just been released on Lee Norris's excellent NeoTantra label. The work was inspired by a series of night walks my daughter and I took towards the back end of 2019; pre all the states we find ourselves in at the moment. It's an impressionistic work of night-time cityscapes. Mastered by Fraser McGowan.

Sodium Light

Night #2

'Night #2' - Taken from the release 'Sodium Light' - [Neotantra, 2021]

Curtain Seller

Lad Vore Hænders Nøgne Træ Få Blomst Og Blade

SILO

PANEL-13


In this collaboration, Radboud Mens and I explore the tension between stasis and movement. Operating within the realm of drone and electroacoustic music, we construct a sonic landscape where sustained tones and microscopic events constantly shape and reshape each other. What initially appears static reveals itself to be rich with detail: tiny acoustic shifts breathe life into apparent stillness, inviting focused and attentive listening.

The album emerged from a process where sound research, improvisation, and sound design merge. Self-built instruments, the search for timbre and texture, and recordings of the learning process itself form the foundation of these compositions. Rather than following a traditional musical structure, the result is a sonic field in which the minimal continually transforms depending on the listener’s perspective. This is a layered and handcrafted album that doesn’t narrate, but questions. Marking A Boundary With The Turning Point is not a boundary. It’s an invitation to listen differently.


released June 9, 2025

All music by Ard Janssen & Radboud Mens
Mastered by Stephan Mathieu at Schwebung
Artwork & design by Ard Janssen

Manufactured by Record Industry
Distributed by Clone Distribution

Spherical

Track from Signal - Emptyset, latest release on Subtext Recordings. Emptyset present a live recording of their performance project Signal exploring the effects of atmospheric propagation and transmitted sound.

Emptyset - Side 1 - Signal (SUB015)

“Night - A Landscape With Factory” appears on David Lynch & Marek Zebrowski's Polish Night Music out now, 

CD/LP: http://bit.ly/1RYGY6M
Buy on iTunes: http://apple.co/1N65pM0

Website:  http://davidlynch.com/
Facebook: https://www.facebook.com/davidlynchofficial/
Twitter: https://twitter.com/david_lynch

David Lynch & Marek Zebrowski : Night - A Landscape With Factory

T'odia

Luna 247: From the Ember Music EP "Sentient Ocean." Visit www.embermusic.com

Solaris Affair - Luna 247

The Reception Drill: From the Ember Music EP "Sentient Ocean." Visit www.embermusic.com

Solaris Affair - The Reception Drill

https://anjicheung.bandcamp.com/album/terma

Terma

Decan Of Clear Light

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

Pre-order availabe now via Imprec.com
Cassette edition of 100 via Cassauna/Imprec

ALEXANDRE BAZIN​ is a member of the ​Groupe de Recherches Musicales​, better known as the GRM, for which he writes documentaries about music for the radio. He is passionate about experimental music and more specifically acousmatic music created by members of the GRM, such as Bernard Parmegiani, Francois Bayle and Guy Reibel. Due to his background as a classical and jazz pianist, Alexandre Bazin is also passionate about instrumental music by the likes of Steve Reich, Erik Satie, Brian Eno ... This album attempts to synthesize these two worlds that are so dear to the composer, either in symbiosis or in opposition to one another with simple and loose melodies as its main theme. The use of analog synthesizers and acoustic sounds are at the heart of the composer's creative process. His music has already been heard thanks to Umor Rex Records in Mexico and the Moogfest festival in the USA.

OCEANS :

"Oceans" ​was written for Marimba, Piano and Buchla Music Easel, in 4 movements around the theme of the Ocean. Simple and loose melodies, played on piano and Buchla. They rotate around the marimba which evokes breathing and the rhythm of the swell. Suspended melodies reminiscent of Generative music although in this case they are an improvisation around a simple motif. Through its title and movements, this work evokes a reflection around climate change and our relationship to Oceans: water, breathing, the repetition of movement, but also its immensity which reminds us of our limits. The piece was performed by Alexandre Bazin on Piano, Buchla Music Easel and Marimba as well as Gabriel Benlolo on Marimba, a member of the Radio France Philharmonic orchestra.

Alexandre Bazin  -  Underwater (Part 4) From Oceans/Dream - Land - Cassette

Released by Opal Tapes

Limited Edition Cassette now available for preorder at

opaltapes.bandcamp.com/album/selected-percussive-works-1998-2001-vol-ii

Millions Of Moon Strings Vibrate As The Animals Sing

Jessica Moss
"Opened Ending"

Corona Borealis Longplay Singles Series
https://jessicamoss.bandcamp.com/track/opened-ending
100% of revenue goes directly to the artist

With a short film by Jem Cohen 
https://vimeo.com/466384584

cstrecords.com/coronaborealis

Corona Borealis Singles Series

Jessica Moss • "Opened Ending"

ℜ𝔦𝔱𝔲𝔞𝔩 𝔡𝔯𝔬𝔫𝔢𝔰 & 𝔞𝔪𝔟𝔦𝔢𝔫𝔱 𝔞𝔱𝔪𝔬𝔰𝔭𝔥𝔢𝔯𝔦𝔠𝔰.

https://linktr.ee/anjicheung

Sabrina Rodríguez (stylized as 'sabrinarguez') is a multidisciplinary artist and performer working with glitch and noise artifacts, digital synthesizers, samples and experimental sound editing; researching about the mutually constructive nature of human identity and technology.
Contact: sabrinarguez@gmail.com
----------------------
Sabrina Rodríguez (escrito como 'sabrinarguez') es una artista multidisciplinar y performer que trabaja con artefactos de glitch y ruido, sintetizadores digitales, samples y edición de sonido experimental; investigando sobre la naturaleza mutuamente constructiva de la identidad humana y la tecnología.
Contacto: sabrinarguez@gmail.com

Decan Of Clear Light

Anji Cheung

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