Piece for electric cello and effects pedals, written for and performed here by Clara Boudrot.

From the premiere, May 13, Black Box Theatre, NYC.

Stacked

"Pull Up" for Soprano or Tenor Saxophone 

Commissioned as a result of the 2018 Solo Saxophone Commissioning Consortium with Samantha Etchegary.

Performed by Greg Bruce, tenor saxophone. Recorded by Aida Khorsandi at the University of Toronto. Mixed and Mastered by Andrew Noseworthy.

Music video by Theo Woodward: https://youtu.be/bVJLyuTnuBQ

From the album, "Consortium Works: Solo Saxophone" on people | places | records
https://peopleplacesrecords.bandcamp.com/album/consortium-works-solo-saxophone

Pull Up

"Vibrance (in tribute to 'Errorzone')", commissioned and premiered by Amanda Forest (https://www.amandaforestclarinet.com/) as a part of "Solus - An Unaccompanied Clarinet Recital", Crescent Fort Rouge United Church, Winnipeg, Manitoba, Canada. 

Generously sponsored by Groundswell Wpg (http://gswell.ca/)

"Vibrance" was written in response to and was influenced by the album "Errorzone" by Boston-based hardcore band Vein. The work is specifically inspired by the textural and gestural development throughout the record, rather than directly quoting any actual material found in the album's songs.

Huge thanks to the incredible Amanda Forest for commissioning and taking on this intense piece of work, and I am very grateful for her commitment to performing exciting music by young composers!

Vibrance (premiere performance)

Concerto for Korg Monotron (2015, rev. 2019)

Performed by the National Youth Orchestra of Canada during their summer 2019 composer reading and workshop session. Recorded at Wilfrid Laurier University, Waterloo, ON, Canada.

Conducted by Gregory Oh
Louis Pino, Korg Monotron Soloist

Concerto For Korg Monotron - III. Finale-Largo (National Youth Orchestra)

Concerto For Korg Monotron - II. Interlude-Adagio (National Youth Orchestra)

Concerto For Korg Monotron - I. Prelude-Con Moto (National Youth Orchestra)

"Empty-Blank-Perfect"

Complete song cycle recorded by Amy Grainger, soprano and Timothy Brennan, piano, electric piano and synthesizer.

Recorded in the Fall of 2014 at Memorial University, St John's, Newfoundland and Labrador, Canada.

Empty-Blank-Perfect: VIII. Formed

Empty-Blank-Perfect: VII. Friends

Empty-Blank-Perfect: VI. Eyes

Empty-Blank-Perfect: V. Winter

Empty-Blank-Perfect: IV. Business

Empty-Blank-Perfect: III. Factory

Empty-Blank-Perfect: II. Jars

Empty-Blank-Perfect: I. Form

Written for and performed by the Kuyum Ensemble. 

Text by Madison Katz.

Yolanda Tapia, piano
César Aguilar, countertenor
Francisco Barradas, violin

Premiered December 14th, 2017 at the Canadian Music Centre, Toronto, Ontario, Canada.

Keeping 3:04am

Andrew Noseworthy (he/him/his) is a multidisciplinary artist whose music reflects upon the acceptance/rejection of “locality,” while addressing ideas of post-regional spaces and questions of accessibility for the musical voices within them. His genre-fluid projects coalesce wide-ranging styles and distinct artistic practices, while building sustainable relationships through communal collaboration. Recent collaborators include The Metropolis Ensemble, The 21C Guitar Conference, Angie Moon Dance Theatre, Saman Shahi, India Gailey, Yang Chen, Tim Brady/Bradyworks, Phong Tran, Adam Cuthbért, SlowPitchSound, Greg Bruce, The St John’s International Sound Symposium, Bekah Simms, Tanea Hynes and Andrea Lodge. He is a member of the experimental hardcore duo this place is actually the worst (with Aeryn Jade Santillan), post-genre duo laydøwn (with Yaz Lancaster), Toronto-based contemporary ensemble ContaQt, and co-runs people | places | records.

Andrew Noseworthy

Popular tracks