FRÉQUENCE FINE

Some sonic thoughts on the link between the Earth and the Universe.

From radio to RADIA : creating for the RADIA network a composed play of electromagnetic signals. 

With field recordings and electromagnetic reception recordings from around the world, here is a sonic drift about us, the earth and the universe, without much intention for narrative structure. I want to talk about the very little time we have left to make earth a better and peaceful world ; how fragile and wounded nature is, although still offering us pure moments of bliss ; waves link us together with everything. In the end, we are one with the world, time has no meaning, nothing comes first. All in all is all in one."

Gaïa drifting in the Sky

Gaïa Drifting in the Sky / Fréquence Fine

I recorded a little improvisation I did on the piano this morning.
All sounds are created using an e-bow circuit machine built in collaboration with Jan Bernstein and Mickey van Olst, with the support of Villa Médicis. No electronics, no amplification, what you hear is simply the vibration of the piano strings.

📷Villa Médicis (light design: Eva G. Alonso)

Improvisation with my e-bow circuit machine (13 December 2019)

Grote Kerk s.-Hertogenbosch
November Music 2019
Ensemble Modelo62

if you like the piece, please, support our upcoming performace!
https://www.gofundme.com/f/signals?utm_source=customer&utm_medium=copy_link&utm_campaign=p_cf+share-flow-1

Signals

Track 1 on my new Music Cassette.
https://djdeppenhorst.bandcamp.com/album/15-trivial-miniatures

Music Cassette

A01 - Release the Electronic Ponies

United Instruments of Lucilin | Rainy Days Festival, Luxembourg, Neumünster Abbey, 30.11.19

Earthscape I - Watermark

UNPREDICTABLE FACTOR

itwasthewires : modular synthesizers
Marco Lucchi : found sounds, Mellotron, synthesizer and mix down

26 agosto 2020

itwasthewires & Marco Lucchi - Charlotte [first encounter]

The SETI Institute posts an artistic challenge this month. This month’s was issued by the organization’s co-founder, Dr. Jill Tarter. (portrayed as Dr. Ellie Arroway in Contact). 
- In brief, the idea is to consider that First Contact between humans and extraterrestrials will likely be technologically mediated. “We use technology as a proxy for intelligence, and then we go looking with various types of telescopes and detectors to see if we can find evidence that somewhere else someone or something else has used technology to modify their environment in ways that we can sense over vast differences.”
-Consider what First Contact might be like elsewhere in the universe in light of Dr. Tarter’s challenge.
- Produce a piece in music/sound that responds to the challenge.

Synthesizers
Orchestral samples
Field recordings (explosions, space sounds)

Photo by @NASA

https://llllllll.co/t/disquiet-junto-project-0453-dial-up/

Morse (Interstellar Chat) - disquiet0453

Texture 1

Rejected orchestral piece for a music score (publisher's call), quite naive and straight forward.
Piano, upright bass and flute, full orchestra (string, brass and woodwind experimenting with several orchestral libraries).

Composed and performed by Daniel Diaz 2020.

Reworked and remixed on Thursday October 22nd 2020 inspired by this haiku:

wind tunnel . . .
a hummingbird fans
the morning glory

poem by kala ramesh
photo by pradeep ghildiyal uIou


https://www.naviarrecords.com/2020/10/21/naviarhaiku355-wind-tunnel/

Signals

annakorsun

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