Great track this, keep up the great work!

Trip

Calling It

► Buy this track: https://www.beatport.com/release/trancient/3620500

Trancient

PREMIERE: Greg Notill, Enzo Monza - Trancient (Original Mix) [Airborne Black]

Not Enough

Metodi Hristov - Not Enough (Original Mix) // SA156

Originally released during the label’s earlier years, “Take Shelter” by Tomy Wahl returns as part of TEN: The Archive Series Pt. 1 — a curated collection highlighting peak time and driving Techno from the first phase of the label’s history.

Defined by its stripped intensity and functional power, the track reflects the raw, uncompromising sound that helped shape Ballroom’s identity on the international Techno circuit.

TEN: The Archive Series, Pt. 1

Take Shelter

„AUWACKA“ - An expression of surprise or amazement (Auwacka..Dit is n Ding!) — is the brand new release of Disturbed Berlin‘s upcoming new Album. 💿 

It’s inspired by the first attempting of his first parade at RAVE THE PLANET. (former Loveparade) back in 2023. 

Learn more about the artist by reading his biography and make sure to follow him on his socials. 

🤍 
PROTECT TECHNO CULTURE 
🤍

AUWACKA - Disturbed Berlin (Original Mix)

Statued Silence

Melodic Series by Sweet Musique: Discover the best Deep House to Melodic Techno with us!

PREMIERE : Riesen - Perpetual (Strinner Remix)

Follow = 
https://soundcloud.com/somaticrecordsuk
https://soundcloud.com/jonny-strinati

About Somatic Records : 
A Melodic Techno label newly launched in early 2017 our music was soon being played at festivals such Timewarp by non other than Richie Hawtin. Throughout the year we gained more and more support from big names such as the mighty Nicole Moudebar, giving her seal of approval on a release and continuesly supported by Weska, Spartaque, Ilario Alicante, Joseph Capriati, Luigi Madonna, Shiba San & many more.
Later on in 2017 more and more established DJs signed their music to our imprint - Beatamines, Raul Mezcolanza & D.R.N.D.Y and before the year ended we hit #1 in Hard Techno release charts from YHUMAN - Overdrive EP with it also charting high in the Techno release chart (#24) and even charting in the Overall top 100 (#78)
2018 is looking even more excting for this label with a label showcase confirmed on 03 March in London and EPs confirmed with more established DJ/Producers wanting to be a part of this exciting Melodic/Progressive label.

PREMIERE : Riesen - Perpetual (Strinner Remix)

James Bond

My Name Is

From the upcoming release: "Der Alchemyst"

Release date: 29.05.2013
Label: Harthouse
Format: Vinyl, MP3

Tracklist: 
1. Der Alchemyst
2. Der Virus
3. And I Said

Note: There will be also a studio video soon. About the Track "Der Virus" (Making of)

www.borisbrejcha.de

And I Said - Boris Brejcha (Original Mix) Harthouse 2012 - Preview

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Calling It

Ann Clue

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