This is a grand song, Annie!! Very entertaining! It’s a bit like if Wings did some @ punk energy, ha!! Love it! Catchy!! 👏🏻👏🏻👏🏻🔥🔥🔥🙏🙏🙏

WHAT a wonderful track. From that off kilter , slightly out of tune piano to the very frothy vocals. BRILL ⭐⭐

Related tracks: Condition Shit (Punk-Ska version)

Opener of live concerts of the Art Rock band Common Ground in which I formerly played - decades ago ;-)  We played some original tracks like 'A Lovely Day' which can be found on my SC page as well as some covers of the bands Rush, It Bites and Marillion.

Sorry for the bad sound quality. Recorded 1990 with a 4 channel mixer and a stereo tape recorder ;-)

Common Ground - Intro 1990 (remastered)

Days to Nights

OLYMPICS 2024 / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Olympics 2024 Open Collaboration Offer

Greg Hurley: Composition / Arrangement, Lyrics, Vocals, Horns, Slide guitar, Guitar, Keys and FX, Bass and Drum programming, mix and mastering.
If you have the time.... Please repost!

Tell Me Why

This is an open invitation for a collab, this track is open for downloads. All producers, mixologist, DJ, and Musician are welcome to test their skills and artistry. The file is submitted "as is", add what you want to complete it, or simply sample parts. If you use it, please link back to this page. Message me here with a link to your production and I will repost... Enjoy fam!
To all producers you have my permission and authorization to use it as your own. I have published this as royalty free. You can monetize or do whatever you want with it. All proceeds are yours to keep. Everyone is welcome to participate.
All I ask is vocal credit, my name is: Ian Greaves aka (IPG1)Peace!
Enjoy Fam!

Lyrics
They Want to know the real reason—why I don’t care
He’s freaking out ——she’s freaking out 
everybody’s ————-just freaking out
What’s the deal? 
Let me know ———why the hell———- you're——all——freaking out

It’s no dream, no pattern, 
more questions 
when it’s all said and done, 
did I do, what i did, 
really do it the right way, 
Each and every path taken, 
did they lead me the right way, 
okay ———-rebel or obey 
what’s right and wrong——Who’s to say

Why —————————-couldn’t I see————-Why couldn’t I see 
what was always inside me
Hey—-Hey—-Hey

Standing at the crossroads, which path to take?
Left or right, it's all at stake
Decisions heavy, on my mind they weigh
But I stand tall, ———-in the -light of day
Ambitions strong, with dreams to chase
No regrets, no time to waste
Climbing mountains, reaching high
Sky’s the limit, I’ll touch the sky

[Chorus]
Why couldn’t I see——Why couldn’t I see 
Why couldn’t I see——Why couldn’t I see 
Why couldn’t I see——Why couldn’t I see 
Why couldn’t I see——Why couldn’t I see

[Verse]
Why couldn’t I see——-That power within me
From the shadows to the light, I'm finally breaking free 
With every step I take, I conquer doubt
Putting in the work, while the haters shout
No more holding back, it's my time to shine
Illuminate the path, can't nobody block my grind
Verse after verse, I'm writing my own story
With every line I drop, I'm chasing glory
Dreams —ain't just dreams, they become the vision
Manifesting greatness, I'm redefining fate
Turning obstacles, to stepping stones that I create

From the ashes of defeat, I rise again
In this life of battles, I’ll never be a friend
To complacency————to chains that bind
In this hustle——————-I'm one of a kind
Fueling the fire, with every stride
No more shadows, from the light I won't hide

Inside Me Vocals 96 BPM

Miasma

Astral Spaces (2020) Anthology CD2 Track 05

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea

Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix

TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

Composition – The Eclectic Collective

This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. 

Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. 

Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. 

Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.

  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.

  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones - (Eclectic Collective)

Salut tout le monde,
voici Le clip du morceau 'La grâce de la solitude, où l'anxiété sociale' extrait du 4ème album de M'Z intitulé 'Émancipés du vide ?' qui est  sorti le 20 septembre 
https://www.youtube.com/watch?v=anemj8t2NfU

Lien vers l'album : 
https://matzizrecords.bandcamp.com/album/emancip-s-du-vide
https://music.imusician.pro/a/DgMrDyXS

"Émancipés du vide ?"
Est une réflexion mélancolique sur les gouffres émotionnels que l'humain entretient, sur la difficulté de nous extirper de nos attractions diverses vers le néant, nos incapacités à regarder les déchets mentaux que nous produisons sans passer par la case culpabilité, c'est une critique de la normalisation, du conformisme, du positivisme creux vanté par nos esprits trop marketés et en quête du chemin le plus rapide vers un Sens quel qu'il soit. L'illusion d'être libre dans un monde qui vante des platitudes érigées en valeurs censées incarner cette liberté et pourtant située à vingt mille lieues sous ce que pourrait être un début de chemin vers une liberté effective. Enfin, il symbolise la nécessité vitale de retrouver notre naïveté perdue et de réapprendre à voir le beau et à œuvrer en ce sens.

La grâce de la solitude ou l'anxiété sociale :
Premier morceau qui ouvrira l'album, traite de la difficulté d'évoluer dans le contexte du groupe social face à cet animal qui fonctionne bien trop souvent comme un inhibiteur d'individus et qui par les réflexes et stéréotypes qui conduisent ces groupes, et le consensus vers le médiocre que cette masse désire trop souvent, peuvent mettre très mal à l'aise une partie des humains qui se sentent bridés et inadaptés au fonctionnement de ces amas d'humains angoissants tant ils peuvent rapidement muer en usines à oppressions pour peu qu'une tête ose contourner certaines des coutumes en vigueur.

J'espère que le son et l'image vous plairont !
Il a était tourné globalement sur les hauteurs de Mirepoix (09)en complément nous avons quelques images de ce morceau joué lors des concerts à la ferme thuronis Alaigne (11) et au café associatif de Marquefave (31) en août 2024

---------------------------------------------
Vous pouvez :
Avoir de mes nouvelles ici
(en vous abonnant à ma newsletter) :
https://matzizrecords.bandcamp.com/follow_me

Ou sur mon site :
https://mzprisme.wixsite.com/mz-musique
---------------------------------------------

Il devient de plus en plus difficile d'être musicien indépendant, alors votre aide, si vous aimez cette musique et que vous n'êtes pas encore totalement fauchés, me sera des plus précieuses.
N'hésitez pas à pré-commander mon album ici :
https://matzizrecords.bandcamp.com/album/emancip-s-du-vide

 et à me soutenir en achetant ou simplement en écoutant et partageant les albums passés, plus globalement sur mon bandcamp : 
https://matzizrecords.bandcamp.com/

En espérant vous croiser très bientôt dans la vie réelle.

Mathieu TORRES
M'Z
------------------------------------------
Merci beaucoup à Samantha Colom pour les jolis plans et l'étalonnage !!
Merci évidemment pour son amour, son soutien, sa gentillesse !
Merci à Steph pour l'objectif et le pied, ses conseils et son début d'étalonnage, et à Hugo pour ses conseils et également pour votre amitié sincère.C'est un bien rare et précieux !
Merci Pexel pour les plans TimeLapse de ville 
(Timo Volz - Martin Portas - Tom Fisk - Ritam Paul Chowdhury - Tima Miroshnichenko)

Emancipés du vide ?

La grâce de la solitude ou l'anxiété sociale

La grâce de la solitude ou l'anxiété sociale - (VIDEO CLIP in description)

A fun demo of a super silly song

Vocals/lyrics: Annie Stone
Piano: Russ Stone
Production/Guitar: Graham Carpenter 

***THIS SONG HAS A SWEAR IN IT!!!!!!***

F*** You Money Demo

The initial melody could be famous, but I don't know who (where and when) composed it. It was the melody of the carillon (in the picture) that some friends gave to my daughter, who was just born. We sung (adding words) and played it for years, even and especially after the music box broke, not to forget it. 
The piece is dedicated to her, who is now 18. The melody of the music box is followed by some (very posed) arias representing the successive stages of her life, childhood and adolescence. The carillon's melody resumes at the end: because I am sure she still hears it, deep down, and that it accompanies her as life goes on.

------

Composed by Michele Ansani (2006-2024).
Posted on SoundCloud: 2024, September 10

My daughter's carillon (song for her 18th birthday) *

30 - 10 - 2024

Strange Goins On

natty-don’t-sell-out

01 - Spitfire Audio - Kepler Orchestra - Janus + woodwinds
02 - Spitfire Audio - London Contemporary Orchestra Textures - Ethereal - Tail + First Light

First Light

Shadows are with the light

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

I'm just happy to be here

Front lady of @luxury-bones

F*** You Money Demo

Annie Stone

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