Sample Portfolio

Another fantastic collab with the brilliant vocalist Anna Awe https://soundcloud.com/annaawemusic
Check her amazing work on her Soundcloud profile.
Lyrics and vocals by Anna Awe
Music, mix and mastering by me with Logic Pro, use of guitars, electric bass, synth and sampled drums.
Enjoy!!:):)

ENDLESS – ANNA AWE – LYRICS


Intro:
There’s adventure in my soul
I long for something much more
It’s a hard path but I don’t go it alone 

Verse:
I want to hold you oh so close
Along the road we do not know
Together we’re strong
We move ahead against all odds 

My love for you will never go
My love for you will find its way back home
Even when we lose ourselves so deep in the unknown
 
Chorus:
I’ll follow you til the ends of the Earth
Climb every mountain to be where you are
I will go til the end of the road
Cause our love is endless

I will take all of the hits that you take
I will fight all of your fights every day
I will take all of the pain that comes with it
Cause our love is endless

Verse:
I began this path with you
We’ve made it to such a high up view 
This unbreakable love is the force that got us through

Our love can fight the hottest fire 
Our love grows stronger with each night we survive
In love, we reach the greatest heights of all time

Chorus 2

Endless

Endless (feat. Anna Awe)

Take a moment to soak up atmospheric choral song by LGBTQ+ low voice choir The Sunday Boys, performing at the Whitworth’s Sculpture Terrace alongside Recovery Poems. The Sunday Boys lend their voices to three new commissions by composers Anna Appleby, Dominie Hooper, and Michael Betteridge. These include the words of Recovery Poems set to music, a piece inspired by Sarah Butler’s text Manchester Oxford Road Corridor, and a composition called The Quietening created in collaboration with the choir during lockdown.

Corridor' - Michael Betteridge with text by Sarah Butler (adapted from 'Manchester Oxford Road)
Solo: Ed Moss

'Heartland' - Anna Appleby with text by Emergency Exit Arts, Robert Montgomery & Deanna Rodger

'The Quietening' - Dominie Hooper
Solo: Nick Kirby
 
Commissioned by Oxford Road Corridor for Corridor of Light with support from Arts Council England.

Thanks to the High Commission of Canada in the United Kingdom for additional support for "Corridor".

The Quietening

Heartland

Take a moment to soak up atmospheric choral song by LGBTQ+ low voice choir The Sunday Boys, performing at the Whitworth’s Sculpture Terrace alongside Recovery Poems. The Sunday Boys lend their voices to three new commissions by composers Anna Appleby, Dominie Hooper, and Michael Betteridge. These include the words of Recovery Poems set to music, a piece inspired by Sarah Butler’s text Manchester Oxford Road Corridor, and a composition called The Quietening created in collaboration with the choir during lockdown.

Corridor' - Michael Betteridge with text by Sarah Butler (adapted from 'Manchester Oxford Road)
Solo: Ed Moss

'Heartland' - Anna Appleby with text by Emergency Exit Arts, Robert Montgomery & Deanna Rodger

'The Quietening' - Dominie Hooper
Solo: Nick Kirby
 
Commissioned by Oxford Road Corridor for Corridor of Light with support from Arts Council England.

Thanks to the High Commission of Canada in the United Kingdom for additional support for "Corridor".Take a moment to soak up atmospheric choral song by LGBTQ+ low voice choir The Sunday Boys, performing at the Whitworth’s Sculpture Terrace alongside Recovery Poems. The Sunday Boys lend their voices to three new commissions by composers Anna Appleby, Dominie Hooper, and Michael Betteridge. These include the words of Recovery Poems set to music, a piece inspired by Sarah Butler’s text Manchester Oxford Road Corridor, and a composition called The Quietening created in collaboration with the choir during lockdown.

Corridor' - Michael Betteridge with text by Sarah Butler (adapted from 'Manchester Oxford Road)
Solo: Ed Moss

'Heartland' - Anna Appleby with text by Emergency Exit Arts, Robert Montgomery & Deanna Rodger

'The Quietening' - Dominie Hooper
Solo: Nick Kirby
 
Commissioned by Oxford Road Corridor for Corridor of Light with support from Arts Council England.

Thanks to the High Commission of Canada in the United Kingdom for additional support for "Corridor".

Corridor

An in-house concept EP from Norrisette also featuring Not-Norrisette, her AI collaborator.

Written, designed, composed, recorded, produced, mixed and mastered by Norrisette.

With thanks to prism-samplernn
Led by Sam Salem and Christopher Melen
Initiated by Sam Salem
prism-samplernn code by Christopher Melen

A PRiSM Collaboration also involving David De Roure, Marcus du Sautoy, and Emily Howard.

The RNCM Centre for Practice & Research in Science & Music (PRiSM) is funded by the Research England fund Expanding Excellence in England (E3).

Whale House

Reservoir

Human

The Half Of It

A home recording of my piano piece made during the second lockdown

In Your House, The Ocean [Demo]

Wild being
You have life and love
And everything is free
Wild being
You don't have to prove
That you're allowed to breathe
Shiny bits of metal
Singing 'let me eat'
Tiny little numbers
In their electronic pockets

Wild being
You are born from soil
And that's where you return
Wild being
You are made of earth
And now we watch it burn
Shiny bits of metal
Singing 'let me eat'
Tiny little numbers
In their electronic pockets

There are so many of us
There are so many of us
There are so many of us
So so so so so so so so so so so

Many of us

Wild Being

A new string quartet movement which I composed in 2013-14 especially for The Cavaleri Quartet during their residency at the University of Oxford. This residency was generously supported by the Radcliffe Trust. The recording was by Sennheiser and the performance took place at the Holywell Music Room in Oxford on the 5th March 2014.

Violin I: Martin Jackson
Violin II: Ciaran McCabe
Viola: Ann Beilby
Violoncello: Rowena Calvert

ESCHATON - String Quartet No. 1 - The Cavaleri Quartet @ University of Oxford

Radio Song - DROUGHT Scene 3

13.8 Billion Years - Amy Green (soprano saxophone)

THREE MINIATURES - [workshop recording] Het Balletorkest (The orchestra of Dutch National Ballet)

A setting of 1 Corinthians 13, performed by the choir of St David's Episcopal Church, Baltimore.

IF I HAVE NOT LOVE - St David's Choir, Baltimore cond. Douglas Buchanan

A song cycle setting words by Elizabeth Barrett Browning. 

Commissioned by Glyndebourne for the Jerwood Young Artists' Recital Series 2019 as part of Balancing the Score

Recorded by https://www.eastwoodrecords.co.uk/

Photo by Chris Dawson https://www.chrisimages.co.uk/

II - How Do I Love Thee - Stephanie Wake-Edwards & Matt Fletcher - Glyndebourne 11.08.19

Anna Appleby (1993-) is a Manchester-based composer. www.annaappleby.com

THREE MINIATURES - [workshop recording] Het Balletorkest (The orchestra of Dutch National Ballet)

Anna Appleby Composer

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