Diffuse Reality Podcast 053: Palexia
→ bit.ly/39qXTA8
www.diffusereality.net

Diffuse Reality Podcast 053: Palexia

AreaAudio, ascolto e ricerca.

La marcia Techno di Lady Maru ci dirige verso la libertà. 
La musica può essere un mezzo di liberazione, ma solo se concepita come forma d'arte, priva degli stereotipi dettati dal mercato e dalla velocità imposta dai social media.
Per sconfiggere questo inganno Lady Maru fa una netta distinzione tra la rabbia espressa in cassa dritta, figlia delle rivolte e delle manifestazioni di ideali politici, e ciò che il mercato musicale detta. 
La sua idea è molto chiara, in questo podcast ascolteremo ed esploreremo la visione della musica techno come strumento di rivoluzione (RAVE-O-LUTION). 
Lady Maru esprime il suo dissenso sociale e politico, ironizzando l'abbandono delle istituzioni verso la popolazione ed il territorio. La Techno come linguaggio universale, che ha come scopo quello di valorizzare il posto in cui viviamo, remando contro la decadenza dei nostri giorni.

Jail Echo Kontrol Order•Auxiliary Rave Endless Area

Lady Maru - AreaAudio 021

Tripalium Rinse Show #46

Rinse France // 06 avril 2021
1st hour : @jauzastheshining
2nd hour : @jaquarius303

Rinse France Podcast

Tripalium Rinse Show #46 - Jauzas the Shining & Jaquarius

https://ohmresistance.bandcamp.com/album/distortion

30K OHM April 16, 2021
Kool Keith + Scorn + Submerged - Distortion
12", Digital

Mixed by MJ Harris in the Lad’s Old Room B14
Vocals by Kool Keith Recorded at Studio G Brooklyn
Vocals Engineered by Tony Maimone, Assisted by Ross Colombo
Bass Guitar by Submerged at Blue Site I, Saaremaa
Mastered by Daniele Antezza for Dadub Mastering Studio
Artwork by Sagana Squale, Layout by Machine™

Distortion

Distortion - Scorn Remix

Inauguration du label M.E.S MUSIC (@m-e-smusic) qui nous propose sa première galette, bien bretonne, qui suinte le beurre salé avec Roars EP, Hañv* edition.
Suite a sa série de tutoriel diffusée sur sa chaine youtube, F.E.M (@f-e-m), fondateur du label, a décidé d’organiser un concours de remix de sa track Roars, qui a été composée tout au long de ces vidéos.

Le fruit de ce concours : 4 tracks qui nous propulsent directement sur une plage (bretonne bien sûr) , en open air.
Nous avons choisis le remix Earl Nest (@earl_nest), une drum’n’bass/jungle sucrée, à 170 Km/h sur l’autoroute du Kouign Amann Cosmic.

Earl Nest(@earl_nest) s’attache à créer une musique électronique détournée de ses codes, inspirée par des artistes tels que Rone, Trentemoller, Clark, Underworld ou encore The Clash. Au croisement de la coldwave et de l’electronica, et cristallisation de tellement d’autres choses encore, la musique d’Earl Nest ne s’embarrasse ni de standards ni de règles, à l’image de son créateur qui se refuse aux catégorisations et se donne pour seule ambition de partager un petit bout de son univers et de sa sensibilité avec le reste du monde.

*Hañv signifie "été" en breton, une édition hiver est prévu pour cet hiver 2021.

Bandcamp M.E.S: https://mes-music.bandcamp.com/
Soundcloud M.E.S: https://soundcloud.com/m-e-smusic
Facebook: M.E.S: https://www.facebook.com/mes.music.rec

Soundcloud Earl Nest: https://soundcloud.com/earlnest
Facebook Earl Nest: https://www.facebook.com/mes.music.rec

M.E.S MUSIC

PREMIERE : F.E.M - Roars (Earl Nest Remix) [M.E.S MUSIC]

EXUSE

sensually disturbed while celebrating

Limbo

This was my first track that wasn't at 140bpm. I slowed things down to 120bpm, although the live drums make it feel faster. At the time, I was listening to a lot of Powell, Shit & Shine, Not Waving, and Broken English Club, and I was inspired by the idea of 'post-punk techno'. About 90% of this track is made from samples from old punk records. It's also the first track that I used hardware on. I had bought a Roland R8 mkII drum machine, and so beefed up the percussion using this.

Lockdown 3.2X (Somatic Responses Fractured Remix)

Anodyne

Related tracks