Name: ANM060 Yureka Cash — Neural Reproduction by anòmia
Duration: 6 min 12 s
Description: From upcoming ANM060 Veritable Witness, Exemplary Resolve by Yureka Cash

dhhylt

it appeared

Hypermedium is thrilled to share 'code88' by AGF @agf-antye-greie , first track off the upcoming V/A LP 'Future Chorus' [HMDM010 / MNDS01]. 

Out on January 20, 2023 on limited edition vinyl in a deluxe triple gatefold sleeve and digital.

More info: https://hypermedium.bandcamp.com/album/future-chorus

Curated by Eleni Ikoniadou and featuring five tracks by AGF, Chino Amobi, Lafawndah & Trustfall, Harrga and Savvas Metaxas, 'Future Chorus' is based on a collection of readings, spoken word, nonlinguistic sound, poetry, MCing, cello and animal sounds. The material was combined with machine learning processes for the artificial generation of a new voice speaking a nonhuman language. The vocal database and AI voice became the raw material for five remixes.

This release is a collaboration between Hypermedium and MAENADS. Created by Eleni Ikoniadou in collaboration with Anne Duffau and Aphroditi Psarra, MAENADS is a platform for collective projects, sonic, visual, performative or text-based, unleashing works that seek to inhabit polyphonic narratives, other worlds and subjectivities, group joy.

Concept & curation: Eleni Ikoniadou 

Human voices: Abbas Zahedi, AGF, Elaine Mitchener, Eleni Ikoniadou, Jordan Edge, Joshua Leon, Lunatraktors, Ruth McGill, Sukitoa O Namau 

Cello: Viki Steiri 

AI voice: Mohab Tarek 

Mastered by: Giuseppe Ielasi 

Art direction & design: Vasilis Marmatakis 

Cover photography: Panos Defteraios

Future Chorus

Order

AGF - code88 [from HMDM010 / MNDS01: Future Chorus]

https://xtclvr.bandcamp.com/album/c-u-ragged-pink
cover sabrina zambrano

saltyskin - C U

NTS with special guest this month weepingwillowtree <3 
https://www.nts.live/shows/felisha-ledesma/episodes/felisha-ledesma-10th-september-2022

Felisha Ledesma:
Hanne Lippard - PigeonPostParis 
Valerio Tricoli - Mimosa Hostilis
Alex Zhang Hungtai & Pavel Milyakov - Cycle 3 
Pent - annular proto sep
Matilda Tjäder - By the Edge of Water
SCRAAATCH - HVMIX20
VISIO - Youth Grows Forever
Bridget Ferrill & Áslaug Magnúsdóttir - Sensitive Town
Shoeg - Hard Fork 

weepingwillowtree @front-hole :
malibu - held
seraphim and swiʌel - (a)photic
richard devine - recordings of a bat
elysia crampton - flora
klein- u got this
debit - 5th day
celer and yui onodera - C
caterina barberi and bendik giske - fantas for saxophone and voice
the waking life and carl krueger - 8.29.2014
trngs, fitnesss and lag switch - cBLOCK
ahnnu - grouping
racine - trois cent trente-trois lettres imparfaites
chino amobi - the failed sons and daughters of fantasia
cheng daoyuan - hollow in emptiness 
ariana grande - successful (ruined by weepingwillowtree)
dani rev - tru loves

NTS 10.09.22 w/ weepingwillowtree

From upcoming ANM060 Veritable Witness, Exemplary Resolve by Yureka Cash

ANM060 Yureka Cash — Neural Reproduction

Maths Balance Volumes follow up their acclaimed 2020 release A Year Closer with a further and sturdier bucket of songs scraped from the dust of being. Haunted, fragile and beautiful, this is music that explores the ghostly zones of its own creation. The loneliness and vulnerability that unfolds with the opening cut Stay lays the way for exploration of sound and song as simple melodic guitar and organ whilst the subsequent and subsequent Janet’s Song weaves these elements alongside the sound pebbles entering a water. 

This is evocative music made thoroughly by humans with the most basic of tools. Unafraid to step away from their screens Maths Balance Volumes stroll with breezy resistance to the current thread of platform regurgitation. 

Tonight flips the song on its side as a barnstorming melange of concrete hustle made from shakers, animals, humans and beelzebub knows what. Egyptian Wedding sounds like Still House Plants if they operated off the depths of a rotating well. Forming a round is a dusty scratchy heartbreaker that encapsulates the hybrid Smithsonian Folkways label approach that only MBV do. 

There is something enormously human about Maths Balance Volumes take on underground experimental music, one far more so than the human pitched music made in the mainstream today. In the 20th Century it was the other way around. What has happened ? I will let you contemplate that. But for me, in this case explicitly this press scribe is chuffed at the consequence of this reversal. Very happy indeed. 

Released June 30, 2023

Maths Balance Volumes - Stay

"...As a rigorous listener, Gallagher has observed a multitude of sonic vocabularies in a relatively rearview acknowledgement of contemporary sound production and distilled them succinctly in his latest offering for Enmossed, titled “e.78”. Gallagher showcases his attention to detail and devotion to the craft of synthesis over two side long sections on the LP. It is clear that Gallagher is aware of how to situate his listening and furthering of the conversation around computer music in a post Peter Rehberg world by balancing sonic tropes from a golden era output of labels like Editions Mego, Entr’acte, Presto!?, or IDEAL. Tactfully, he showcases his ability to parcel distinct moments of clarity and sonic obfuscation. His abstractions are intentional, his ambience exacting, and his chaos undeterred..."

-Nick Klein

Patrick Gallagher is a sound artist currently based in Philadelphia, PA (US). With a formal education in mathematics, Gallagher employs generative/algorithmic processes, guided improvisation, and intuitive sound collage in an effort to weave evocative and evolving sonic narratives. Exploring the various developments of 20th century composition and contemporary computer music, he seeks to fuse that technicality with the cathartic and rapturous nature of the DIY noise underground.

Previous works employed a wide range of sound sources - synthesizers, field recordings, tabletop guitar, etc. - however, Gallagher currently focuses almost entirely on digital synthesis, particularly additive and granular techniques.

Gallagher has released albums on cassette and vinyl through ENXPL (enmossed x Psychic Liberation), Hot Releases, Refulgent Sepulchre, Tone Log, and other independent labels. 

Audio mastered by Glyn Maier
Cover sculpture and photo by Lauren Pakradooni
Design by Joe Bastardo

e.78

Patrick Gallagher - e.78 (Side A Excerpt)

"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing.

Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere.

This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name."

- David Coccagna

An Industrial Coast production

Recorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 - B2 contains source material from Joe Hisashi "Kikujiro"

Audio finalized by Glyn Maier

Artwork by Laura Arteaga Charlton (www.lauraarteagacharlton.com)

Erosion Trace

Emerald Pool

New track from upcoming self-titled debut LP by milanese homeboy Polonius. Out November 2023. Edition of 350.

"Aleatory. Rhizomatic. This is the beat broken free of metrics and binary quantization. The beat, with its bindings shattered, charging loose onto the dancefloor and subsuming it in a storm of gnashing teeth and whirling steps and ecstatic free dance, ecstatic free play. The beat, set free to grow in infinite folds and spores and to be carried in endless fractal blooms across the four winds, from dimlit basements to glowing neon Discothèques, up up up into a broken brilliant raging heaven." Jakob Battick

Polonius - Pawn Jaws (from 2023 s/t album)

Entering new territories of the physical realm, ANE returns with an EP and accompanying remix collection from @crosspolar

The Bristol-based artist harnesses the once hyperreal aesthetics of computer simulations from the 90s to early 00s in dreamlike odes to distorted cyberspace memories. This release comes as a limited edition of floppy disk packs containing two recycled disks, one of originals and one of variations.

An upbringing in Finland during the 90s serves as a catalyst for the inspirations for these sprawling, cinematic ambient tracks. Repurposed rompler instruments and high sheen sound design represent lost dreams of the future. Sugar sweet rave euphoria is met with icy desolation. Crosspolar plunders his childhood fascinations to create this not so uncanny valley: keygen music, click-to-discover online worlds, 90s television, and turn of the millennium tech. These tracks accelerate at blistering pace whilst always looking backwards.

releases February 12, 2021

Artwork by Crosspolar
Mastered by Richard Cooke

ANM060 Yureka Cash — Neural Reproduction

anòmia

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