oh, this part is nice. Love how the rhythm works for me!

I think it's quite possible that you could be a musical genius, sir.

lovely arrangement with the music box chime sounds.

I find the dissonant, resonant overtone too prominent. It is fine for the style, i get it, but it's a bit too loud and fights with the more important elements.

I like this thinned out section a lot. The musicbox arps are delightful.

Lovely.... this intro makes me eager to hear what's to come....

Great sounds you created, well done :) Many greets out of the kraftraum:)

One Synth Challenge #186: Any Two Synths Challenge (second edition)

James Mullen had his first day, or rather his first night in the London police force on that foggy 31 August 1888. He was excited and proud at the same time and he was scared... He shouldn't be afraid, he was a policeman after all! Nevertheless, an uneasy feeling crept over him that simply could not be suppressed. He didn't like being out at night and yet he tried not to let on that he would rather be at home in his bed than prowling through the darkest streets of London in the middle of the night... 

He turned into Buck's Row and suddenly stopped... ‘What's that...?’ He walked slowly towards the small pile in the alley. It was dark and he couldn't see his hand in front of his eyes. Only now did he realise that he had not yet lit his lamp, even though his instructor had told him to do so again and again. 

He lit his lamp and shone it in the direction of the heap on the road and immediately wished he hadn't. Staring in fear and horror, he couldn't believe what he was seeing and without realising it, he cried like he had never cried before in his life... 

‘You'll never forget your first day at the police station’ said his mum with a smile as he said goodbye to her. She was right...

Made for KVR OSC 186 with Apricot and MinimogueVA

Whitechapel

An entry for the KVR One Synth Challenge #186 : Any Two Synths Challenge (Second Edition).

All sounds created with Vital and TAL NoizeMak3r.

In a disturbing turn of events, Spaceman D. Bassman flirts dangerously with major scales, gets sassy with a saxophonist, plays Arkanoid on his Grandpa's Amiga, does some cleaning round the house, and brings it all to a climax while totally amped up to the max on Tequila, Pimms and Irn Bru.

Reaper 7
Vital (17)
TAL NoizeMak3r (2)

Track FX : DAW Native
ReaComp (8)
ReaMIDIControl (1)
ReaEQ (12)
ReaDelay (1)
ReaVerb (2)

Track FX : 3rd Party
ChowTapeModel (2)
Distorque Rangebastard (1)
MAutopan (2)
TAL Reverb 4 (1)
Toneboosters Reverb 3 (1)
TDR Kotelnikov (1)
TDR Nova (1)
Sixth Sense Deelay (2)

2 BUS FX
TDR Kotelnikov (1)
TDR Nova (2)
TB Barricade 3 (1)
Cockos Loudness Meter (1)

OSC186 - Any Two Synths Challenge (Second Edition)

Skull Nugget

Realizing There's Nothing More I Can Do (OSC186 Vital+Deelay)

My entry in the so-called "One Synth Challenge" on KVR, round #186: "Any Two Synths". Brutal feedback please!

DAW: Reaper
FX counts (excluding monitoring plugins):
- Odin2 x17
- WhispAir x5
- Stereo Width x3
- OrilRiver x1
- TDR Nova x1
- ReaComp x1
- ReaDelay x1
- ReaEQ x7
- ReaLimit x4

Seven Years Have I Been Waiting

in 31edo. for OSC 186.
Made with Saike Partials and Noise Engineering Ruina, in Reaper.

Leonard Bowman - Destruction In The Service Of Beauty

OSC #187 - Nakst Extrabold

extrabold 11 instances
bitwig transient control
bitwig tool
bitwig compressor
bitwig limiter
bitwig EQ+
bitwig Delay 4
Freeclip 2
STFU

Spring Goose - Xb7

OSC#187: nakst's "ExtraBold"
DAW: MuLab (www.mutools.com)
Instances: 28
FX: Auburn Sounds Panagement 2 (free), TD-Nova, OTT, LoudMax, Dimension Expander

In fact, no Delay or Reverb plugin was used (not even with Panagement; wet on 0%), but only the internal FX within ExtraBold. Reverbs in there are a bit long and there's literally no control over them other than wetness. Curious concept. But, hey, it all works quite well for its simplicity. All in all, pretty neat little synth with just enough control to get plenty of complexity and variety. I like it! 😎👍

Taron - Boldilocks [ExtraBold]

This ttrack made for the KVR OSC #187 using sounds from the VSTi, ExtraBold. Only DAW and free 3rd party FX used.

Cover Art c/o Adobe Firefly

DAW: Reaper

Track Details:
11 * ExtraBold
11 * ReaEQ
2 * Oril River
4 * OTT

Master Track Details:
SlickEQ
MSED
Limiter No. 6

Meter:
SPAN
Youlean Loudness Meter

Stats:
LUFS: -14.4
DR: 11

The Extra Bold Girls Play Jazz - OSC#187 - ExtraBold

One Synth Challenge [OSC187] entry. All tracks made with ExtraBold synth.

Organic Synthesized Chaos

Hold My Bear [OSC187]

Made for OSC 187 using 12 ExtraBold synth by nakst

Do Not Touch My Delicate Robot

My submission for the OSC187 competition using only the Extrabold synth

Johnkhf_Day and Night

Since Utopia only exists in our hearts and minds, there is no need to conquer it in the material world. Stop all wars now!

My entry for the OSC #187 showing off ExtraBold, a free synth by Nakst.

DAW: Reaper 7.22
30 instances of ExtraBold
Free Plugins: CRMBL by Unplugred, Room Reverb by Elephant DSP, Deelay by Sixth Sample, Cramit by Sixth Sample, Graphic EQ by Viator, Frank CS by Analog Obsession, Fetish by Analog Obsession and VladG Limiter #6 by Tokyo Dawn Records

Many thanks to my friend Taron who sent me some of his ExtraBold drum presets that I happily tweaked to make them fit in my track.

The Battle for Utopia

The Battle For Utopia (OSC #187)

✨ Viaggio sonoro verso nuove dimensioni ✨
La mia musica esplora i confini dell’electro ambient, intrecciando sonorità futuristiche e surreali con atmosfere sospese, ipnotiche e cinematiche. Ogni brano è pensato come una porta d’accesso a una nuova dimensione del suono: un luogo in cui tempo e spazio si dissolvono, lasciando spazio a emozioni pure e a paesaggi sonori inesplorati.

🔊 Immergiti nei miei mondi sonori, fatti guidare da voci mantriche, texture eteree e bassi profondi, e lasciati trasportare in un viaggio senza confini.

---------------------------------------------------------------

✨ A Sonic Journey into New Dimensions ✨
My music explores the boundaries of electro ambient, weaving futuristic and surreal soundscapes with suspended, hypnotic, and cinematic atmospheres. Each track is designed as a gateway into a new dimension of sound — a space where time and reality dissolve, leaving room for pure emotion and uncharted sonic landscapes.

🔊 Immerse yourself in these sonic worlds, guided by mantric voices, ethereal textures, and deep basslines, and let yourself drift into a limitless journey.

The Light

Memoria damnum

The Key To The Future Is Here

A musician and engineer, or at least someone who makes music and engineers things.
Mostly tracks for the KVR One Synth Challenge.
Some of my newer music happens under the name Wrenharmonic.

If I've taken down an old track, it's probably still available somewhere. (or you can just ask me for the file)

Join the challenge by going here: https://shorturl.at/bhBFQ

Leonard Bowman - Destruction In The Service Of Beauty

Benjamin_D

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