Brilliant percussion programming and lead

This is a funny piece for me.  I don't quite have a strong emotional reaction to it, but my logical/technical side is off the charts.  Would 6 it if I could.

I like the creative tuning. Rather clever.

Well, the opening made me think it was gonna be weird in a bad way but when the first drop hit I realised it's weird in an awesome way. The instruments sound good (the vowelly bass especially) and the weirdness of the microtonality goes well with these hard hitting drops. I know I caught a time signature change and I _think_ it's to 7/8 and back to 4/4, but I'm finding it very hard to count around 1m42s on account of the complex rhythm. Anyway, it's all clever and again you've given me a lot to think about.

Nice unique track with that tuning. The sounds are very good, the buildup ... interesting. Very creative, good luke in the challenge:)

Oh man, your technical chops are on full display through this track. Really well done!

sound design & mix wise you got a very clean & solid sound

for OSC 147, made in Reaper 6 with 28 instances of Modulair 
(and minimal external effects for DC filtering, reverb, sidechain ducking, peak trimming, and mastering)

in some ways a companion to smaller than a breadbox

tuned in 53edo using MTS-ESP.

Twigs

Larger Than The Oceans

Leonard Bowman - Larger Than The Oceans

A musician and engineer, or at least someone who makes music and engineers things.
Mostly tracks for the KVR One Synth Challenge.
Some of my newer music happens under the name Wrenharmonic.

If I've taken down an old track, it's probably still available somewhere. (or you can just ask me for the file)

Comments

J.Ruegg

J.Ruegg

The Exponent

Kraftraum

Kraftraum

Kraftraum

treeheated

Kyle Benjamin

functionform

functionform