Guitar Songs

The 30th

Lyrics and Music by: Ngoc Anh Nguyen, Ylva Brandtsegg
Produced by: Ylva Brandtsegg
Mixed by: Jane Arnison
Mastered by: Ruy Marine at Dubplates & Mastering

V1
These days I’ve been thriving on my own
Should miss you but I am scared I don’t
And you keep on asking if there’s something wrong

And I don’t remember when things changed
We used to be like moths to a flame
With you I always felt so safe

Pre-C1
2 years into this, breaking promises
Lately I know that it’s not the same

Chorus
I thought you were irreplaceable,
That our love was unconditional
But we are fading, blame the distance
Wish I could say that it was different

I thought you were irreplaceable

V2
Remember you said you’d come back soon
I didn’t think time would leave us bruised
It hurts to say I’m forgetting you

Pre-C2
2 years into this, breaking promises
Lately I know that it’s not the same
We’re riding off the cliff and I’m afraid
That it’s too late

It’s breaking me to say

Chorus
I thought you were irreplaceable,
That our love was unconditional
But we are fading, blame the distance
Wish I could say that it was different

I thought you were irreplaceable

Irreplaceable
Irreplaceable

I thought you were irreplaceable
And that my love was unconditional

Irreplaceable

Call your girlfriend.
It's time you had the talk.
Give your reasons.
Say it's not her fault.
But you just met somebody new.

Original: Robyn
Arrangement: Erato

Call your girlfriend (live)

Ein Abend

written and composed by Emmeli Wittnebel (2019)

Vocals & Guitar: Emmeli Wittnebel
Keys: Elias Vollmer
Bass: Gregor Nikolai
Drums: Leonie Sobek

Good Times

Good Times - EMMELI

Kintsugi

‘Dirty Hercules’ is the fierce new single from Sydney based future-folk/soul artist Ngaiire (pron. Nighree). The lead offering from her highly anticipated debut album Lamentations (due out June 2013) — an album partly written in an obscure little drinking bar in the suburban outskirts of Tokyo, Japan — ‘Dirty Hercules’ is a commanding entry into the music world; Ngaiire’s peculiar vocal arrangements and rare sense of soul, reminiscent of vocal greats gone by, setting her well apart from other singers. 

The song speaks of the vast aberrations of the darkness, the sex, the lies, the money, the drugs that detract from the reality of our own core conditions. It sheds light on the towering ugliness of our ailing covetous nature, the misinterpretations of strength and the journey of acceptance that no two people can have the same story. 

Featuring friend and future-soul darling ‘Nai Palm’ of Melbourne band Hiatus Kaiyote, ‘Dirty Hercules’ sees Nai add an additional depth that charters bottomless profundities exclusively championed by Questlove, Erykah Badu and Gilles Peterson. Nai’s husky vocals lay further assault to the hard-hitting dub step-esque bridge before rolling into a harmony-thick outro — a Ngaiire trademark and one that constantly challenged even a 48 channel Pro-Tool session come mixing time. 

Co-produced by Ngaiire, Sydney bassist Tim Curnick and Japan based beat maker and pianist, Aaron Choulai, ‘Dirty Hercules’ exemplifies what is to be expected from Lamentations. Showcasing Ngaiire’s great attention to vocal detail and layering as well as her love for musical aesthetics, and Aaron’s distinctive, Japanese-influenced electronic glitch and piano work, Tim’s pop sensibilities and production mastery are at the fore as Curnick balances perfectly the live and electronic components of Ngaiire’s music. Together the three along with Ngaiire’s drummer Ross Ferraro tracked ‘Dirty Hercules’ in Tim’s parent’s beach house in Jervis Bay, mixing it (and the rest of the album) in a Tasmanian mountain studio shack with mixing virtuoso Chris Townend (Portishead, Silverchair, Violent Femmes). 

Standing on the triple j’s 2010 Next Crop list alongside Kimbra, Lanie Lane, and The Jezabels, Ngaiire was born in one of the last great frontiers of the world, Papua New Guinea, migrating to Australia at just 16. Since then she has been building a reputation for herself as one of the country’s most recognisable and dynamic vocalists and performers combined with her love for uniquely flamboyant stage attire. 

Moving to Sydney after a brief stint studying for a Jazz degree at the Central Queensland Conservatorium of Music, Ngaiire embarked on a long period of touring overseas and in Australia with roots collective Blue King Brown, mentor and electronic maestro Paul Mac and gypsy jazz outfit Monsieur Camembert lead by ostentatious front man and Camelot venue owner Yaron Hallis. 

Years later the need to focus on her own pursuits caused Ngaiire to quit the road and settle back in Sydney where she could discover and build herself as an artist. Journeying from folk soul to jazz hop to indie pop to everything in between, Ngaiire has finally settled on an eclectic sonic identity that is uniquely hers and one that can easily transcend universal territories with its electronic soul elements as well as gratify the folk sphere with her great adoration for storytelling and heartfelt laments. 

‘Dirty Hercules’ steps forth from an album bookended by challenges, from Ngaiire’s car accident a day before recording started to the death of her sister upon the album’s completion: it stakes a flag in the ground as Ngaiire’s official arrival. 

‘Ngaiire is anything but a silicone mainstreamer’
Faster Louder

“You can’t help but fall in love with her…It’s really just the beginning for Ngaiire”
Dom Alessio (Triple J)

“A vast and compelling voice”
John Shand (Sydney Morning Herald)

Seriously, if you see Ngaiire on a bill anywhere go out of your way to see her”
Timber and Steel
 
‘When I first heard Ngaiire it was one of those moments when you just go, “that has all the right bits in all the right places”. It was like a soulful massage for my eardrums. Beautiful harmonies, great songs, sass, sincerity and soul to spare.
John Butler

‘Dirty Hercules’ National Tour 
SAT 2 MAR - Nannup Festival NANNUP, WA
SUN 3 MAR – Nannup Festival NANNUP, WA
SAT 9 MAR - Bridge Hotel CASTLEMAINE, VIC
Special Guests: Ainslie Wills Trio
SUN 10 MAR - Northcote Social Club MELBOURNE, VIC
Special Guests: Hailey Cramer; Ghost Orkid
SAT 16 MAR - Blue Mountains Music Festival KATOOMBA, NSW
SUN 17 MAR - Blue Mountains Music Festival KATOOMBA, NSW
SAT 23 MAR - Republic Bar HOBART, TAS
Special Guests TBA
FRI 29 MAR - Clarendon Guesthouse KATOOMBA
Special Guests - Miss Little and Ribongia 
SAT 30 MAR - FBI Social WOOLLOOMOOLOO, NSW
Special Guests - Miss Little and Ribongia 
FRI 12 APR - The Joynt BRISBANE, QLD
Special Guests TBA
SAT 13 APR - Full Moon Party NOOSA, QLD
SUN 14 APR - Buddha Bar BYRON BAY, NSW



Ngaiire - Dirty Hercules (feat. Nai Palm)

Phoebe Kiddo - "How Your Love Will Crush Me"

ANOTHER NGUYEN captivates her audience with empowering electropop.
She uses her dynamic, yet delicate voice with a clarity that can transport the listener into a spectrum of emotions: While dancing to swelling bass-tones, hypnotic drum grooves and flickering synths, her lyrics call for introspection. ANOTHER NGUYEN’s engaging and energetic performance leaves her audience feeling understood, uplifted and inspired.

Irreplaceable

ANOTHER NGUYEN

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