Live jamming with my little 6U and a CV-controlled EHX Cathedral. Direct stereo recording, no edition or post-processing of any kind.

Modular Percussion Self-Sequenced

Switched on Euro: 
Bach´s "Two Part Invention No.13" (BWV 784) MIDI sequenced and performed with my little 6U eurorack modular system.

Bass notes: Cwejman VCO-2RM + Cwejman MMF-1
High notes: The Harvestman Hertz Donuts + Malekko/Wiard Borg 2
VCAs: Cwejman VCA-4MX
Envelopes:  Malekko/Wiard Envelator + Make Noise Maths
MIDI/CV: Kenton Pro-2000 MKII


TPI-13

A short comparison between the always moving analog sound vs a sample of the same source.
I used my Boss DR-110, analog drum machine that lacks any sound controls other than main volume, balance and accent level (used in mid position in this example).
First you can hear the 16th snare pattern, recorded straight from the DR-110; then I took one of the recorded snare hits and pasted it several times to create the same pattern.
The difference is stunning. 

DR-110 ANALOG VS SAMPLE

Elefante "3´45" Anselmi Remix

A bunch of nonsense demos with the mighty Buchla 200e system

Buchla 200e : first encounters 2

Buchla 200e : first encounters 1

Buchla 200e: Touchplate Sensitivity

Some sounds made with my little modular system. I use the Cwejman VCO-2RM dual oscillator with Borg 2 filter

Modular Sounds : Cwejman & Borg

6U Eurorack Modular System plus Electro-Harmonix Cathedral pedal with CV input mod made by argentinian engineer Hernan Baldi.

Modules used: Cwejman (VCO-2RM, MMF-1, VCA-4MX), Plan-b M13, Maths

MODULAR + PEDAL

Some simple sequences from my modular system through a moded EHX Cathedral. Ing Hernan Baldi performed the mod adding CV control of delay time (appears as "pre delay" in the pedal) and the tap/infinite button

In this demo I use the Tame Machine´s CV2 to control the delay time. This out export the CV generated by the right knob of the module and can be looped in sync with the internal (or external) clock

EHX CATHEDRAL CVed

Some simple sequences from my modular system through a moded EHX Cathedral. Engineer Hernan Baldi did the mod, adding CV control of delay time (appears as "pre delay" in the pedal) and the tap/infinite button

In this demo I used the Tame Machine´s CV2 to control the delay time and the upper half of the MFB dual LFO to control de "infinite" button. The Tame Machine´s out export the CV generated by the right knob of the module and can be looped in sync with the internal (or external) clock. The Fual LFO in square mode switch the delay freeze in and out

EHX CATHEDRAL CVed 2 (with modular percussion)

A simple recording trying kenton pro-2000´s polyphonic mode with a keyboard and my little system

First I use the Cwejman VCO-2RM to generate 2 notes, go to 2 VCA´s on the Cwejman VCA-4MX (opened by envelators) and then to the Cwejman MMF-1 filter in dual notch (initial phaser-like sound) and dual peak modes (vocal formant sounds)

At 7`25 I switched the VCO-2RM for the Hertz Donut´s oscillators. The rest of the chain remains the same.

The reverb and delay is an Electro-Harmonix Cathedral...sometimes I add an Electro-Harmonix Stereo Polyphase too...this is what you hear as the phaser with stronger character than the cwejman filter at 2`25


Duophonic

Made with Elektron Analog 4 (MKI) only.
All sounds recorded dry, directly from the stereo output, playing one pattern, in one take, with no post-processing and no overdubs.
All sounds are custom patches I made on the Analog 4 (drums included)

(Elektron Analog 4) D6

(Elektron Analog 4) D5

Just jamming with a classic dub-influenced pattern
Made with Elektron Analog 4 (MKI) only.
All sounds recorded dry, directly from the stereo output, playing one pattern, in one take, with no post-processing and no overdubs.
All sounds are custom patches I made on the Analog 4 (drums included)

(Elektron Analog 4) X-files of Dub

you can expando your Analog Four´s tracks adding a synth kick drum that use one of the CV outs

just traget the DC level with an audio-rate, sine LFO...then use one of the envelopes to control the LFO´s rate (kick frequency sweep) and the other to control the LFO´s amplitude (kick volume)

SINE KICK USING THE CV CHANNEL

One half of the Cwejman VCO-2RM (exp FMed with the other half) is sent to the Plan B M13 Dual Timbral Gates in "both" mode.
The M13 is opened with a Malekko/Wiard Envelator in "cycle" mode and delay segment controlled by an LFO to make the "trill" effect in some notes.
Note and gate sequence is generated by a complex patch (no step-sequencer)


Envelator trills

Modular jamming using Hertz Donut + Borg 2 + EHX Cathedral (with CV mod)

Daniel Anselmi

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