teus olhos meus sonhos (1983)

1.	D TRAIN – WALK ON BY
2.	CONQUEST – BODY MOVEMENT
3.	UNIQUE - WHAT I GOT IS WHAT YOU NEED
4.	MARTIN CIRCUS – DISCO CIRCUS
5.	GAYLE ADAMS – STRETCHIN’ OUT
6.	THE NICK STRAKER BAND – A LITTLE BIT OF JAZZ
7.	THE NEXT MOVEMENT – LET’S WORK IT OUT
8.	STARSHINE – ALL I NEED IS YOU
9.	SHARON REDD – LOVE HOW YOU FEEL
10.	SHARON REDD – BEAT THE STREET
11.	SHARON REDD – SOMEBODY SAVE THE NIGHT
12.	THE NICK STRAKER BAND – STRAIGHT AHEAD
13.	HI GLOSS – IT’S UP TO YOU
14.	HI GLOSS – ALL DAY ALL NIGHT
15.	GAYLE ADAMS - YOUR LOVE IS A LIFE SAVER
16.	GAYLE ADAMS – YOU BROUGHT IT ON YOURSELF

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Prelude Records Mix, Vol. 3 by Pierluigi ''Pjay'' Federici

A partir de informações bastante superficiais, a reforma do ensino médio proposta pelo governo atual é muito bem vinda e inegavelmente superior a tudo que os governos petistas puderam oferecer na área como, aliás, em todas as outras... Mas isto não deve servir para baixarmos a guarda, o problema em algo tão abrangente consiste nos detalhes que não são levados em consideração. E são estes detalhes que são capazes de inviabilizar um bom projeto. 

(Imagem: http://sixtygig.com/index.php?/topic/2523-application-by-mezique/.)

O Diabo dos Detalhes da Reforma de Ensino

Bird in a Tree

taken from: Tamikrest - Kidal
Order direct:
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Streaming, iTunes & Amazon:
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All around Kidal, the Malian desert stretches in every direction. Endless horizons of rock and sand, barren and parched. This is the southwestern edge of the Sahara, the home of the Tuareg people, and the town of Kidal is one of their main cultural centres. Fought over, conquered and re-conquered, it remains the symbol of Tuareg defiance and hope, the spiritual home of a dispossessed people.

It is also the town in which Tamikrest first came together as a group, and on Kidal, Tamikrest’s fourth studio album, the band pays homage to this place that’s nurtured them and their people.

It’s a cry of suffering and the yell of rebellion. It’s power and resistance. This is pure Tuareg rock’n’roll.

“Kidal talks about dignity,” Ag Mossa says. “We consider the desert as an area of freedom to live in. But many people consider it as just a market to sell to multinational companies, and for me, that is a major threat to the survival of our nomadic people.”

The Tuareg have always been nomadic people, their lives in motion across the desert, sometimes taking with them only the bare essentials. But for one brief moment they possessed a home after the Tuaregs rose up in 2012 and declared the independent state of Azawad in the northeast of Mali. It lasted less than a year, as first al-Qaeda conduits swept in from the north, imposing Islamist rule, and then the French military arrived to liberate the area - once again leaving the Tuareg with little or no chance for self-determination. But the dream remains, still trapped between governments and the greed of global corporations.

“Kidal, the cradle of all these uprisings, continues to resist the many acts perpetrated by obscure hands against our people,” notes band associate Rhissa Ag Mohamed. “This album evokes all the suffering and manipulation of our populations caught in pincers on all sides.”
The songs on Kidal evoke a long history. And for all the electricity, as Ag Mossa observes, “It’s very traditional if you go deeply into what I’m playing.”

Everything here is focused. Everything burns. Ag Mossa punctuates his lyrics with inspired bolts of guitar. Even an acoustic song like “Tanakra” maintains a luminous edge.

With Kidal, that blaze is roaring. Recorded in Bamako, Mali in the summer of 2016, the album was produced by Mark Mulholland (Afro-Haitian Experimental Orchestra) and mixed by David Odlum, who received a Grammy for his work with Tinariwen. It’s an album that’s taken two years to make, Ag Mossa says, “because we share the same difficulties of our people.” And the songs here mirror their joys, their pain and their unwillingness to accept things as they are.

There’s a raw beauty in Tamikrest’s rock’n’roll. It’s there in the driving, insistent groove that powers the songs, the lean, snaking bass lines and the guitars that twine and twist around the melodies, and the utterly natural musical blending of Sahel Africa, the Maghreb, and the West – a reflection of influences as diverse as Pink Floyd, Rachid Taha, and flamenco. Yet the Sahara, and the people who live there, is always firmly at its heart.

“This music was founded on a very precise cause, the Tuareg cause,” Ag Mossa told journalist Andy Morgan in 2013. They might be threatened on all sides, but they won’t give up, and this album celebrates who the Tuareg are, the Kel Tamasheq (“those who speak Tamasheq”), the keepers of an ancient and endangered cultural voice.

Tamikrest’s new album is the music of defiance, of hope. It’s rock’n’roll from the Sahara, the sound of the Tuareg dream, a dream that will be renewed again, in their ancestral town: Kidal.

Kidal

Ehad Wad Nadorhan

Tamikrest - Ehad Wad Nadorhan

5 Trem das Onze

Taken from the forthcoming album' Headlong', released May 19th 2017. 

Pre-order signed copies: bit.ly/2ne0EeE

April/May EU & UK tour on sale now: http://johnsmithjohnsmith.com/tour.html

Headlong

Far Too Good

Minha resposta a um dos membros do MBL-FLORIANÓPOLIS, grupo do qual também já fiz parte.

O Diabo dos Detalhes da Reforma de Ensino

Anselmo Heidrich

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