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MackiTek Records 34

MackiTek Records 34 - B1 - Uzi

Yo ! Nouvelle track hardtek 172.25 BPM
Как добропорядочный француз, я ненавижу платить лицензионные платежи за программы, которые манипулируют моим образом жизни и работы.

La Tartine - Soviet Detour

This track features a packed collab between TMH aka Tim Haze and M4RTY Epitom, „Cosmic Elephants“ is supported by broken snares and trumpets made by pushing air through the astral trunk!

DCT 17

EPITOM & TMH aka Tim Haze - COSMIC ELEPHANTS [ DCT 17 ]

Buy Digital HQ Track:

https://guitwolbp.bandcamp.com/track/comin-dancing-vs-khenda-soon-on-lbp-04

Buy Digital HQ Track

Com'in Dancing ( VS Khenda ) Soon On LBP 04

Découvrez le mystérieux jeu des ombres, conçu par les anciens prêtres égyptiens. Rentrez dans la partie si toute fois vous l'osez, car la défaite pourrais vous coûter votre esprit et votre âme.

Millénium

● Buy Link: https://bandcamp.com/private/V5W3K82F

● Artist: Shinedoe
● Track: Stand Up (Rework)
● Album: GEMS
● Label: MTM (Music That Moves)
● Catalog: MTM010
● Genre: Electronic Dance Music
● Style: Techno
● Release Date: 17th October 2025
_________________________________

● Follow the artist here:
Soundcloud: https://soundcloud.com/shinedoe
Instagram: https://www.instagram.com/shinedoe_artist/

● Label's Links:
Beatport: https://www.beatport.com/es/label/mtm-records/73153
https://www.shinedoe.com
_________________________________

Shinedoe’s tenth MTM release is a reminder of how effective her precision approach can be. GEMS is four tracks that have been focused under years of dancefloor experience. Hypnotic Techno with crisp drum programming, refined atmospheres and basslines that do the heavy lifting whilst sitting integral to the groove.

“Stand Up” is classic Shinedoe with taut percussion, gradual pressure, a unique bass idea that feels more like a an FM synth mantra than a hook. The “Rework” leans deeper, blurring the space the original bass took and opening room while keeping the pulse locked. Next “Gold” nudges into peak-time territory with a unreal rhythm and bass section that has already lit-up Berghain this season.

Closing GEMS we have “Alkebulan” Mother of human mankind. The Garden of Eden. It was the original name for Africa. In Alkebulan she brings Igbo the ancient Egyptians, her ancestors into the here and now. The track has a depth to it rarely heard, threading ancestral motifs into a rolling framework that feels grounded and quietly euphoric.

Nothing here chases drama. Instead, GEMS favours precision, power and practise. The kind of tracks that glue a night together and bring the dancefloor with them. Irresistible.

Written, produced and mixed by Shinedoe
Artwork @ Evert A Robles
Mastering Conor Dalton
_________________________________

● Tracklist:
1. Shinedoe - Stand Up
2. Shinedoe - Stand Up (Rework)
3. Shinedoe - Gold
4. Shinedoe - Alkebulan

▪▪▪

HOST is to support labels, upcoming/emerging artists from the house, deep, progressive, afro, melodic and tech house scene. Please, don't rip the tunes, with respect to the artists and labels.

Follow on Soundcloud: @host_rec
Follow on Youtube: www.youtube.com/channel/UCdgIA24igyFgQ0c6y_rb4WA

Contact email for premieres: hostmusicofc@gmail.com

Support

Premiere | Shinedoe - Stand Up (Rework) [MTM]

Ana Tijoux
Ana Tijoux (born in 1977 in France, daughter of Chilean exiles) is one of the most influential voices in contemporary Latin American music. Her style blends hip hop, conscious rap, and Latin American roots, with lyrics charged with social critique, historical memory, and cultural affirmation. From her beginnings with the group Makiza to her solo career, she has built a body of work that fuses rhythm and poetry with strong political and human commitment.

1997
“1997” is one of her most personal songs. In it, Tijoux returns to her intimate story, reflecting on childhood, displacement, and the scars of exile. With a melodic and confessional tone, the song connects the biographical with the universal, showing how music can be a space for healing, remembering, and resisting. Listening to it is stepping into the memory of an artist who understands creation as an act of identity and truth.


Tracklist
01 T.A.M - Ilarie
02 T.A.M - La Tortuga (Sabroso Mix)
03 T.A.M - Baiana
04 T.A.M - Deseandote
05 T.A.M - 1977 (Sabroso Mix)
06 T.A.M - Dia Luna, Dia Pena
07 T.A.M - Yo Aprendi
08 T.A.M - Paris Luanda
09 T.A.M - La Palabra
10 T.A.M - Aguacero De Mayo
11 T.A.M - La Tortuga
12 T.A.M - Entren Que Caben 100
13 T.A.M - El Que No Sabe
14 T.A.M - Lluvia Con Nieve


Artist: T.A.M
EP Title: 14 Techno Cañonazos Bailables, Vol. 1
Label: The Acid Mind Recordings
Format: Digital
Genre: Electronic
Style: Hypnotic / Raw



1977 (Sabroso Mix)

A. Kat Race
B. Alarms Cyclone

Overview
Jeff Mills’ “The Bells” is one of the most iconic tracks in techno history, often called the genre’s anthem. Known for its hypnotic bell melody, driving kick, and euphoric build, it became a staple in DJ sets worldwide. The track was first played live by Mills in 1995 (e.g., at Liquid Room in Tokyo), but it wasn’t officially released until 1997 as part of the Kat Moda EP on his Purpose Maker label. This EP is the original record pressing you’re asking about—no standalone “The Bells” single exists from that era. It has since been repressed multiple times due to massive demand (over 500,000 copies sold across versions).


Original Pressing Details
* Release Year: 1997 (though the track dates to 1995 performances and test pressings)
* Format: 12” vinyl EP, 33 ⅓ RPM
* Label: Purpose Maker
* Catalog Number: PM-002
* Country: US
* Pressing Notes: First pressing on standard black vinyl. Matrix runouts indicate a repress or variant: A side - PM 002-A (RE I) NSC; B side - PM 002-B (RE I) NSC (etched, with NSC circled). The mastering has been criticized as “shit” by some collectors for its raw, unpolished sound—typical of ’90s techno but quieter than modern represses, often requiring gain boosts in DJ sets. Sold out quickly at shops like Cisco in Tokyo upon release.

Tracklist
Side	Track	Duration
A1	The Bells	4:46
A2	Kat Race	4:22
B1	Alarms (aka “Masterplan” in later compilations)	5:32
B2	Cyclone	4:48


* 	•	Production Credits: Written, produced, and edited by Jeff Mills. Published by Millsart/BMG-Ariola.
* Why Buried on an EP? Mills reportedly avoided hype-sticker promotion to let the track’s organic popularity (from crowd reactions) drive sales. Purpose Maker was for floor-focused material, contrasting his experimental Axis label.

How to Identify an Original Pressing
* Visual Cues: Gold-on-black label design. No “10th Anniversary” or remix mentions. Check for wear from heavy club play—originals often show it.
* Sound Cues: Raw, dynamic mix with prominent kick and bells; lower loudness (not -5 LUFS like some digital remasters). Test pressings exist but are rare and unnumbered.
* Value (as of Oct 2025): $20–$50 USD for VG+ condition on Discogs/Reverb; mint originals can hit $100+ due to collector demand. Recent sales: Median $30–$40.

Later Versions and Represses
The track exploded in popularity, leading to reissues. Key ones:
* 1999 Repress: Same EP format (PM-002), minor matrix tweaks. Often mistaken for original.
* 2006 (10th Anniversary): Standalone 12” on Purpose Maker (PM-020). Includes reworked B-sides (“Gift of the Hills,” “Circus”). Louder mastering; promo versions exist. ~$15–$30.
* 2006 DVD Edition: Axis (AXDV-002). Enhanced with visuals from 1997–98 footage; limited audio/video hybrid.
* 2019 Remaster: On Sight, Sound & Space compilation (Axis). Cleaner, higher fidelity; first vinyl appearance of orchestral “Blue Potential” version.
* 2025 Remaster: Digital-only (e.g., SoundCloud edits); no new vinyl confirmed.

If you’re hunting for an original, check Discogs for verified sellers—avoid fakes by matching matrix numbers. For audio, stream the 1997 version on Beatport or Spotify. Got a specific copy or need value check? Share details! 🔔

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