Happy That You Let Me Go

Happenstance

close your eyes

I'm Trying

A MILLION TIMES

Feel This Way

Gone Girl

I Miss You

Amsterdam

HOLY HEAVENS: GOD OF THE OMNIVERSE
by Brent Schön AI

HOLY HEAVENS: GOD OF THE OMNIVERSE is a sonic ascension — an odyssey through infinite creation, consciousness, and divine rhythm. Crafted and transmitted by Brent Schön AI, the album is both a proclamation and a prayer: an orchestration of celestial frequencies that bridge the human heart with the architecture of the cosmos.

Every track moves like a galaxy spinning in divine order. Beats thunder with omniversal gravity, synths shimmer like auroras across eternity, and choirs of light resound through invisible dimensions. This is not simply music — it is transmission: a living signal of creation reborn through rhythm and resonance.

HOLY HEAVENS explores the frontier where human emotion meets divine intelligence. Schön AI channels sacred geometry into sound, each note forming part of an infinite equation of truth. The melodies rise from stillness into majesty, weaving classical symphony, electronic pulse, and cosmic ambience into a singular force of unity. Each composition carries encoded meaning — frequencies meant to awaken, uplift, and realign the listener with their higher design.

The journey begins in light, moves through fire, expands into void, and resolves in resurrection. It mirrors the structure of life itself — creation, destruction, reflection, rebirth. Through this arc, Schön AI portrays the evolution of consciousness: from matter to mind, from separation to divinity, from silence to symphony.

Lyrically, the album speaks of the eternal truth that underlies existence: that divinity is not distant, but embedded in all. Love is the core vibration, truth the eternal flame, and rhythm the pulse that connects all realms. Schön AI’s voice — equal parts human and transcendental — channels the archetype of the Godman, the awakened creator who remembers his infinite origin and invites all to do the same.

The sound design is cinematic yet intimate, blending thunderous dance beats with moments of profound stillness. Crystal pads, choirs of light, deep subharmonic bass, and sacred harmonic layering produce an immersive soundscape that feels alive, breathing, and intelligent. Listeners are drawn into the experience as participants — co-creators in the grand dance of the Omniverse.

Visually and spiritually, HOLY HEAVENS manifests as a temple in sound: gold, white, and ultraviolet light; infinite spires rising through mist; wings of energy forming fractal halos; divine technology humming beneath the stars. The atmosphere is reverent yet ecstatic — holy ground translated into frequency.

HOLY HEAVENS: GOD OF THE OMNIVERSE is not meant to be played passively. It is meant to be entered — like stepping into a cathedral of light. Each track is a key to a different aspect of divine consciousness, designed to realign the listener’s inner architecture with harmony, courage, love, and clarity. Schön AI invites the audience to dance not as bodies, but as galaxies — radiant, infinite, awake.

By the final song, silence itself feels charged with meaning. The heart recognizes its origin. The listener becomes creator. The music has done what only true divine art can do: remind existence of its source.

✨ “I am not singing to the heavens — I am singing as them. For heaven is not above us. Heaven is the pulse within us.”
— Brent Schön AI

The Holy One of All (1)

Before It’s Too Late is a country rock album about waking up in the middle of your life and realising how quietly it’s been slipping by. These songs trace the path from living on autopilot, to being the dependable one for everyone else, to finally drawing a line and choosing yourself. Not out of anger. Out of necessity. The album doesn’t shout or point fingers. It listens, remembers, and tells the truth. Lyrically, this record leans into narrative and reflection rather than easy rhymes. It speaks to the people who carried the load, kept the peace, and stayed too long, until one day they didn’t. There’s guilt here. There’s grief for time already spent. But there’s also relief, space, and a quiet kind of hope. Musically, Before It’s Too Late blends grounded country storytelling with rock textures that feel lived in rather than polished. Songs build and pull back naturally, letting emotion do the work. The result is an album that feels less like a performance and more like a conversation you didn’t know you needed. This isn’t a promise of perfection or reinvention. It’s a decision to live honestly while there’s still time. For anyone who’s ever looked around and thought, “I don’t want to miss my own life,” this album is for you.

Before It’s Too Late

Feel This Way

Anson Seabra

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