Wow...Love this dope magical feels...Love it!!! Amazing Touch, ANSOUND!!! So~~~COOL!

Lovely.  Part 1: Has a nice archaic feel.  Part 2: I love the sustained vocals and lively woodwinds. Part 3: nice miniature.  Part 4: Continues Part 3.  Part 5: Wow, the chimey strokes are amazing with a nice touch of vocals to transition to the next section.  Part 6: Great vocals and woodwind to reprise Part 2.  Part 7: Perfect recapitulation of Part 1 to conclude.

.nediul nekkolk teod kilb raaH

IN A CORNER SOMEWHERE

PADDY´S DAY

Lead guitars: Marco Pisu @marco-pisu-511634437
Rhythm guitars: myself
Synth percussions (modular analogue): @houseofthejanas

Photo by Milada Vigerova on Unsplash https://unsplash.com/@milada_vigerova?utm_source=unsplash&utm_medium=referral&utm_content=creditCopyText

Percussivo 187

After taking a hiatus I'd like to turn your attention to this latest upload of mine, featuring samples of the oud, a stringed instrument common to the Middle East. Please bear in mind that I didn't play the oud; sadly, I am not such a virtuoso. However, I am getting quite experienced in choosing samples that fit my jam sessions, and using this exotic instrument yielded quite enthralling results in my humble opinion.

In this particular session I was experimenting with G minor, which took me outside of my usual comfort zone of C minor. As so often the case, I used a combination of Eurorack modules, the Arturia MircroBrute, and some pre-prepared drum and drone pad samples. These sounds were looped on the Boss RC-300 loop station. 

After setting up the sound frame using Eurorack and the Arturia MicroBrute, I played back a couple of Youtube videos together with my sounds; something that I have been practicing for a quite a while now. At the end I settled for following two videos:
- G minor oud Improvisation (https://youtu.be/vIBjXLFv1vE)
- Emotional Gm (G minor) CHORD - Ambient Backing Track #13 (https://youtu.be/PLqvVSGuRlI)

The jam session was recorded in Audacity. In post-production I used the best parts from the jam session to create this track. As I already expected, I had some trouble with playing back the oud sounds in such a manner that they fit the track and especially its tempo. So I had to heavily edit these samples in post production and put them back together with my sounds in order for them to sound as desired. While doing so, I also employed some reverb, high pass filters and a limiter within Audacity, albeit very sparingly. Other than that, no elaborate effects or mastering techniques were used, you basically listening to a short and condensed version of the jam session.

As always, the result is highly dynamic, so headphones are recommended. Also, please turn up that volume knob because Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Oud Dub [Jam session sections: RAW2022 - 2]

Itaka

Hidden Paths

Total lunar eclipse

One night a while ago I started singing my cousin's beautiful poems into a Garageband project and making a backing track for it. It was just a little draft I thought.  Mainly as that was the first ever time I sang longer vocals onto a track. I shared it with Morten Jeamland recently who continued to make the backing track better and also did whatever magic he does to the new vocals I sang :) Little did I know that this track would end up this quality! Huge thanks to Morten who is a total pro at this!

Lyrics by Virpi Viljanmaa. My cousing Virpi is a beautiful and sensitive soul and has a lot to offer to this world. 

Track rework by Morten Jeamland

Cover photo by Morten Jeamland

Longing

Nocturne - Ten Short Piano Pieces - No.3

Nocturne - Ten Short Piano Pieces - No.3 - Dimitry Shostakovich

Glow Of Ember

dezernat5.de
https://www.youtube.com/watch?v=Ie3PzgNXw0o
tototod.bandcamp.com/album/apeiron
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss


https://thomassander1.bandcamp.com/
thomas.sander.schwerin@gmail.com

PADDY´S DAY

ANSOUND Thomas Sander

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