Featuring Brian Eno, Aphex Twin, Biosphere, Robot Koch... a selection of mellow, beautiful, ambient music and soundscapes to soothe your twisted, broken soul... Submit your music here: https:&#x2F;&#x2F;electronica.org.uk&#x2F;submissions&#x2F;

Ambient & Drone

track 1 from Willoweald by Loneward (aka Altus)

https://stereoscenic.com/loneward-willoweald

Willoweald

Loneward - Grey Fading

Lie back on the soft, warm lead in the morning sunshine and listen to the birds sing as the clatter of daytime springs up below you.

Taken from the upcoming album and novel 'The End Times'
Recorded live in Dolby Atmos at Real World Studios 

Roborecorder/electronics - Liza Bec
Narration - David Ryder Prangley
Percussion- Dave Smith 
Organ - Alex Veitch

The Roof - Liza Bec

Cloudburst

Dreamscapes

Drifting Through the Milky Way

In the Silent Depths of Night

"Amber" is the first single/EP from the full-length album "Headspace Station" by LOGICA ABSTRACTA. The single adds three unreleased b-sides and a video for the title track. The record is focused on ambient side of the project and does not feature any beats or percussion.

Amber

Amber (Video Version)

Listen/download

LOGICA ABSTRACTA - Amber (Video Version)

Something new to share with you, and it’s a bit of a shift from my usual sound.
With my wife’s pregnancy, I found myself drawn to making more peaceful, ambient music—something calming for her, for our baby, and soon, for you. Instead of beats and samples, I’ve been working with real instruments (with piano and organ recorded in Bøler kirke in Oslo), field recordings from the Norwegian wilderness (thanks to my brother-in-law), and subtle white noise textures.
It’s different, but it feels right. Beginning by previewing tracks on Soundcloud, with a wider release on all the usual streaming platforms and Bandcamp later in the year. I’d love for you to hear it.

Hair on Fire

Replicating

Overture. Hope.

Holding Patterns. Sometimes I think I spend too much time in airports.

Low Motion. Originally titled “Slow motion” until I realized there are thousands of songs titled “Slow Motion”. I dropped the “S”. This is “Low Motion”.

Static Lullaby. Probably not really a Lullaby per se, and maybe not ambient. You can decide.

Losing Yourself in the Answer. Perfect.

Go Home. I really am enjoying myself. I’m having a good time, but truth be told I really just want to go home.

One Foot. In this life sometimes the best we can do is put one foot in front of the other.

The Day the Internet Went Away. Inspired by a power outage. What did we used to do before the internet?

Geraniums. I think they are one of my favorite flowers for some reason, I don’t know why.

Seventy Eights. As in 78 RPM records where it all started. There is something fascinating about taking little clips of sound and making them into something else.

Produced and mixed by Derek Carter (KapTep)
Spoken words on Overture (1) by Dionis Afonichev (Dionisaf), Yulia Rychkova, and Stephanie Carter
Guitar on The Day the Internet Went Away (8) by Christian Alsemgeest
Mastered by Dionis Afonichev
Cover picture by Derek Carter
Cover design by Dionis Afonichev

www.chitrarecords.com

Exhale

Static Lullaby

Unidentified Ambient Phenomena (UAP) is a new series by Piscean Daydreams that celebrates unbridled creativity, improvisational composing, and the transformative power of music. The series is designed to showcase ambient music of a cinematic nature with compelling narratives suitable for the big screen. The goal is to entice the listener into deeper states of reflection and engagement with their imagination.

UAP, Vol. 1 is the inaugural album of the series and Piscean Daydreams third solo album on the Ambient Cat Records label. The album represents an evolution of his sound and craft, while focusing on mythic, extraterrestrial, science fiction, and nostalgic themes. It stands as a testament to music’s power to engage the listener in vivid and emotive realms of experience through evocative, cinematic compositions.

All four tracks were initially improvised utilizing an OP-1 Field synthesizer, an Organelle M synthesizer, two Norns Shields, a 128-node grid, a Microcosm effects pedal, and a Teenage Engineering TX-6 mixer/interface, and then enhanced with carefully curated samples and field recordings to create inspiring soundscapes and engaging stories.

This music is best suited for quiet environments and headphones. The intention is to foster a deep listening experience to stimulate the imagination and elicit creative engagement with the music. Each song is a world onto itself and invites the listener to explore the furthest reaches of its sonic horizon.

Track Listing:

1. Neptune’s Embrace
Sink beneath the waves and into Neptune’s embrace, as undulating strings and captivating tones pull you into the depths of his underwater kingdom and realm. This track is designed to induce deep relaxation and generate feelings of weightlessness to mimic the experience of floating in the ocean, while merging with the god of the seas.

2. Transmedium
Emerging from dark, oceanic depths, a mesmerizing craft hovers above the water before ascending into the upper atmosphere and disappearing into space. A dramatic composition, featuring a soaring lead synth, paints an otherworldly scene that pays homage to the transmedium abilities of the craft. As equally at home in the water as in the air, the craft is a sight to behold as it effortlessly ascends into the heavens in-route to deep space.

3. Like Tears in Rain
This track is a homage to the original Blade Runner movie by Ridley Scott and its soundtrack. Evoking the dark and twisted back alleys of dystopian Los Angeles, the track features Vangelis-inspired pads, evocative effects, and field recordings to create a compelling scene straight out of the movie. If you squint hard enough through the rain, then you may catch of glimpse of Deckard lurking in the shadows…

4. Echoes of a Forgotten Past
There was something deeply alluring about the main section of this track when I first improvised and recorded it. It gave me a sense and feeling of nostalgia that had me contemplating how we experience and perceive the past both personally and collectively. To help foster this sense of nostalgia, I added samples to create the aural equivalent of an old vinyl recording that features evocative chanting, resonate bells, a string quartet-inspired arrangement, and a deep drone. 

Produced and mixed by JJ Rogalski (Piscean Daydreams)
Mastered by Tryptamine (www.instagram.com/tryptamineprod)
Cover art by JJ Rogalski (Piscean Daydreams) with AI
Cover design by Dionis Afonichev (Dionisaf)

Unidentified Ambient Phenomena, Vol. 1

Transmedium

A sonic threshold, Solstice Song is an invitation into deep listening—a ritual in sound where darkness dissolves into returning light.

Solstice Song

nothingness in our hands

“Ad Astra” is a second single/EP by Logica Abstracta from recently released full-length album “Headspace Station” and is the project at it’s finest: short, deep ambient piece that immediately fills the space with it’s own kind of aural light. Themes of exploration and space exploration in particular often pop-up on Logica Abstracta’s records. This time, it’s vibe pays tribute to sci-fi of the old days, it’s naivety and epic scales.

Smart-link

Ad Astra (video version)

Paul Landry is a Uk based musician creating progressive rock, ambien and new age music https://www.paullandrymusic.com/

Koln 3

The quiet comedown — a soft crash into emotion after the high. Glowing pads, submerged rhythm, and that unmistakable TRMNL haze.

TRMNL.05

the drones of twinned twin paradox audio-rate LFO's

Frequency State is your signal source for independent electronica, ambient, experimental beats, and music technology.

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Soundtracks for wandering souls.

Antarctic Wastelands is the ambient music moniker of Hong Kong-based producer Ben Tatlow. Focusing primarily on environmental themes of beauty, desolation and the diverse nature in between, his music has been described as “frozen ambient soundscapes that are meant to get lost within” by Rural Sounds, while Tone Harvest write that “its sights seem to be inter-dimensional in nature.”

Alongside Antarctic Wastelands, Ben produces music as @saltofthesound and @narrowskies with his wife @anitatatlow, as well as running the indie ambient label Echoes Blue Music.

Contact : ben@antarcticwastelands.com

Releases on @echoesblue @slowechospace @ambientologist @memoirmusic @sonderhousemusic & more

Replicating

Antarctic Wastelands

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