Name: Frida_Kahlo_voz by IMER-NOTICIAS
Duration: 1 min 40 s
Description: La Fonoteca Nacional presentó la probable voz de la artista Frida Kahlo.

so good at speaking sounds like an audiobook

 in da house experimentellen Mapper midi 

0703/010


Mercedes Sosa  / Yo vengo a ofrecer mi corazón

Sax : Fabio Calzavara

Bass : Margherita Fava

B U Y

Noetics - Santa Grinse

Tribute to Mestre King, one of the greatest dancer and teacher in Bahia's contemporary scene. Rough and tough.
Sounds recorded during a brazilian dance lesson in São Paulo, in May 2015.
Berimbau sample from "Toque de Angola" de Edinho Marundelê e Onias Comenda ("Eu, Bahia, atabaque e berimbau", 1972)
Percussions by Guem, "La Girafe Mambo"
Additional production by Olivier Kaminski.


Mestre King : Lesson in Angola (Ollie silly mix)

Acústico

La Cazadora

This is my Edit of the gorgeous Track "Mysteries" from Beth Gibbons and Rustin Man released on the Album "Out of Season" from 2008

Beth Gibbons & Rustin Man - Mysteries (Steffen Kirchhoff Revision)

Undoubtedly the most versatile of all instruments, the guitar’s unrivalled cross-cultural popularity has made it synonymous with musical genres far and wide. From Congolese soukous to Calcutta slide guitar, this collection features kindred creative spirits who have harnessed its limitless expressive potential.

Rough Guide To A World Of Guitar

Samba Touré: White Crocodile Blues (A song for M)

En Otros Lugares

La Danza del Pañuelo

Vinyl/Download/Stream: https://mateokingman.lnk.to/astro

MATEO KINGMAN PRESENTS HIS SECOND ALBUM, ASTRO 

Mateo Kingman conceives of his second album Astro as a cure for the healthy. It’s a journey across the constellation of the snake, a journey at once earthly and cosmic. The poetic text expressed with a multiplicity of vocal timbres drives the musical journey, starting with the decision to face up to our demons, passing through a deep sense of vertigo and sacred healings, to return us to ourselves, reconciled and grateful. 

Musically, Astro expresses an intense investigation, tying together different threads: contemporary urban song (trap, hip hop, and elements of electronic music), traditional Latin American melodies influenced by shamanic icaro chants, and the emphasis on synthesizers, resulting in a new, hypnotic kind of sound.  

The journey begins with “Umbral”, its introduction reminiscent of a prayer, a representation of the moment when we understand we need help. With each song we go further into the meaning of this introspective journey. “Puerta de Sal” is an invitation to let ourselves go, embrace the absence of control and take a leap of faith into the unknown. “Último Aliento”, made in collaboration with Gustavo Santaolalla, speaks of the acceptance of death as an indispensablepart of life. “Religar”, the first single from the record, is about reconciliation, the possibility of returning to oneself after the disintegration of the self. The journey ends with “Astro”, which gives its name to the album, and represents the learning we carry with us after a spiritual journey. 

In a world in which we increasingly need more stimuli and approval from the outside, Astro invites us to take a look inside and explore all the aspects of the self, from the darkest to the lightest. On this record, Mateo Kingman shows a strong point of view as the author, although he moves away from the sounds and themes with which he made his name, daring to mix current trends, urban rhythms and vocal experiments, forming a constellation through which we can all travel, showing a clear personal and musical evolution. 

Music composed, arranged and recorded by Mateo Kingman and Ivis Flies in Quito, Ecuador, except for "Lucero” which contains an adaptation of "Tonada de Ordeño", from Antonio Estévez. In honor of Simón Díaz.

Collaborations by Gustavo Santaolalla, voice, ronrocos and bass in "Último Aliento"; Toño Cepeda, arrangements in "Último Aliento"; Andrés Benavides, bombo tradicional, vocal sampling in "Religar" and hi hat in "Puerta de sal"; Daniel Pasquel, synths design in "Astro"; Ernesto Karolys, synths design in "Umbral"; Isaac Zeas, guitar in "Último aliento" and "Lucero"; Jesús Bonilla, harp in "Tejidos"; Diego Alberto Martinez, arrangements in "Umbral"; Martin Flies, hi hat programming in "Religar"; Nicolás Dávila, kick replacement and sub low bass in "Religar". 

Recorded by Ivis Flies; additional recordings by Daniel Pasquel, Renato Arias, Omar Miranda; Daniel Amores, production assistant; Remy Laurençon, Mix; Antoine "Chab" Chabert Mastering 

Executive Production: Alvaro Almeida.

Art: Panic Study; Concept: Maria Emilia Jaramillo & Mateo Kingman.

Copyright AYA Records 2019

Mateo Kingman https://www.mateokingman.com/
Spotify https://open.spotify.com/artist/223se9o877Y4jHzwlDcGNx 
Facebook https://www.facebook.com/mateokingmanoficial/ 
Instagram https://www.instagram.com/mateo_kingman/ 
Twitter https://twitter.com/MateoKingman 
Bandcamp https://mateokingman.bandcamp.com 
SoundCloud https://soundcloud.com/mateokingman 

AYA Records http://ayarecords.net 
Instagram https://www.instagram.com/ayarecords/ 
Twitter https://twitter.com/ayarecords 
Facebook https://www.facebook.com/AYARecordsLatAm/ 
Bandcamp https://ayarecords.bandcamp.com 
YouTube https://www.youtube.com/channel/UCLxE2uBJBkRAWsRYaNRzlAg 
Merch https://ayarecords.bandcamp.com/merch

Astro

Mateo Kingman - Lúmina

La Fonoteca Nacional presentó la probable voz de la artista Frida Kahlo.

Frida_Kahlo_voz

Kirill Osherov - composition, guda drum, handpan, tombak, framedrum
Andrey Demidenko - dilruba, swarmandal, keyboard, recording, sound production
Oleg Mariakhin - soprano and bariton saxophones.

Frida_Kahlo_voz

IMER-NOTICIAS

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