such a radio smasher.. put it on commercial.. Kids need to hear this stuff

The Weekend Showcase 2.29 edition has 41 songs by artists originally from or residing in 10 countries / regions. They include: Australia, Belgium, Canada, England, Greece, Ireland, New Zealand, Norway, Sweden, and the United States. Enjoy the great music and discover music's hidden gems.

Discover more about the artists here: 
http://therevue.ca/2016/07/30/weekend-showcase-2-29/

Weekend Showcase 2.29

Written, produced, recorded and mixed by: The Palms
Mastered by: Mark Chalecki
Photography by: Riley Byington

Website: www.thepalmsmusic.com

Spotify: https://open.spotify.com/track/5yCb9ILOCLEEHcnSdXnryw?si=8e41a2c77d2844bf

iTunes: https://music.apple.com/us/album/ca-baby-diamond-hands-single/1576266926

Bandcamp: https://thepalmsmusic.bandcamp.com/album/ca-baby-diamond-hands

Instagram: https://www.instagram.com/thepalmsmusic/?hl=en

Twitter: https://twitter.com/thepalmsmusic

Facebook:https://www.facebook.com/ThePalmsMusicLA

CA. BABY

So now you’re on your own 
and what do you know 
You rise like a tide
with the moon in your eyes 
Honey look at you go 

Finally opened the blinds 
And let in your light 
Time to stretch out your toes 
Fill the world as you grow 
Honey look at you go 

Firm planted feet on the ground 
Taller, and wiser, and brighter 
Oh look at you now
Look at you now
Ahh

So now you’re on your own 
With power you hold 
the love and the hurt 
And the person you were 
Look at you go 
Look at you go 
Look at you

Look at You Go (Lo-fi Demo)

One / Other

Listen to us on Spotify smarturl.it/ACADEMYspotify
Buy on iTunes https://t.co/0yUmHNatU7
Download for Free http://goo.gl/RJP1PO
Facebook.com/Academy401
Twitter.com/Academy401

Alotta stop signs on my street, I
feel it when I'm driving to ya
I think a little too much, when I don't move
I want the past, and I want the future
and I want the present but it goes so elusive
Cruise control your way, who controls your day
Am I a fool to say, that I'm
Locked in a box paradox
Faux boxer so I run when you knock
You say you got mail for my mailbox
another debt and will I pay or not

Hide away to find the way I'm down here
stuck up downstairs
digging deeper looking for a way up again
My soul they tried to took 
but I won't let them

Open up I, Open up I,
Hoping that I'm moving it right
I'm always gonna say it to ya
always gonna say it to ya

And if it's written and I read it does it make it true
And if you take away the filter what's the naked truth?
I question all the lessons that they're telling you, expelling you
explain that to me
And I won't ride along or hold the phone or hold my tongue
enough of the holding down the other guy
I hate they way the youth taking the blame
ashamed to say you point your aim at the same you thought you raised right
the wrong, ring in the call
I'm recalling writing on sidewalks
In chalk I never stayed inside the lines to be defined
so why start now

Hide away to find the way I'm down here
stuck up downstairs
digging deeper looking for a way up again
My soul they tried to took 
but I won't let them

Open up I, Open up I,
Hoping that I'm moving it right
I'm always gonna say it to ya
always gonna say it to ya

From the new LP "Playroom" https://elasticstage.com/kabookijukebox/releases/playroom-album

Shall we play a game

[Verse 1]
I saw you walking down the street one day
I wonder if you like some fun and games
Well if you don't, won't you please let me know
Cause I'm sick and tired of playing with the other dames

[Pre-Chorus]
I'm not talking Pac-Man, and I strip poker
The games I play are made for everyone
But girl you're special, and you're so sexy
And in my room is where we'll start the fun

[Chorus]
So if you're willing, baby, just let me know
And we'll go to 

my playroom
Do you want to go to?
My playroom
Girl I want to show you 
my playroom

[Verse 2]
Girl I'm not sure if you believe in me
Because I see hesitation coming from your eyes
Something about me's got you wondering
But baby I'm not like the other guys

[Pre-Chorus]
You said you want me in my playroom
And girl you know my door's open for you
So come on in girl, and let me show you
Just what I had you to come here to do

[Chorus]
So if you're willing, baby, just let me know
And we'll go to 

my playroom
Do you want to go to?
My playroom
Girl I want to show you 
my playroom


[Instrumental]
Shall we play a game

[Chorus]
My playroom
Do you want to go to? My playroom
Do you want to go to? My playroom
Come on, come on, my playroom
Do you want to go to my playroom?
My playroom
Do you want to go to? My playroom
Girl I want to show you
______________________________________________________________
Eric Gipson, Fred White, Tim Tucker Heavy Head Music (ASCAP)

Playroom

Вика Дайнеко&T Killah - Мира мало без тебя

Mc Dove

Free Download: https://fusilier.bandcamp.com/
Music Video: http://bit.ly/1Qgym8Q

The Moment

From the Absence EP
Love vs Fear (16 Sep 2016)
iTunes: hyperurl.co/absenceitunes
CD & vinyl: http://marsicans.bandcamp.com

Saudade, n. portuguese - a feeling of longing, melancholy, or nostalgia

When you're alone in bed
And your whole day plays through your head
Picture me instead
Talk to me, you can talk to me for hours

When it's raining out there
I hope you stay unaware 
Stick with me and we'll share a little time
Seconds, minutes or some hours

So when you can't convey 
Can't find the words to say 
You're feeling Saudade you know 
I'll never be that far away

When you've got too much on 
And everything you're doing feels wrong
Get through 'em one by one
I wish that I, I wish that I could do them for you

Stay in bed all day
Curtains keep the whole world away 
And we can do whatever you want to do 
As long as I, as long as I can do it with you. 

So when you can't convey 
Can't find the words to say
You're feeling Saudade you know
I'll never be that far away

I know you've had your highs
I know you've had your lows
I'll be there by your side
Through all the to's and fro's
Ignore the warning signs
I'll show you how this goes 
If you just shut your eyes
I'll be there for you, love

So when you can't convey
Can't find the words to say 
You're feeling Saudade you know 
I'll never be that far away.

Written and performed by Marsicans 
Produced, engineered and mixed by Mickey Dale at the Cellar of Dreams 
Artwork by Liv Hodder

iTunes

Far Away (Saudade)

Released 15th July on Killing Moon Records.

Available on:
- iTunes: http://geni.us/TricksiTunes
- Spotify: http://geni.us/TricksSpotify

Connect with Annabel Allum:
www.facebook.com/annabelallumofficial
www.twitter.com/annabelallum
www.soundcloud.com/annabel-allum
www.instagram.com/annabelallum

Tricks

Rebel

Aldous Harding - Stop Your Tears

Anteros - The Beat

'Take Me Dancing' is out now via Propeller Recordings: https://slotface.lnk.to/takemedancing

For more information and tour dates, visit:
facebook.com/slotfaceofficial | twitter.com/slotfaceband instagram.com/slotfaceofficial/ | soundcloud.com/slotfaceofficial-1

Take Me Dancing - Single

SLØTFACE - Take Me Dancing

Atlas Genius covering Daft Punk "Get Lucky" live from Giel 3FM. 

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas
Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Atlas Genius - Get Lucky (Daft Punk Cover - Live at Giel 3FM)

www.anterosofficial.com

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Anteros - The Beat

Anteros

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