from the album 'Interreferences' on Room40 (Australia)

formed & recorded 2018-2020 by Richard Chartier 
mastered by Lawrence English at Negative Space 

cover: Untitled, 2018 by Linn Meyers (courtesy of the artist) based on a lithograph printed & published by the Tamarind Institute, NM 
design by Richard Chartier

Interreferences

Interreference.4

Curtain Seller

Davachi/Smith - Live at the Omnimax Theatre, Science World
Vancouver, BC, Canada

New Forms Festival 14
18 September 2014

Sarah Davachi - Buchla 300, Roland Jupiter-8, effects
Richard Smith - Buchla 300, Roland TR-808

https://soundcloud.com/ava76

Davachi/Smith - Collaboration with Richard Smith - Live 9/18/14  - NFF14

New Journeys

Octave Journey

Leden and Laura's live performances are based on a real-time processing of saxophone’s sounds, using digital devices designed by Fabris himself to sculpt, mould and generate their own sonorities. Laura's playing involves different extended techniques and the use of the mechanics of her instrument, the only sound source of their live set.Their new repertoire combines the emotional power of melody with experimental ambient soundscapes.

LEDEN / AGNUSDEI live electronics

YUI ONODERA & STEPHEN VITIELLO - Quiver

CATALOG: mikroton cd 64
FORMAT: CD
RELEASE: April 2018

https://mikroton.net/mikroton-64/

Yui Onodera electric violin, electric guitar, field recordings, found objects, processing 
Stephen Vitiello acoustic and electric guitar, modular synthesizer, toy piano, field recordings, processing 
Kenneth Kirschner (variant’s materials) on Quiver 1

Quiver

Yui Onodera & Stephen Vitiello - Quiver #6

Keith Fullerton Whitman “En la Parc de la Ciutadella”

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

Nothing is Written

Water Mirror

Snow Soup

Falling Through Graves And Houses

Bålsam is a visual & sound artist from Minneapolis, Minnesota.

His journeys have brought him all over South America, where he began listening and recording the voice of nature through walks in the mountains. This became the raw material to transform his music. Now he lives in the mountains of Colombia with his partner Nina Nativa, where they work with ceremonies, therapy, rituals and plant medicines. Choosing this healing path for himself, has allowed him to open his heart, cleanse his body overcome fears and believe in his creation as a healing vibration.

Co-founder of soundcloud.com/atlantearecords

Nothing is Written

Bålsam

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