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Empire State of Mind - JayZ feat. Alicia Keys (Cover)

Airbourne Toxic Event - Sometime Around Midnight (Martin Preston Remix)

The Script - The Man Who Cant Be Moved ( cover )

Rihana - Russian Roulette

Alicia Keys No One

Gorillaz - DARE

Album avail for pre-order:
itunes: http://smarturl.it/ifIStay_i 
Amazon: http://smarturl.it/IfIStay_az 

If I Stay - Heart Like Yours - Willamette Stone

https://itunes.apple.com/us/album/habits-stay-high-single/id938689099
twitter.com/OLNband
www.youtube.com/user/OurLastNightBand


Our Last Night - Habits(Stay High)[Tove Lo]

Hey guys, here's a new remix I made for Avicii's single Waiting For Love! Hope you guys like it! Let me know what you think in the comments and press the repost button if you want your friends to hear about this too! :)

Listen to the full track on Spotify here: https://open.spotify.com/track/3T0uDRzvdyxLolBJ0WW9S7

Download here

Avicii - Waiting For Love (Sam Feldt Remix)

Feel Good Inc. is a single featured as the sixth track on the 2005 album Demon Days.

"Feel Good Inc." charted high in most European countries (including an at-the-time career best of #2 in England, accompanied by a chart run to rival Clint Eastwood's 4 years before). In the US, aided by an iPod commercial featuring the song, and presence on the latest successful "Now" compilation, "Feel Good Inc." took Gorillaz to a whole new level - the track peaked just outside the top 10 in the Billboard Top 100, and it was also top of the Modern Rock charts for a 3 week spell. In the UK, due to a loophole in the chart rules, Feel Good Inc was able to enter the charts before its official release because the record company released 300 copies of the 7-inch single format, meaning that legal downloads would count towards a chart placing for the single ( this was because, according to UK chart rules at that time, a single could only chart if a physical format was available, although download sales contributed to chart placings). A total of 4 new and original songs were available across formats, although "Murdoc is God" was only included on the Japanese CD. The feel of the B-sides was more free and experimental than that of those that had appeared on 'Demon Days' - showcasing another side to the Gorillaz sound. Also, "Feel Good Inc." makes an appearance in Dance Dance Revolution Hottest Party 3 on Wii And Grand Theft Auto 5 On Xbox One, Playstaion 4 And PC Versions.

Feel Good Inc.

I was looking for the Undertale metal cover on soundcloud, but I could only find pieces of it scattered around. So I put this here in case anybody needed it.

Full credit goes to RichaadEB - https://www.youtube.com/user/RichaadEB

Undertale- Hopes And Dreams - Save The World - Metal Cover -- RichaadEB

Safetysuit - What If 【NIGHTCORE】

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Listen on Spotify: http://monster.cat/1Sbmvdh

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Waiting For You (feat. Joanna Jones)

Support on iTunes

Unlike Pluto - Waiting For You (feat. Joanna Jones)

Gorillaz - Superfast Jellyfish (Mighty Mouse Remix)

Mat Keareny - Closer To Love (Seeley Remix)

Lauren Owsley singing "If I Ain't Got You" by Alicia Keys.

If I Aint Got You - Alicia Keys

SafetySuit - Never Stop (Wedding Version)

Following our bewilderment at the resounding success of our Clocks cover, we decided we should calm down. Then we did this.

Never mind the fact that it took us nearly a year.

All parts tracked on a Dell XPS L502x, equipped with a PreSonus AudioBox 1818VSL and FL Studio 10.

Guitars were tracked with an Epiphone Les Paul Standard. Completely stock, filed down the frets and the headstock had completely snapped off at one point; now held on by epoxy. :D Ernie Ball Regular Slinkies.
Guitar processing is Native Instruments' Guitar Rig 4 Pro. JMP and Plexi models were used, and run through Poulin LeCab 2, which loaded RedWirez' Marshall 1960A cab impulses. The Neumann KT84 mic was used a lot. The rhythm and lead parts ran through Waves' Kramer Master Tape for an analog and colorful sound.

Bass was tracked using a several-years-old Squier MB-5. All stock, pretty sure only the neck pickup worked at the time. Ernie Ball Regular Slinkies.
Bass processing was fun. I used Native Instruments' Guitar Rig 4 Pro again, but only the Pro Co Rat stomp model before running the track through a Fender Rumble 100. The preamp out then went back into Guitar Rig, where I used a special combination of cab settings designed to make a deep but distinctly colored sound. To aid that, I used Kramer Master Tape to fatten up the low end.

Drums are all Superior Drummer 2.0 and the stock Avatar kit. Some processing was done inside SD2.0, and bleeds are all enabled. Outside of that is FL Studio's stock compressor set for transient content, and iZotope's triode-modeled tube exciter module. On the ambient mics, I used a high pass and slammed Kramer Master Tape for a bigger room sound. Then it's onto some compression and limiting on the drums buss, and another Kramer Master Tape. That compresses the whole kit the way tape does, and gives it a meaty edge in the character of tubes and tape combined. Big cymbals, big toms. Love it.

Synth is Native Instruments' Mikro Prism, set to the preset "Lonely Molecules." No tweaks. Beautiful pad right out of the box. And it was free. Thinking about getting Prism though.

Piano was played by yours truly, no sequencing this time. Minor edits to certain notes, but otherwise it's just me playing my M-Audio Keystation 49e right into Pianoteq.

Vocals were once again recorded in Reid's garage/bedroom. Or is it bedroom/garage? Reid, as usual, sings lead, and I sing background. Same setup on both tracks, minus the echo on my tracks.
We used a Shure Beta 57A, iZotope Ozone 5, FL Studio's Reeverb 2, and Guitar Rig 4's Roland RE-120 tape echo module. Manual correction was done in Celemony Melodyne, but I assure you, we didn't auto-tune anything. Not with Auto-Tune, and not with Melodyne's "Correct Pitch" macro. All that we did was by hand alone.

Although we pretty much didn't touch the cover for a good four months, I worked painstakingly on the mix once in a while, working hard for a bit then putting it down again, until it reached this point.

This is in fact the final mix! No more updates, I'm pretty happy with how it sounds.

Go find the "SD2.0 ... Test" sounds on my profile to see what the drums used to sound like.

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Daimon