A- Insta808 - Archaotic_part2

𝑀𝑎𝑘𝑒 𝑖𝑠 𝑎 𝑔𝑒𝑛𝑒𝑟𝑎𝑙 𝑝𝑢𝑟𝑝𝑜𝑠𝑒 𝑤𝑜𝑟𝑘𝑓𝑙𝑜𝑤 𝑝𝑟𝑜𝑔𝑟𝑎𝑚, 𝑢𝑠𝑢𝑎𝑙𝑙𝑦 𝑢𝑠𝑒𝑑 𝑓𝑜𝑟 𝑐𝑜𝑚𝑝𝑖𝑙𝑎𝑡𝑖𝑜𝑛. 𝐵𝑢𝑡 𝑖𝑡 𝑐𝑎𝑛 𝑏𝑒 𝑢𝑠𝑒𝑑 𝑓𝑜𝑟 𝑎𝑛𝑦𝑡ℎ𝑖𝑛𝑔.

Sentient Entities

Support

Make Install - SMK251

Preorder 'Maintain The Golden Ratio': https://Cybotron.lnk.to/MaintainTheGoldenRatio

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of "Meta". 
 
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan Atkins and Rik Davis were able to re-engineer Cybotron  &ndash;  a combination of the words "Cyborg" and "Cyclotron" (an atomic particle accelerator) &ndash; to be used as a home studio performance music that would change the course of independently produced and distributed electronic music.
 
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron's future forward funkadelic sound "techno" in reference to Alvin Toffler's concept of unlikely "techno rebels" against technocracy. Techno is music that sounds like technology, and its purpose was to help society survive our collision with a universally felt "future shock" by inserting an audio virus into the cultural matrix. 
 
Techno's blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into new sound technologies and create new 'sonic' spatialities where listeners can transport themselves out of the physical world into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized mid-stride, dissolving physical and virtual reality into sonic fiction.
 
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500 formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno music is self-aware.
Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision out of sync with our current rave new world. 

Cybotron's return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan Atkins' initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12" &ndash; uploaded directly into the alleys of your mind.

-	The Rhythmanalyst

BANDCAMP

Cybotron - Maintain

Dopplereffekt - Pornoactress

Buy here: pinkman.bandcamp.com/album/chino-od…e-marco-segato

Our sublabel Mindri is back! Chino's Common Oddity EP got the remix treatment by L.F.T., Olivia, Charlie and Marco Segato. Four heavy dance floor cuts, available digitally and on very limited vinyl.

https://soundcloud.com/charlieszum
@chinoradar

Bandcamp

Chino - Hologram (Charlie Remix)

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

Cybotron - Parallel Shift

♨
Free Download : https://hypeddit.com/ditti/soursale
Buy : https://juxlabel.bandcamp.com/album/mixologie
Mix & Master : Studio Ctrl Room @blanchekheiratoplet

FREE DOWNLOAD

Ditti - Sour Salé

"Time Tunnel" by @brassica, featuring "Wryders", will be out on December 09 through @feelmybicep. More info: bit.ly/Brayder

FMB009

Time Tunnel

Brassica - Wryders

Released - 24/11/2017 (vinyl only)
https://robertleiner.bandcamp.com/album/aqua-viva-2017-re-master
AMB1711 - Robert Leiner - Aqua Viva

A - Aqua Viva (2017 re-master)
B - Aqua Viva (Edward Desert Edit)

An all time classic originally released on the Visions Of The Past album (Apollo 1994). http://smarturl.it/visionsofthepast

Released on 12” single for the first time.  Re-mastered by Matt Colton.
Includes a superb new remix/edit from Edward.

Original master of Aqua Viva is available to download in the 'Visions Of The Past' album.  If you've never heard the album then make sure to listen in full. http://smarturl.it/visionsofthepast

Aqua Viva (2017 re-master)

Artist: Carl Finlow
Track: Hashtag (Radioactive Man Remix)
Label: Electrix Recordings
Release: June 2013

I do not own any rights to this track.

Carl Finlow - Hashtag (Radioactive Man Remix) [ELECTRIX002]

AFTRMTH

Nemesis

FREE DOWNLOAD
https://fanlink.to/compilsans1

https://comicsansrecords.bandcamp.com/album/various-graphic-designer-was-too-expensive-volume-1
https://open.spotify.com/album/5tzXVSL0vj5bpM3aSM3d36?si=sFCzQjJ6SKyUIMpFlfK_Eg
https://www.youtube.com/watch?v=sXFkYy0geE8&list=PL4xKF8vVj2ZnvVz8SbKtX772lza5vlCSa
https://itunes.apple.com/fr/album/graphic-designer-was-too-expensive-volume-1/1460834612
https://www.deezer.com/fr/album/94740392?utm_source=deezer&utm_content=album-94740392&utm_term=1626450922_1556182054&utm_medium=web

Graphic Designer Was Too Expensive Volume 1

CRCL - Delusional Disorder

BUY: tinyurl.com/VIRALVOL5

Our fifth compilation on the Viral Syndicate series has been a while in the making. Oozing with electro, acid, breaks and everything in between; this one’s a must for the 2-step heads among us.

As always, we will be funding the artists involved directly from the compilations sales, so please support if you can.

Thank you,

Haŵs.

Bolam - Wallbang

This Is Electro

Destroy Him My Robots

Red Light District

Void Fill Product

Dog Chin / Fokkerblock (feat. T-FLX)

Buy The Album

Retrograde

Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Destroy Him My Robots

Anthony Rother (Official)

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