Dark Techno, Minimal Techno, Detroit Techno, Detroit Bass, Electro, Robot Music- Kraftwerk, Dj Hell, Vitalic, The Hacker,  David Carretta, Australia, Bodo Eisel, Dubfire, Solvent, Dr.Funk, Artwork, Miss Kittin, Anthony Rother, Aux 88, Andre VII, Adriano C

ROBOT RADIO

Juan Atkins & Moritz von Oswald Present Borderland: Transport

Riod

We have here the highlight track 'The Motion' with Mutado Pintado taken from the album "Arseholes, Liars, And Electronic Pioneers" released February 9th. 

The man. @mutadopintado, Clams Baker. Whatever name you know him by you hang on every word. Front man for @warmduscherr & @swornvirgins89 as well as many other projects. Perfectly capturing the highs & lows of strobe light living. We're also pleased to announce a new merch drop/collaboration with the mighty Sports Banger. 
Link to the album and merch below.

Video by Craig Louis Higgins
#paranoidlondon #paranoidlondonrecords #warmduscher #swornvirgins #acidhouse #paranoidlondonlive #roughtraderecords #fabriclondon 

Album Pre-save 
Release date February 9th 2024
https://orcd.co/pdonlp003

Sports Banger Merch link
https://shop.sportsbanger.com/

linktree
https://linktr.ee/ParanoidLondon

THE MOTION

PARANOID LONDON WITH MUTADO PINTADO 'THE MOTION'

Double Dutch

Grab it now from -
http://www.juno.co.uk/products/vc-118a-vlucht-naar-nachtschade/545022-01/
https://clone.nl/item32671.html
https://hardwax.com/71643/vc-118a/vlucht-naar-nachtschade/
http://lunardiskorecords.bandcamp.com/album/vc-118a-vlucht-naar-nachtschade

VC-118A - Vlucht Naar Nachtschade (Delta Funktionen Remix)

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

BANDCAMP

Cybotron - Parallel Shift

release date is 29.03.2015
Kitball Records

Dirty Doering & Ante Perry - A. Foley - Moonbootica Edit

Computer World

Computer World 2 (2009 Remaster)

Radio-Activity

Geiger Counter (2009 Remaster)

Taken from [BT20] Caron - Haunted Memory, out this week

Caron - Reflection

Ex-Terrestrial - Mojave Skyline

Melancholy Electro killer from the Error 502 debut 12" released on Ritual Poison sibling label Batrachian.

Heads deep into the murky inter zone where electro, braindance and breakbeat merge.

https://ritualpoison.bandcamp.com/album/error-502-ep

Wisdom Track

Dial 0

America Is Automatic

This Is Electro

Hacker

Destroy Him My Robots

Red Light District

Malta-born Keith Farrugia aka Sound Synthesis has been highly productive through a great amount of quality releases during the last two years. 
This time he joins eudemonia for his next strike. 
The record consists of three masterly crafted tracks which evidence his talent to produce wonderful melodic electro music. 
Each of them tell their own unique story, rounded up with a remix by Motor City mastermind Shawescape Renegade.

Sound Synthesis
Soundcloud: https://soundcloud.com/sound-synthesis-official
Facebook: https://www.facebook.com/SoundSynthesisOfficial

Eudemonia
Soundcloud: https://soundcloud.com/eudemoniarecords
Facebook: https://www.facebook.com/eudemoniarecords
Instagram: https://www.instagram.com/eudemonia_music/

Floating Away EP

PREMIERE: Sound Synthesis - Floating Away (Eudemonia)

Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Destroy Him My Robots

Anthony Rother (Official)

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