E.R.P. - Tuga

Need More Drugs is a fun, funky two-track breakbeat collab with NOTOTO. The maxi-single includes three remixes (two house, one techno) from me and Brian G.

Need More Drugs

OhLOrD_RIKE

A collection of tracks recorded in one take using a modular synthesizer.

Median

NN003

All tracks produced by Voiron.
Released by Nocta Numerica
Mastered by MA Spaventi.
Distributed by Synchrophone.
Made in France

PREMIERE : Voiron - A48 Direction Voiron [Nocta Numerica]

Freekin' Empires

Dj Stingray 313 A1+A2 Evil Agenda + Dark Arts

archived transmission. www.future-music.co.uk
Drexciya - Intro (The Unknown Aquazone)
Drexciya - Davey Jones Locker (VA - True People: The Detroit Techno Album)
Drexciya - Dehydration (The Quest)
Drexciya - Organic Hydropoly Spore (Neptune's Lair)
Underground Resistance - Electronic Warfare (Drexciya Electric Eel Mix) (Electronic Warfare - The Mixes)
Drexciya - Dead Man's Reef (The Quest)
Elecktroids - Mystery World (Electroworld)
The Other People Place - Sorrow &amp; A Cup of Joe (Sunday Night At The Laptop Cafe)
Abstract Thought - Solar Pulse (Hypothetical Situations)
Lab Rat XL - Lab Rat 2 (Mice or Cyborg)
Transllusion - Dirty South Strut (L.I.F.E.)
Japanese Telecom - Nipponese Robots (Japanse Telecom)
Arpanet - P2101V (Wireless Internet)
Arpanet - Gravitational Lense (Inertial Frame)
Dopplereffekt - Radiometer (Gesamtkunstwerk)
Glass Domain - Fairy (Glass Domain)
Dopplereffekt - Holomorphic n-0 Form (Calabi Yau Space)
Drexciya - Aqua Worm Hole (Bubble Metropolis)
Drexciya - The Plankton Organization (Harnessed The Storm)
Drexciya - Hydro Cubes (Molecular Enhancement)
Drexciya - Hydro Theory (The Journey Home)
L.A.M. - Death Toll (Balance of Terror)
Drexciya - Nautilus 12 (Deep Sea Dweller)
Drexciya - Bubble Chamber (The Unknown Aquazone)
Drexciya - Bang Bang (The Return of Drexciya)
Clarence G - Clarence G's Club (Safety Copy 01)
Japanese Telecom - Cigarette Lighter (Virtual Geisha)
Eleckroids - Floatation (Electroworld)
Lab Rat XL - Lab Rat 3 (Mice or Cyborg)
Drexciya - Drexcyen Star Chamber (Grava 4)
Transllusion - Dimensional Glide (The Opening of The Cerebral Gate)
Shifted Phases - Scattering Pulsars (The Cosmic Memoirs…)
Drexciya - Digital Tsunami (Harnessed The Storm)
Drexciya - Intro 2 (The Unknown Aquazone)
Drexciya - Aquatacizem (Interstellar Fugitives)
Drexciya - Aquarazorda  (The Unknown Aquazone)
Drexciya - Wavejumper (Aquatic Invasion)
Der Zyklus - Formenverwandler (Der Zyklus II)
Drexciya - Sighting in The Abyss (Aquatic Invasion)
Drexciya - Andean Sand Dunes (Neptune's Lair)
Drexciya- Song of The Green Whale (Harnessed The Storm)
Drexciya - Draining The Tanks (Neptune's Lair)
Drexciya - Interstellar Crime Report (Interstellar Fugitives)


Return To Bubble Metropolis

This Is Electro

Hacker

Destroy Him My Robots

Die Macht

Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Hacker

Anthony Rother (Official)