Always better then before

15 Days (Raz Alon Remix)

PRE-ORDER: https://www.outsidein-distribution.com/release/1741859952/roberto-manolio-sublevel-restrictions-e.p-or-wap.recs-(wap001)

After many years of digging deep and sharing music with like-minded individuals through various channels, 'The Wapstation' is proud to present its first release as a label.

This record comes from the masterful hand of a producer, Roberto Manolio. Born and based in Italy. Following a series of sellout releases, Roberto graces the label with three stellar productions. The EP touches on multiple underground textures, blending shades of Techno, House, Electro, and Miami Bass. To top it off, shooting star of the scene Christopher Ledger delivers a wicked Electro flip of the title track.

Roberto Manolio - Sublevel Restriction (feat Christopher Ledger remix) / WAP001

The Funky Launch (Original Mix)

ECHOFORM (Original | Amando Grün)

There’s a signal under the skin — a hum that remembers the shape of who we were.  What breaks, repeats; what repeats, becomes pattern.

ECHOFORM is the sound of recognition — where noise organizes itself into meaning,  where every vibration finds its mirror.  It’s mechanical, magnetic, alive.

The track breathes in static and exhales clarity.  Metal turns to light, pulse turns to voice. This is not chaos anymore —it’s intelligence in motion.  The moment when resonance becomes identity.

✨✨✨✨✨✨✨✨✨

AMANDO GRÜN | A.I. ARTIST/-JOCKEY & PRODUCER
Copyright: Amando Grün & Kay Becker
Lyricist: Kay Becker
Composition: Kay Becker
Producer: Kay Becker
Engineer: Kay Becker
Additional Credits: Made with Suno

ECHOFORM (Original | Amando Grün)

Like many of us, Brooklyn-based producer Gunnar Haslam has long been drawn to acid. Following two releases on The Bunker New York alongside Tin Man as a part of their improvisational Romans project, Gunnar returns with “Scale No Flam”, his first 12” single for the label. Scale No Flam is both a love letter and a demonstration of why he can’t stop getting lost in the sound. According to Gunnar, “acid is just one of those things that creeps into your life and consumes everything around you - a psychedelic and textural approach to music that is simultaneously intense and smooth.” While acid has come to be defined by the Roland 808 and the 303, the hardware alone can’t define the feeling, and Gunnar believes “You don't need a 303 to make acid, you just need an open ear and an open mind.” 

After getting Mike Servito, Justin Cudmore, Derek Plaslaiko, and Bryan Kasenic all running to the booth to see what the fuck was playing at various times when Gunnar was dropping the unreleased “Scale No Flam” in his DJ sets throughout 2016, we had no choice but to press it to vinyl. Gunnar tells us he was playing around with trying to replicate the bass line of Heaven 17’s 1982 classic ‘Let Me Go’ when “things kinda mutated.” The A side is completely Gunnar’s own with a dominating acid line providing the backbone to a flangey work-out that is simultaneously totally crazy and totally logical. On the B side, fellow Brooklynites and co-members of the Hot Mix DJ crew, Mike Servito and Justin Cudmore add their perspective with a remix that draws out the hidden angular funk.

Scale No Flam (The Bunker New York 023)

Gunnar Haslam - Scale No Flam (Servito and Cudmore Bass Shift Mix)

Radioactive Man

The Mezz

More Info: https://www.xlr8r.com/news/2017/10/premiere-hear-forest-drive-wests-bass-driven-new-cut-on-livity-sound/

Static / Escape (LIVITY028)

More Info

Premiere: Forest Drive West - Static

Mdr 18

Calm Down

Juan Atkins asked me for a mixtape (what an honor (˘‿˘ʃƪ) & here it is! 
Enjooooy 

\( • ◡ • )/ Tracklist (ﾉ· ◡ ·)ﾉ

01. Addison Groove - Changa 
02. Fela Kuti - Shakara (Ossie’s Bump Edit)
03. Danvers - Aye Ata
04. James Nasty - Rumba 
05. Rudeboyz - Major Turn Up
06. Lighter - Skanker (James Fox Work Vocal Edit)
07. Radio Slave - The Revenge 
08. Ploy - Ramos 
09. Laksa - It Feels Like I’ve Been Here Before
10. Airhead - Droplit 
11. Twoman - Stratosphere 
12. Lone - Oeado 808 
13. Garneau - Shake (Ghostwhip Remix) 
14. Ghostwip - Three Eightee
15. Soundbwoy Killah - Let’s Thump 
16. Crystal Waters - Gypsy Woman (Rave Yard Mix)
17. Josh Mace - Can’t Express
18. Detach - Power Struggle
19. Overmono - Daisy Chain 
20. Textasy - I’m the needle  
21. Mall Grab - Out Of Time
_________________
• B o o k i n g • 👉 jg@disk-agency.de

彡 Sarah Farina Mix for Juan Atkins | "Deep Space" Radio Show

Lhasa - The Attic
EP - Vol. 1(1990)
Label:MusicMan Inport


Lhasa - The Attic

Joyce Muniz’ unique transatlantic tastes marry perfectly as she teams up with LA’s club queen, Kim Anh for a new release on Berlin’s Gigolo Records entitled Give Me The Taste.
Joyce Muniz has risen slowly but surely thanks to her tireless pursuit of excellence, savvy studio skills and killer DJ sets which have seen her hold down multiple radio residencies for Vienna’s FM4 and London’s Rinse FM. Remixes for Paul Simon, DJ Hell and Claptone, alongside collaboration projects with Namito, Hannah Holland, and Jazz crooner Louie Austin show Muniz is as multi-talented as she is razor sharp focused with more to come in 2019.

Both Muniz and Kim Anh have worked tirelessly in the underground to find parity and equality for women and the LGBTQ communities. Indeed, Anh is already established as a proficient producer, event curator and businesswoman; remixing Sam Sparro in 2012 and working with House royalty Eli Escobar, Roy Davis Jr, and JT Almon thereafter. This single marks the official beginnings of a fruitful collaborative experience.

Based deep within their shared love of all things classic and house, ‘Give Me The Taste’ remembers a time of endless possibility when finding a spot on the dance floor and grooving til sunrise was the ambition of every young girl completely enamored by House music. Pounding 909 kicks and skippy hats underpin the rubbery bassline which powers this homage to a simpler time forward. Anh provides the dark sexual overtone with her vocals, acidic touches and melodic nuance provide a classy sonic backdrop elevating the track beyond the obvious and into deeper, more refined waters.

Available in full vocal, dub and instrumental versions, ‘Give Me The Taste’ is an example of just how power House music can be.

Give Me The Taste - Dub

Nasty Thoughts - Acid Sex (Acid Version)

This Is Electro

Destroy Him My Robots

Young

A2 Im Kellar - Esclavo Castigado [Moustache Records 045]

Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Young

Anthony Rother (Official)

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