This song is part of a various artists compilation called "Out of Season" that was released by Theory Therapy on August 6, 2021.

Link to comp: https://theorytherapy.bandcamp.com/album/out-of-season

100% of the proceeds from Out of Season will go to headspace, a national youth mental health foundation that provides early intervention mental health services to 12 to 25-year-olds.

Eora (Sydney) based label Theory Therapy presents Out of Season, a collection of immersive ambient and downtempo recordings inspired by place, environment and the passing seasons. Created across multiple time zones and four continents, the compilation consists of several geographically distant but sonically connected underground artists.

The collection begins in New Zealand. 'downpour', by Aotearoa based producer èvia, is a landscape drawing in sound, an evocation of the elements that blends subtle environmental recordings with cascading electronics and gossamer-like textures. From there, the compilation ventures into more nebulous terrain. The expansive ‘Shaft of Light’ is unlike anything you’ve heard from Cousin and Hugh B before, ‘Tar Bae’ and ‘Journey To Urras’ hover somewhere in the interstice between ambient and club music, and ‘Dementia Flower’ recalls IDM icons Boards of Canada if the Scottish duo were to have placed their uncanny samples front and centre. Even the phosphorescent glow of Salamanda’s ‘Hungry Bone’ feels strangely unfamiliar, its simple melody obscured beneath layers of static and hiss as though you’re listening to a decomposing pop song. The inverse occurs on Slowfoam’s track, where seemingly disconnected patterns slowly coalesce, like watching a cumulus cloud form overhead.

The compilation’s second half is a more ethereal affair: a set of meditative ambient soundscapes shrouded in mystery. Reverberant drones, disembodied vocals and haunting incantations from Alexandra Spence, Babyxxan, Match Fixer and Lisa Lerkenfeldt are meticulous exercises in stillness that seem to exist outside of time. Portland artist Patricia Wolf briefly pulls the album back into orbit; the celestial ‘Morning Light’ opens with a flurry of bird calls taken from the musician’s recent trip to Mount Saint Helens in the Skamania County of Washington. ‘In The Distance (Blood Moon Mix)’ by Sydney’s Marco Vella, closes the compilation, the setting somewhere just past sundown, not far from where it began across the Tasman Sea. It's by far the most Balearic-influenced contribution, a track imbued with a sense of forward movement, hinted at by its title and reflected in the song’s subtle interplay of melody and percussion, which glide effortlessly along.

The 13 tracks that make up Out of Season were made in Sydney, Melbourne, Seoul, Austin, Chicago, Portland, Berlin and New Zealand. We acknowledge the Aboriginal and Torres Strait Islander people as the traditional custodians of the Country upon which Theory Therapy and Low End Theorists was founded, and recognise that sovereignty has not been ceded. We pay our respects to Elders, past, present and future.

Out of Season

Morning Light

SCRYING THE LANDSCAPE XV w. LA SERPIENTE ‘SEARCHING FOR THE SUBLIME’ [04.10.2023]

Entanglement. Electronic excursions with DJ Papaya [ @papayaofficial ] on Great Circles Radio

Special Guests ~ Lydia's House ( @lydias_house ) 

Listen live - 4th Mondays, 5-6pm ET on www.greatcircles.net

Entanglement

Entanglement w/ Lydia's House - 25Dec2023

A monthly collection of blurred collage, aural experiments, and tonal in-betweens with sound artist and musician Felisha Ledesma. 
https://www.nts.live/shows/felisha-ledesma/episodes/felisha-ledesma-27th-january-2024

Felisha Ledesma 270124

« Elles contaminent passionnément les écosystèmes
favorables à l'existence des choses auxquelles
elles refusent de s'opposer, au risque de causer
leur extinction lente et durable (elles disent que
d'autres ont appelé ça amour). »
Léa Rivière (L’odeur des pierres mouillées)
Artwork : Clémentine Blaison

An Hour Is A Sea w/ Mélodie Blaison (07/02/24)

Get in your feelings with Brussels party starters HE4RTBROKEN - Founders and resident DJs Liyo and Steff, who met in their teens and learned their craft together, have developed a style kindred to the philosophy of their nights : emotions come first, as they are looking to create exhilarating collages, long impassioned builds up, abrupt downfalls and stirring climaxes in their mixes. 
https://www.nts.live/shows/hea4rtbroken/episodes/hea4rtbroken-15th-february-2024

HE4RTBROKEN w/ MUNIX 150224

exhausted in the wound of your being

Session #3 - 2000-2001

Lost Transmission

"Falling" is a dynamic collision of energy and atmosphere, where fast, intricate breakbeats drive the track forward while lush piano lines provide emotional depth and warmth. Stuttered, glitchy vocals weave in and out like fragmented thoughts, adding tension and movement, while ambient textures swirl around the core rhythm, giving the piece space to breathe.
The interplay between rapid percussion, expressive melodies, and ethereal soundscapes creates a sensation of controlled descent — exhilarating, slightly dizzying, yet deeply immersive. “Falling” is music that captures the thrill of letting go, a rush of motion softened by melodic beauty and atmospheric layers.

Falling

"LikeThat" is a hypnotic, intimate track built around the warm tones of vintage piano and the understated charm of repetitive vocals. The piano provides a timeless, nostalgic foundation, each note resonating with subtle emotion, while the vocals loop gently, creating a meditative, mantra-like effect that draws the listener in.
The repetition isn’t monotony — it’s a trance, a slow unfolding that allows small variations in tone, phrasing, and texture to shine. “LikeThat” feels both personal and expansive, a quiet reflection captured in sound, perfect for moments of contemplation or simply sinking into the mood.

LikeThat

DJ Close Your Eyes To Find Me 
DJ In A Dream 

Running @fallingstarerotica please send me demos I will listen to everything :) 

lhlt009 , LHLTSUB2, Reptillian Trax 001, 38, Falling Star Erotica 001, Infinito Audio Label 033, QC 2#

The only reason the Gods flooded the earth instead of burning it is because they were afraid of the flames reaching heaven.  

bookings: message me here

exhausted in the wound of your being

Tony Rainwater

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