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it's not possible to hate this track. i'm glad to know great artists such as anthony and acronym

Ambient mix for Astral Industries 9128.live takeover on 04/04 2020.

Tracklist:
Winterblood — Semioscurità II
Foglord — In The Essence of Astral Solitude
Maria W Horn — Maskinhallen Nocturne
Winterblood — Il Richiamo Delle Vette
Grimrik — Säule des Ewiglichts
Winterblood — Minimalismo Arcano
Grimrik — Der Australe Ursprung (Teil II)
Winterblood — Hiraeth I
Anthony Linell — Untitled Winter Ashes
Noah Gibson — There (I Wish I Could Be)

Support the artists:
https://winterblood78.bandcamp.com
https://foglord.bandcamp.com
https://grimrik.bandcamp.com
http://northernelectronics.bandcamp.com

Anthony Linell Ambient Mix For 9128.live 04/04 2020

The future:

25/07 TBA, USA
26/07 The Great Beyond, MN (US)
01/08 Technoferia, Medellín (CO)
02/08 Tunnel, Pereira, (CO)
09/08 Eden, Stockholm
 30/08 Berlin Atonal w/ Neel & DJ Red (DE) 
31/08 Berlin Atonal LIVE (DE)
06/09 Sejong Theater, Seoul (KR)
06/09 Vurt, Seoul (KR)
12/09 Trädgården closing, Stockholm (SE)
13/09 Magick Bar, Rome (IT)
18/09 Solace, Melbourne (AU)
 19/09 TBA, Sydney (AU)
 20/09 TBA, Melbourne (AU)
21/09 TBA, Adelaide (AU)
11/10 Inkonst, Malmö (AU)
01/11 Under Bron, Stockholm (SE)

Bookings:
booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

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