****Physical Cassette Mixtape Available Our Bandcamp****
https://octoocta.bandcamp.com/album/love-hypnosis-vol-2

I heal myself weekly with the music I play. I listen deeply to the words buried within; the intention behind the lyrics either peppered-in or chorused. So much of the house music I connect with is rooted in love. It’s rooted in desire and hope. It’s rooted in narrative, “Do you want to trip with me?”, “I’ll outstretch my hand”, “I won’t forget about you, you won’t forget about me, we won’t forget about love vibrations!”. I listen to the messages to remind myself what I need and why I continue to move forward.

Vol.2 is represented in two mixing styles; long-melded blends (Trippin’ On Love) and fast, tight radio-style cut mixes with overdubs (Slammin’ With Love). Both convey the deep need for connection to one’s body and to others. It’s this connection energy that I find so powerful about house music’s healing magic.

Xoxo Octo Octa

♥︎♥︎♥︎♥︎ 50% of the profits the mix will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence. ♥︎♥︎♥︎♥︎

Octo Octa - Love Hypnosis Vol. 2 Mixtape

I've reimagined one of my all-time favorites - Radiohead's "Everything In Its Right Place" done in a dreamy dance vibe. 💭
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Follow HAUMS:
SoundCloud: https://soundcloud.com/haums
Instagram: https://instagram.com/haumsmusic
YouTube: https://www.youtube.com/@haums
Spotify: https://spoti.fi/3qRAa7X

Everything In Its Right Place (HAUMS Remix)

FREE DOWNLOAD

Radiohead - Everything In Its Right Place (HAUMS Remix)

Recording of Rey Colino's set at Dekmantel Selectors 2023.

Rey Colino at Dekmantel Selectors 2023

Download:
https://corenews.me/dj-python-essential-mix-2024-01-20/?utm_source=soundcloud
Tracklist:
https://tracklists.thomaslaupstad.com/dj-python-essential-mix-2024-01-20-tracklist/?utm_source=soundcloud

Core News - https://corenews.me/

DJ Python - Essential Mix 2024-01-20

We tapped in with Bangkok-based music festival Maho Rasop for a second edition, bringing family & friends from some of the city’s vital collectives.

Cinthie | Boiler Room x Maho Rasop Festival 2023

Tracklist + Q&A: https://bit.ly/3vEg5V7

Percussive club meets Arabic folk signatures, @moktarmoktar takes us on a sonic journey through his dual realities

"I aimed to blend my cultural roots, as always, and my passion for electronic music — creating a musical journey that resonates with contemporary expression using soundscapes and traditional percussive sounds. I wanted to take things to a dark room in a club at 3:AM with heavy beats, driving basslines, and sonic Arabic sounds. Each track on my mix is an insight of what’s been inspiring me with my production and ongoing progression of my musical journey.”

Tracklist + Q&A

The Mix 008: Moktar

** You can buy a cassette or digital download of the mix on our bandcamp**
https://erisdrew.bandcamp.com/album/raving-disco-breaks-vol-ii-rock-the-house

T4T LUV NRG is about to rock your stereo this spring with a sequel to the label’s first release “Raving Disco Breaks Vol. I” (2018). Eris Drew wanted to create a new sound for the second volume of her acclaimed mixtape series instead of simply retracing the pure disco vibes of the original. Setting her sights and intentions on creating a rock ‘n’ roll infected house mix, Eris worked on building crates for the last five years, finally reaching an inflection point—a moment of concrescence—when she was ready to put the needle on the records and let the beats flow. “Rock The House” was born, a concept for Volume II built from musical fragments, memories, and synchronicities. There are no classic Big Beat tunes on Volume II, instead Eris kicks out the jams for this mix with non-stop house and breaks cuts featuring plenty of rockin’ vocal vamps, as well as the likes of Janis Jopin, Joe Strummer, Ramones, and Led Zeppelin—all sampled, scratched and dropped along the way. Both sides of the mix include some of her most personally coveted recordings. To gather these records, Eris spent decades identifying tracks from older mix cassettes recorded by her DJ heroes, such as Terry Mullan and Mystic Bill, as well as discovering many of the featured tracks through happenstance and countless hours digging through dusty bins and YouTube rips. Each of the tracks on Volume II are at least 20 years old—some much older—but fresh is the word here, and the word is freeeesh!

Now, as the snow melts and the flowers of rave romance start to bloom, T4T wants to know one thing…Are U ready to rock right?

Eris Drew's Raving Disco Breaks Vol. II - Rock The House

Joris Voorn - Balance 014, Mizuiro Mix CD1

For Eris’s mixtape “Raving Disco Breaks Vol. 1”, she uses old records to create a new style out of fragments. Many of the selections have been featured heavily in her live DJ sets, including her b2b sets with Octo Octa. Eris accumulated these records slowly, over decades, but it wasn’t until touring last year that she realized a “sound” coalesced in her bag. What does a rave at the disco sound like? Kinda like everyone took ecstasy at the roller rink. On her ecstatic mix, Eris colleges together a genre by scratching-in breaks with horn samples, mixing Disco House with broken beats, dropping Miami Bass jams with Boogie keys and blending Rave tunes with disco vocals. On the mix Eris utilizes turntable techniques such as “doubles” tricks and “hot mixing”—a fast-paced mixing style inspired by her beloved B96 Mixmasters, Chicago’s most popular 1990’s radio DJs. Like all of Eris’s mixes, she weaves strong narratives of embodiment, defiance, cultural transcendence and personal triumph (a classic disco emotion) into a flow of body rockin’ beats, scratches, drops, and sweet melodies. The result is a bass heavy summertime house mix for the psychedelic bad girls, boys and enbys. 

A limited run of Raving Disco Breaks Vol. 1 cassettes are available now exclusively from the label’s Bandcamp - http://t4tluvnrg.bandcamp.com

 The recording can be streamed on the T4T LUV NRG SoundCloud for free and hi-resolution versions are available for download on the label’s Bandcamp (donation requested). All profits  from Eris’s mix will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence.

Eris Drew Raving Disco Breaks Vol 1.

An uplifting ode to queerness and love.

Read more: https://ra.co/podcast/769

@octoocta

Resident Advisor podcast

RA.769 Octo Octa

Pop the kettle on and sit back for our first 'tea' themed episode! For this episode, Matt invited Michael Dunford, a PhD Candidate in Anthropology at ANU whose research explores labour, language, and tea in Myanmar, to join him in conversation with Sarah Besky and Mythri Jegathesan. 

Sarah Besky is a cultural anthropologist and Associate Professor in the International Labour and Labour Relations School at Cornell University. Her research uses ethnographic and historical methods to study the intersection of labor, environment, and capitalism in the Himalayas. Her work analyzes how materials and bodies take on value under changing political economic regimes and explores the diverse forms of labor that make and maintain that value.

Her first book, The Darjeeling Distinction: Labor and Justice on Fair-Trade Tea Plantations in India (University of California Press, 2014) explores how legacies of colonialism intersect with contemporary market reforms to reconfigure notions of the value of labor, of place, and of tea itself.  Her second book, Tasting Qualities: The Past and Future of Tea (University of California Press, 2020) blends historical and ethnographic research on science, value, and the idea of quality in the tea industry to analyze efforts at economic reform in India.  Another book, How Nature Works: Rethinking Labor on a Troubled Planet (SAR Press, 2019), a volume co-edited with Alex Blanchette, brings together contemporary theoretical conversations in posthumanism with classic and continually relevant questions about political economy, precarity, and the meanings of work.  

Sarah’s new research explores the intersections of agricultural extension and experimentation, colonial and postcolonial governance, and the everyday productive and reproductive work of farming in the Himalayan region of Kalimpong, West Bengal.

Mythri Jegathesan is a cultural anthropologist and Assistant Professor in Anthropology at Santa Clara University. Her research focuses on gender, labor, minority politics, and development in the Global South, and has explored the social and economic experiences of Tamil women tea plantation residents and workers in Sri Lanka, where she has conducted field research since 2005. She is currently researching the first women's trade union in Sri Lanka, the dynamics of transnational organizing across formal and informal employment sectors, and the changing development practices of local NGOs in postwar Sri Lanka. She holds a PhD in Cultural Anthropology from Columbia University and has received grants from the National Science Foundation, American Association for University Women, and American Institute for Sri Lankan Studies. Her first book 'Tea & Solidarity: Tamil Women and Work in Postwar Sri Lanka', published in 2019 by the University of Washington Press, was awarded the Diana Forsythe Prize by the Society for the Anthropology of Work.

Episode #40: Sarah Besky and Mythri Jegathesan

A podcast about life, the universe and anthropology produced by David Boarder Giles, Timothy Neale, Cameo Dalley, Mythily Meher and Matt Barlow. Each episode features an anthropologist or two in conversation, discussing anthropology and what it has to tell us in the twenty-first century. This podcast is made in partnership with the American Anthropological Association and with support from the Faculty of Arts & Education at Deakin University.

Episode #40: Sarah Besky and Mythri Jegathesan

Conversations in Anthropology

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