great show in sydney tonight! this was great live. 

gracias por esto. cada cierto tiempo regreso a este viaje. éxitos en todo 🙏🏽

the flow of your band is indescribably satisfying. every track I feel like I'm on some kind of trek through an Indian jungle! :D  I love your work!

So much more funkier than the original! can't wait for theknoxville show on oct 1

hot intro this cut is thick n tiger tight! afrobeat goodness!

Afro

Analog Africa No.15 – ANGOLA SOUNDTRACK 2
*Hypnosis, Distortions & Other Sonic Innovations 1969-1978* 
Catalogue No. AACD 075 (1xCD)/AALP 075 (2xLP) 
CD with 44-Page Booklet / LP with 16-Page LP Size Booklet


In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics’ Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc´s multi platinium record, "Good Things".

Many were surprised that the award was handed to a compilation that covered obscure music, but it didn’t surprise the team behind Analog Africa who believed such award should have come much earlier. 

Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes: 

"Listening to these tracks may cause addiction and provoke heavy rotation!"

The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident.  An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda’s need for a live music scene. His self-designed “Kutonocas”, Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms. 

The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other’s style; communication between the groups was frequent as everyone studied each other’s records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities.  Development of skill and ingenuity was a must, as well as addressing the highly politicised climate.  The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.

Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity.  Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine “Note E Dia”, Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s. 

The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda.

This compilation represents the best of the short lived recording industry in Angola, a brief moment of history between 1969 and 1978, when three recording companies produced approximately 800 limited records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire.  Do yourself a favor and submerge yourself  into some of the most the addictive music created by mankind! 

Avante Juventude - Os Anjos

Check out this free tune from Ocote Soul Sounds "Primavera" due out on ESL Recordings on May 31st.

"Ocote Soul Sounds" is a project by Grammy Award winner Adrian Quesada and Tony Award winner Martin Perna. Their fourth collaboration, "Taurus," features vocal collaborations with fellow ESL Music regulars Natalia Clavier, Sitalil, Verny Varela and Chico Mann. The record was produced by Eric Hilton of Thievery Corporation, and has been featured on the radio through Distiller Promotions. 

Ocote Soul Sounds - Primavera

Rat Race

DjeuhDjoah & Lieutenant Nicholson - Tout Le Monde Pense

The very first title in our Africa 45’s series http://www.mrbongo.com/products/amazones-de-guinee-samba-moussa-doumbia-samba-7

Amazones de Guinee - Samba

Pure vibes to start our series. Live and direct, high energy African funk with a powerful vocal, recorded live in Paris in 1983.

Hailing from Guinea they were the countries first all female group, formed by members of Guinean army nonetheless. Their lead percussionist Kade Diallo was killed in a car crash just days after returning from a tour of France in the early 80’s. The group did not record again until 2008, but they continue to tour now, with a new generation of fans.

Taken from the sought after 1983 album ‘Au Coeur De Paris’, previously unreleased on 7”.

Moussa Doumbia - Samba

Malia born Moussa Doumbia and was a prolific saxophonist, composer and arranger, who lived in Abidjan, Ivory Coast.

He fused African and Funk rhythms in his own unique style, comparable to the likes of Fela Kuti, Orchestre Poly Rythmo de Cotonou and Ebo Taylor. Moussa’s voice is strongly reminiscent of the almighty James Brown. 

Similarly to Fela and The Shrine, Moussa played at ‘Boule Noire’, a club in the cosmopolitan area of his town, Treichville. Every night they would play their own styles for hours to rich businessmen and locals.

‘Samba’ is taken from his 1980 LP ‘Lassissi Presente Moussa Doumbia’ released on Sacodis. Extremely hard to find.

Moussa Doumbia - Samba

🎶please FOLLOW me for NEW releases😊...... It's all about expression...this is part of my 20 year legacy portfolio (under aliases) of live mixes (including vinyl) to make the classics live again!..my music style comes from blending sounds that normally wouldn’t live in the same space or time - I love taking familiar groove tracks and reimagining them with new energy, whether that’s through creative sampling, stems, loops, adding subtle beats, unexpected transitions, or layering vocals over completely different instrumentals - see my track list here: https://soundcloud.com/ch_risk_1   I hope you enjoy the vibes and please share it across all generations, so everyone can join in my New Groove! 🎶 💞  a big Thank You to Pioneer, Rekordbox, Albleton and Remix live, who provide all my beats 🥁and also all the the original artists. Where would DJs be without you and where would artists be without DJs🙌

Diana's Hangover DJCK Remix Edit

myspace.com/orgonemusic

or·gone  (ôr'gōn)   
    n.  A universal life force, a cosmic unit of energy, the creative force in nature.
     Los Angeles based band Orgone is many souls with a cosmic connection, a natural creative force and musicians who have played together for years.  They are self schooled and continue to shape their musical voice as a solid unit of guys who hang, spin records and jam out their shared inspirations. With a rooted sense of funk, soul, afrobeat, deep rhythms and an intimate understanding of dj culture as well as each others' individual talents, Orgone seamlessly slides through multiple styles and dynamic performances.  The group continuously injects whatever they play with a heavy brand of raw funk power.
     At the core of the band is a rhythm section comprised of close friends who have played together for more than 10 years. Having grown artistically as a unit they function as one organic and intuitive whole. The orginal 5-member band started out by putting their own gritty takes on tunes by the likes of the JBs, the Meters, Booker T. and the MGs, Grant Green and Funkadelic among many others. They quickly gained underground respect and die hard fans.  With their searing live sets and original instrumentals, Orgone soon released their debut self titled CD, "Orgone," in 2002.  The result was a collection of all original down home, transcendental, tough and gritty funk instrumentals.
    The band fast grew to include a powerful three-piece horn section and a fiery soul singer who all shared the same spirit and deep reverence for the music that inspired them.  Singer, Fanny Franklin, joined the groups’ recordings after they were floored seeing her perform with Dakah, the 30-piece hip hop orchestra, and asked her to record with them. Their first recording together, Orgone's cover of “Funky Nassau”, became a ubiquitous DJ fave worldwide- first appearing on 7"(Nuff Rope) and then getting a 12" club re-edit by renowned dj Danny Krivit (Nuff Rope).  It then appeared on Ubiquity's Rewind Volume 4 comp, which began the band's relationship with the prestigious label. 
    Gaining worldwide recognition for their raw studio recordings and exciting live sets led to the release of "The Killion Floor" on Ubiquity records- a full length album of hard hitting afro-soul & funk from the 9 piece band. While enjoying comparisons to classic acts like Rufus, War & Mandrill, or modern funk staples like Sharon Jones or Breakestra, they’re quick to point out that Orgone is unique.
     “We draw from a wide musical and production palette ... it’s a reflection of the music and production aesthetics that we love.”
    Orgone backs this up by taking the listener on a musical journey from the sound of Los Angeles to horn and percussion driven Lagos to a New York club and to the raw sounds of New Orleans. The title of the album "The Killion Floor" is derived from the Orgone apartment/studio facility where the majority of the album was recorded. Singer Franklin delivers monster performances on tracks like the Memphis-drenched “Who Knows Who,” the laid-back and cosmic “Said and Done,” and the apocalyptic sound of “Do Your Thing". The album also features guest appearances by singer Noelle Scaggs (from the Rebirth),  trumpeter/arranger Todd Simon (Dapkings, Antibalas, CPK, Breakestra), and guitarist/producer Dan Ubick (CPK/ Lions).
    The band’s reputation amongst the funk, soul, and hip hop fraternity is further backed-up by an impressive and ever growing resume that expands their reach. This includes a spot in an Adidas campaign, a tour with and backing band for  Bun B(from UGK), Pharoahe Monch, Plantlife (including a BBC performance for Jools Holland), Little Brother, Nice and Smooth, Black Sheep and New Orleans funk legend Eddie Bo at a Hurricane Katrina benefit. Members of Orgone also have featured in the make-up of Ubiquity acts the Lions, Connie Price and the Keystones, Breakestra, and have performed with the Pharcyde, De La Soul, Too Short, Macy Gray among many others. To top it off, most of the group can be heard on recent major recordings by Alicia Keys, Estelle, Anthony Hamilton, Jennifer Hudson, Solange Knowles and many other R&B/Soul artists. 
    Orgone continues to tour, impressing audiences and winning new fans at festivals & clubs nationally and overseas.  2009 saw the release of their second fully independent CD  "bacano", a collection of all original cold-blooded funk gems representing what's always been going down in Orgone's funky, sweaty home-grown recording spot. It's a recorded history of the band and its musical family throwing down: check the lethal neck-busting bass intro of founding member Tim Glum on "You Already Doin It", the Detroit thump of bassist Dale Jennings on the deep hypnotic funk soundscape of "Vibromeyer", the dance floor soul of singer Gino Garafalo on the undeniably hip-shaking "Come Around" and the sub-atomic gut punch of Orgone bassist Ethan Phillips on the heavy psychedelic groove of "Hott Karl".
    Orgone live and recorded is 100% organic heart and soul an aesthetic and an attitude born out of half a lifetime of playing together.
    Orgone
    
    +Sergio Rios:Guitar
    +Dan Hastie:Keys
    +Ethan Phillips:Bass
    +Stewart Killen:Percussion
    +Sean O'Shea:Drums
    +Darren Cardoza:Trombone
    +Devin Williams:Trumpet
    +Joel Bowers:Saxophone
    +Fanny Franklin:Vocals
    
    EXTENDED FAMILY:
    Tim Glum: bass
    Dale Jennings: bass
    Gino Garafallo: Vocals / Bass
    Jordan Katz: Trumpet
    James King: saxophones
    Tommy O: flute, saxophone
    PRESS
    
    RELIX magazine ": ...an ultra-funky intertwining of infectious grooves with melodic phrases, even when they are at their most experimental. Despite the music’s complexity, it remains uncluttered and spacious...If you are into classic funk like Parliament Funkadelic, the Meters ...you should find Orgone intoxicating. In addition to the funk, R&B and jazz elements, the band exhibits an adventurous rock ‘n’ roll twist...This is one hell of a band."
       “Their music is terrifically unfussy, big slabs of grizzled R&B, greasy as fatback and thick as a very particular kind of smoke. At their best, they recall the majesty of Sly & the Family Stone; opening track “Who Knows Who” is all bleary horns and broken-heart vocals, “It’s What You Do” is a tight, itchy jam. There’s still a riot goin’ on, and Orgone is at the front of the crowd.”
    - eMusic
    "L.A.’s Orgone keeps the hotness of the recent retro-soul revival coming; lead singer Fanny Franklin fits in very nicely between Sharon Jones and Amy Winehouse. As befits the band’s name, Orgone’s sound is quite organic, rooted in soul, funk, boogaloo, and jazz, with a classic appeal that’s nevertheless contemporary...the entire album is one non-stop groove. If smooth, soulful funk with jazzy arrangements makes you sweat, you just found your new favorite band." 
    - XLR8R
    "Orgone has provided all the elemental power to drive the funk/soul revival to new levels with The Killion Floor...Orgone will invigorate your groove spirit and get booty out of its little box and out on the dance floor."- KEXP, 90.3FM (SEATTLE)
    
    "By the time the listener gets to the nasty, distorted, finger-popping, ass waggling "Crabby Ali" -- where the deep brewed, second-line New Orleans old-school funk goes head to head with the gloss of L.A.'s Tower of Power styled horn charts -- it feels like the party's just getting started."
    
    - All Music
    A monstrous debut from one of the heaviest acts we've heard in years -- LA's Orgone, easily one of the most up-and-coming funky combos around! Although Orgone share a bit with some of the leaner deep funk groups who've cropped up in the past decade or so, they've also got a sound that's a bit more advanced overall -- sort of that second-generation approach to funk that hit the scene by the mid 70s, as some of the bigger funk acts like Black Heat or War moved out of the indie scene and really started to hit a wider audience! That doesn't mean that Orgone's commercial at all -- because they've got a sound that's still as sharp-edged as any smaller group -- but with a lineup that's quite large, they're able to encompass a very wide range of soulful styles -- gritty 45 riffing, slinky Chicano-styled grooves, Afro Funk, tighter soul tracks, and lots lots more -- all carried off with perfection throughout. The album feels like some lost masterpiece on Fantasy, or possibly some overlooked early 70s major label funk set on WEA or United Artists -- and titles include "Who Knows Who", "I Get Lifted", "Funky Nassau", "Lone Ranger", "Prism Break", "Crabby Ali", "Duck & Cover", "Dialed Up", "Said & Done", "Hambone", "It's What You Do", "Do Your Thing", and "Sophisticated Honky". 
    - © Dusty Groove America, Inc.

Orgone - Come Around

iTunes

The Lijadu Sisters - Life's Gone Down Low

Look Up

High As The Sun

Antibalas - Dirty Money (Radio/45 Edit)

Dirty Money

With globe-spanning influences that touch on some of our very favorite genres and musicians, Ottawa's The Souljazz Orchestra and London's Sofrito make for a complementary pair. Both released incendiary albums this year, and as The Souljazz Orchestra prepares for a string of North American dates, the timing is perfect for a collaboration.

Utilizing the original multi-track masters (one of the benefits of keeping things in the family) Sofrito's Frankie Francis has created a masterful re-edit of "Serve And Protect," showcasing some of the fiercest playing on the latest Souljazz LP <i>Solidarity</i>. 

<b>The Souljazz Orchesra North American Tour</b>
 
Nov 28 - Burlington, VT - Higher Ground
Nov 29 - Boston, MA - Brighton Music Hall
Nov 30 - New York, NY - Webster Hall
Dec 01 - Washington, DC - Jammin' Java
Dec 02 - Philadelphia, PA - World Café Live
Dec 04 - Buffalo, NY - Nietche's
Dec 05 - Columbus, OH - Woodlands Tavern
Dec 06 - Detroit, MI - Pike Room
Dec 07 - Chicago, IL - The Empty Bottle
Dec 08 - Minneapolis, MN - Triple Rock

http://www.souljazzorchestra.com/ • http://www.sofrito.co.uk/ • http://www.strut-records.com/

Strut Store

The Souljazz Orchestra - Serve And Protect (Frankie Francis - Sofrito ReWork)

Gabo Brown & Orchestre Poly-Rythmo - It's a Vanity

Album "Isle Of Magic" LP/CD/DIGI // Agogo Records/!K7

Vocals – Anthony Joseph
Marimba – Pasquale Mirra
Clarinet - Guglielmo Pagnozzi
Bass – Salvatore Lauriola
Percussions – Andrea Benini, Danilo Mineo, Lorenzo Gasperoni

Arranged and Produced by Andrea Benini 
Mixed by Mo Stern, Andrea Benini
Mastered by Kelly Hibbert
Artwork by Gianni Rossi

*iTunes: ‪bit.ly/10mOen3‬
*Amazon: ‪amzn.to/17KS6OT‬
*Juno Records: ‪bit.ly/ZwKADT‬

*The Sunday Times*
“Breathtaking, simply breathtaking. The most exhilarating cross-border raid since the Ethiopian composer Mulatu Astatke teamed up
with that wayward London collective the Heliocentrics. Hallucinogenic.”

*The Financial Times*
“Mop Mop conjure an impeccably retro island retreat for themselves and for an array of friends. 4/5 stars”

*Mojo Magazine*
“Martial rhythms, spooky grooves and out-there atmosphere make this a spirited, spellbinding set. Put that in your gris-gris. 4/4 stars”

*The Crack Magazine*
(Album Of The Month)
“An organic, percussion-led contemporary world jazz masterpiece”

www.mopmop.com
www.facebook.com/mopmopofficial

Rat Race

Antibalas

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