Antinote presents: Jaisiel, a friend from the super cool Madrid crew Ears on Earth. This is a special tune for your hot summer nights, taken from "On the Universe" EP, to be out on Antinote later this year. 

Antinote057 !!

JAISIEL - TALK TO NATURE

Hugging the bend and blowing kisses since 2012, Antinote has been a vessel of choice for lovers of left-of-centre dance music and retro-laced boogie. Covering a supremely wide range of styles, the Parisian outlet has carved out a musical lane truly its own by putting on a nonstop celebration of electronics’ inexhaustible power of enthrallment. A pledge of quality-driven curation and never-ending search for the next thrill that’s proven untiringly relevant throughout the years and opens onto its second decade of existence with equal panache. 

Toasting to its ten years splashing the game with continuously reasserted outsider bravura, label captain Zaltan has bottled some of the finest expressions out Antinote’s versatile vaults of sound to form the present “X” compilation, “ten years of loving notes and foolin around 2012-2022".

DOMENIQUE DUMONT - LA DOLCE VITA

First single from the forthcoming Deux Paradis Album on Antinote.

Es-tu au paradis
Reviens à moi
Es-tu au paradis

Hey toi au paradis
Entends-tu cette chanson?
Hey toi au paradis

Lumière chaude
Entoure-nous doucement
Lumière chaude

Plaisir chaleureux
Prends nous tous les deux
Plaisir chaleureux

Es-tu au paradis
Reviens à moi
Es-tu au paradis

Hey toi au paradis
Tombons dans le péché
Hey toi au paradis

Lumière chaude
Entoure-nous doucement
Lumière chaude

Plaisir chaleureux
Prends nous tous les deux
Plaisir chaleureux

Les Abeilles et les lys autour
L’été éternel
L’Opium, les raisins autour
Dimanche éternel

Les bêtes et les prairies autour
Symbiose éternelle
La Mer et les vagues autour
Rêverie éternelle

Domenique Dumont - Deux Paradis

KARMA SHE and Lily Haz unite their forces with "Magic Beans", blending their unique styles into a vibrant and dynamic two track EP with ‘Jungle Time’ and ‘Magic Beans’. KARMA SHE’s smooth vocals and poetic lyrics weave effortlessly through this co-production with Lily Haz, crafting an alternative multiverse where bold beats meet tender melodies. With influences of Dancehall, Pop, and Techno, this collaboration is a femme-forward, high-energy spell, inviting listeners to lose themselves into its activating rhythms and otherworldly atmosphere.


Performed by: KARMA SHE
Written by: KARMA SHE
Produced by: KARMA SHE, Lily Haz

Karma SHE & Lily Haz - Jungle Time

Doucement les Basses #2 - By our forever friend and mentor Gilb'R from Versatile records, Paris.

100% USB ready double smasher for your dancefloor. No weird story telling, just HOUSE MUSIC.

Artwork : Oeil Cube

Get it for free price here  :: 

https://antinoterecordings.bandcamp.com/album/doucement-les-basses-2-rien-savoir-rue-killer-e-p

Doucement les Basses #2 - Gilb'R - Rien À Savoir

Third offer from Antinote's new imprint, Doucement les Basses. Another Banger from POVOA from the French/Brazilian Band PPJ. No fake story telling, No AI, Just 100% USB ready club material!

Povoa ft Cremstar - Il kiff ça

DOMENIQUE DUMONT - COMME CA

D.K.- WHAT EVER TURNS YOU ON

After Bobby Williams - Nina (EP) is the first release from Montuno & Oplik.
Recorded, produced, and mixed in Berlin from November 2023 to November 2024
credits


After Bobby Williams - velvet

After Bobby Williams - Elevator

After Bobby Williams - After Bobby Williams

After Bobby Williams - Parallel

3 - D.K. - PLAY ON

2 - D.K. - IVORY FOREST

1 - D.K. - EVENING SHADOWS

The Antinote guys have always been keen on introducing new names to you and this addition to the label’s catalogue makes no exception to the rule: they are pleased to present Sfarot, the debut EP from Alek Lee, a musician currently living in Tel-Aviv.

The geographic origin of the artists on the Parisian imprint has never been felt as much as on Alek Lee’s debut 12”. In a very “fourth world” manner, Alek Lee brings together middle-eastern influences in his music with ease and without ever having it sounding cliché: on Harabait and Sfarot (and its dub version), his friends and him play the violin, the bass clarinet and the accordion in a way which reminds of Klezmer music, putting the three songs on the EP in line with both his musical education and his cultural background. 

This seems strikingly true when taking into account the process Alek Lee went through to record the tittle-track: the original material used in Sfarot comes from a recording Lee did a few years, and on which were recorded traditional songs Israeli children used to learn at school, performed by a choir of very young kids. Both conceptually and musically hypnotizing, Sfarot and its dub version take the listener on a slightly psychedelic trip
as the haunted voices from the kids loose themselves in long reverbs and are backed by a wide range of instruments played by the Israeli musician including an electric organ, percussions, etc.

And if you are still in need of more dubby excursions, the closing track is the one for you !

Sfarot

ALEK LEE - SFAROT

Final episode in Decades, our retrospective series focusing on the work of Tolouse Low Trax.

OUT NOW

TOLOUSE LOW TRAX - METAL TENT WICKED

Five Years Of Loving Notes's opening song by Domenique Dumont

ATN5YEARS - FIVE YEARS OF LOVING NOTE 
OUT NOW

Five Years Of Loving Notes

ATN5YEARS - DOMENIQUE DUMONT - +371

The label is turning five, and it's celebrating with a 2xLP compilation of unreleased work from artists who have graced the label over the period! 
Exclusives from Tolouse Low Trax, Geena, Iueke, Domenique Dumont, Inoue Shirabe, Raphael Top-Secret and more...

DOMENIQUE DUMONT - +371

Nico Motte, Raphaël Top-Secret and Zaltan join forces on these 4 songs, each sitting somewhere between some sort of somehow aquatic dream pop and blurred visions of an eerie grunge sound, that probably never was... 
PRODUCED BY NICO MOTTE AT SYNTH CITY AND RED BULL STUDIO

18 Rays

18 RAYS - I Feel Rain

ATN037 - Radiante Pourpre - I

From Slowglide - Reigi/Haipa (ATN041)
Out April 2018 on Antinote

Pre-order it: https://bigwax.fr/fr/antinote/music/haipa-reigi
Digital: https://antinoterecordings.bandcamp.com/album/atn041-slowglide-reigi-haipa

Distributed by Rush Hour

SLOWGLIDE - HAIPA

Pre-order:
Vinyl
http://www.rushhour.nl/distribution_detailed.php?item=104501

Digital
https://antinoterecordings.bandcamp.com/album/atn043-river-yarra-lucky-boy

In 1978, Brian Eno started what would become his seminal Ambient series with Music for Airports. If he was to add a fifth volume to the series in 2018, he would probably call it “Music for Social Medias”, wouldn’t he? We’re not 100% sure that this is about to happen, so, instead, we take the lead and have Oz’s River Yarra giving his own take on Music for Social Medias (and the result doesn’t sound at all like ambient music).

At least, we might accurately call it “music from social medias”, as it sometimes feel it’s been generated by a possessed creative algorithm. Starting with the opening track, Aorsom Wislhs (whose name must have been given by a deficient Messenger chat bot), one might feel disoriented by the extremely weird and wonky lead melody. The melody of Sli Ggogg (sic) – the slow jam opening the flip side – is equally uneven; add to this the unsettling (slightly) human-sounding voice and you’re in for a trip to the Uncanny Valley.

But there’s a sense of non-human randomness infusing all of these four songs. Take the intensely mesmerizing Respiration Alternée with Elen Huynh, for example: there’s a high probability that its lyrics come from some random meditation tutorial found on YouTube, translated into French by an anxious Google Translate bot, eager to bring some (cheap?) spirituality to IRL dancefloors. 

With this debut EP, the Ozzie producer succeeds in rounding up disparate & dubious elements together in a serious way without departing from a non-serious attitude - the record even rounds off with a very “put your hands in the air” moment with Space Gekko’s ravey sirens. “Music to party on the River Yarra to” (just Google it).

River Yarra - Respiration Alternée (Avec Elen Huynh)

@domeniquedumont 's  Miniatures De Autorhythm coming out in September 2018 via Antinote

Domenique Dumont - Miniatures De Auto Rhythm - Album Preview

Pre-order Vinyl & Digital:
http://www.rushhour.nl/store_detailed.php?item=105520
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

DOMENIQUE DUMONT - LE DEBUT DE LA FIN

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

“It’s not easy to be free, but it’s harder not to be”.These are the first words to Bad Woman, Céline Gillain’s debut LP on DRAMA.

I’ve never had that many difficulties writing a text for a release. There were easy ways of dealing with it actually, like isolating some of the lyrics and making aphorisms out of them that would have punctuated the text. I could have also wrote about her music with hackneyed words and glamorous comparisons with the likes of Laurie Anderson or Leslie Winer.

Maybe is it because it summons the influence of artists that have been crucial in our lives, maybe is it because of the ambition and the absolute sincerity emanating from this record, maybe is it also because of the utter contemporaneity of the record… but I feel stuck.

So I will only say a couple of things. If the idea of an LP following her debut 7″ on Lexi Disques gets you as excited as we were and still are, you won’t be disappointed by Bad Woman. The music on the upcoming album definitely is pop music, but in a disturbing, beyond « good » and « bad » taste kind of way.

It sometimes feel as if Bad Woman has been written by a former Pop diva that saw her expectations being shattered by life and now tries to make her come-back with a new album, influenced by what she believes to be contemporary pop music. The thing is, the result is a mutant blend of everything and anything that has been produced by the music industry these last 30 years, from Cher’s delirious come-back in the 1990’s to the most embarrassing moments in Dance music, and it rather sounds like a record that would have been written in a parallel universe.

That being said, Bad Woman tackles painful issues about our lives as individuals and society but with absolute elegance. After months of being the only one able to listen to it, no need to say that Zaltan & I are now extremely proud and happy to see this record coming to life. Thank you Céline for untrusting with taking care of your album.

OUT DECEMBER 2018 via DRAMA

CÉLINE GILLAIN - FIGHT OR FLIGHT (DRAMA2)

From River Yarra's Frogmania (ATN050)
Out June 2019 on Antinote
Buy Vinyl & Digital: https://antinoterecordings.bandcamp.com/album/atn050-river-yarra-frogmania
It's a frog's frog's frog's world / We're reaching #50

Frogmania

RIVER YARRA - TOAD CHARMER

Digital EP ==> https://antinoterecordings.bandcamp.com
OUT 08 November 2019

OMMA_1905

One Love for the Antinote Artists, One Love for the Antinote Supporters, Friends and Listeners. We need you, we won't die, hopefully. Nothing can hurt when love is here. e love you As usual we offer you a large spectrum of music wrapped in a One-love-Antinote vibe.

Antinote

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